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IBO reference notes on . . . queerness

How has it taken me this long to write about this aspect of the show? (He asked rhetorically, staring at the enormous amount of fanfic that basically stands as a thesis statement on how very queer this part of the Gundam franchise is [as opposed to all the other terribly straight parts, he added, sarcastically].)

Anyway, let's do it. Full spoilers up to the end of the show will follow, together with discussion of child abuse and exploitation, since that is what IBO is all about.

Special thanks to @lilenui and @prezaki for their invaluable assistance in locating sources.

Statement of caveats: this work is an amateur analysis of the English-language localisations (subtitled and dubbed) of a piece of Japanese media. I do not speak or read Japanese. I am myself bi, which qualifies me to be attracted to more of the cast than the average viewer, and have a working knowledge of LGBTQ+ history in the UK and USA, which tells me nothing about the cultural and historical context in which this anime was made. As such, I will not be addressing the behind-the-scenes production or the corporate mandates surrounding it but will focus narrowly on what I perceive to be present in the text (hereafter meaning both the script and animation, and any additional fictional details provided elsewhere).

Queerness in Gundam

Some background before we dive in. To my knowledge, the first character in the Gundam franchise to be intentionally depicted as LGBTQ+ is Guin Sard Lineford from Turn A Gundam (1999). An ambitious young aristocrat who spends the series on the line between hero and villain, he is infatuated with protagonist Loran Cehack and the show makes little attempt to play this as anything other than one man falling in love with another.

This is entirely one-sided and not appreciated on Loran's part, although that seems to have less to do with it being homosexual attraction than with Guin's high-handed and entitled attitude to life, filtered through heavily gendered social norms. For plot reasons, Loran spends several episodes cross-dressing as 'Laura Rolla', corsets and all, and Guin continues referring to him as 'Laura' long after the deception is no longer required, saying it 'suits him better'. Guin is eventually called out on this by a third character, who accuses him of forcing an idea of feminity on the other man rather than stoop to place himself in the position of a 'wife'. Objectifying Loran is presented as of a piece with Guin's overall flaws as a person, to whit, putting his own views about how things should be above the material reality and desires of those around him.

Guin is also the only explicitly gay character in the show (I'm honestly not sure how to classify whatever Dianna Soreil and Kihel Heim have going on, but it's certainly not labelled in the text). Therefore no counterpoint is provided to demonstrate healthy queer relationships. I don't state this to dismiss his inclusion: he forms part of a smart, nuanced plot thread, and Gundam creator Yoshiyuki Tomino had to fight to get Guin's homosexuality clearly included. But even so, Guin is a palpable step forward rather than a watershed moment, and the end result veers close to some nasty stereotypes about queer people imposing their desires on others.

There are other examples of characters transgressing gender norms in Turn A, most especially Loran's aforementioned cross-dressing. He is comfortable playing the part of 'Laura', in ways that mitigate viewing this situation as the extended joke it might be in another production. Funny moments do come up – particularly in the lead-in to his 'debut' as he acclimatises to the female attire of the show's pseudo-Edwardian setting and takes posture lesson – but he and the concept of a man in ladies' clothes are never made a subject of mockery. The same cannot be said for the character of Sochie Heim, whose attempts as a young woman to fulfil a gung-ho masculine role often turn comedic. This is part and parcel of her assaying militaristic modes of action, which are soundly mocked across the board. It nevertheless stands out next to Loran/Laura.

Further, Loran's status as a literal moon-child carries implications for his attitudes. His dismissal of existing social standards on Earth is very much presented as correct, and in keeping with what I know of Tomino's other writing and stated beliefs, but it dovetails unfortunately with a treatment of queerness as otherworldly, not something that may be found among an average population. We get another example of cross-dressing in the next-but-one series, Gundam 00 (2007, not a work Tomino helmed), where the usually male-presenting artificial lifeform Tieria Erde switches to a female presentation (in a ball-gown, no less) during a covert mission. This sufficiently parallels Loran's case, I assume it was a deliberate call-back, being as it is a disguise enacted by someone even less typical than a boy from the moon.

What I am driving at is that while Guin, Loran and Tieria may be characters who are queer or perform queerness in some manner, they do not necessarily represent an outright embracing of queerness as a mundane facet of everyday life.

Fast-forward to 2024 and the latest mainline Gundam show is a lesbian romance.

If you have been following my blog for a while, you will know I do not hold The Witch From Mercury in especially high regard. I think it is annoyingly messy, frequently half-baked, and, broadly-speaking, exactly as frustrating as I'd expect from the guy who wrote Code:Geass. It's still an explicit love story that opens with a clangingly blunt statement about the acceptance same-sex relationships and ends with the two female leads happily married to one other. For all its flaws, I genuinely think the central relationship between Suletta Mercury and Miorine Rembran is a nice piece of story-telling, not to mention admirably open about what it is doing. Like it or lump it, Gundam is gay now, properly, with a protagonist and co-protagonist who can be definitively labelled queer and whose romance appears entirely unremarkable for the setting (in terms of being same-sex; clearly there is a lot to remark upon otherwise).

I would be remiss if I did not mention that the conclusion of the series was accompanied by a certain amount of corporate arse-showing, with hollow attempts to walk back the ending seemingly for the sake of appeasing homophobic elements within and without the companies that produce Gundam. The frankly laughable nature of these actions stands testament to how unequivocal G-Witch is. It is flatly impossible in my opinion to interpret as anything other than flagrantly homosexual, and that's great.

Between this interesting but limited start and the full-throated present lies Iron-Blooded Orphans (2015), my absolute favourite and the show that got me writing slash fic after years of… not doing that. So: what is the deal with queerness in IBO?

Natural for a human

By my count, including all present spin-offs, there are three characters stated in-text as being attracted to people of the same gender (Yamagi Gilmerton, Iznario Fareed, Deira Nadira), two who are at the least open to the idea (Norba Shino, Mina Zalmfort), two whose mutual attraction is stated within the context of polyamory with a third person of the opposite gender (Atra Mixta, Kudelia Aina Bernstein), one whose sexuality is briefly hinted at (Chad Chaden), and one male character who is possibly not attracted to women (Orga Itsuka).

Let's get Iznario out of the way first, because the less time we spend on the actual paedophile, the better.

Lord Iznario Fareed is a rich, powerful aristocrat who sexually abuses young blonde boys and inadvertently sets large parts of the plot in motion as part of quasi-villain McGillis' backstory. In a lesser show, Iznario would be the embodiment of the 'predatory queer' stereotype Guin skirts the edge of. Here, however, he is very much not the only 'gay' character present and his proclivities demonstrate one of the many ways the world exploits vulnerable children, a core theme of the series. Early on, we see fleeting glimpses of young girls being pimped out on the streets of Mars. Iznario shows this social failing extends to the much richer Earth and although he is portrayed as the worst among the Gjallarhorn elite, they all abuse their power for personal gain. Thus, as much as the reveal of what he has done carries a certain shock value, it is not present purely for cheap impact. (This isn't the essay to discuss it, but the flashbacks to McGillis being abused as a child are a masterclass in how to frame such things around the victim, clearly communicating what's happening while avoiding gross voyeurism.)

I don't know how deliberate it is the canonical gay character who is shown in an entirely positive light fits the profile of Iznario's victims to a T, but it does underscore we're looking at a case of power allowing people to get away with hideous things, not a stand-in for queerness in general. To an extent I resent having to spell this out, since it seems so obvious Iznario is not fulfilling the role of a homophobic cliché. Sadly, the cliché exists and the point is worth discussion.

Moving swiftly on: Yamagi and Shino.

Yamagi Gilmerton is a small, quiet teenage boy with a somewhat withdrawn and acerbic personality, who spends much of Iron-Blooded Orphans nursing a hopeless crush on mobile suit pilot Norba Shino. Like the majority of the cast, Yamagi is a child soldier, but a mechanic rather than a combatant. Additional backstory commentary reveals that he struggled on joining CGS mercenary group due to his physique. Indeed, while this detail is not directly referenced in the anime itself, he is indeed drawn noticeably thinner than the other boys.

Again, we veer towards stereotypes, where a queer character is portrayed as weaker and more effeminate. Yet in spite of leaning this way in looks, Yamagi is an eminently capable person, never treated as lesser for fulfilling a support role rather than being a fighter. If anything, IBO goes out of its way to highlight how vital good mechanics are to mechanised warfare, and we see multiple examples of Yamagi being both assertive and kind of badass. At one point, he scales, unaided, an 18 metre tall mobile suit that's collapsed to its knees. When he and Shino are revisited in spin-off game Urdr Hunt (soon to be some form of animated production), he pilots a spaceship within an active battle-zone, flying escort for a damaged freighter as it retreats. In Season 2, he's comfortable ordering Tekkadan's new recruits around and is the first person to properly chew Orga out for his failings as a leader. Far from being an outlier among the protagonists, Yamagi is equally brave and dedicated to the cause, irrespective of his sexuality.

To be fair, he does tend to clam up and grow more awkward around the object of his affections. To be equally fair, he has the misfortune of having fallen for the most oblivious himbo on God's red Mars.

Shino is a big, boisterous warrior, the polar opposite of Yamagi in personality and physicality. He embodies Tekkadan's machismo, eagerly anticipating the chance to prove their strength and generally being a standard bearer for becoming the biggest, baddest group around. Things are not as straightforward as they seem on the surface, however. He shows a good awareness of when the group is in over their heads – going so far as to suggest retreat in the face of bad odds several times – and he is not nearly as sure of himself as he might first appear. He displays a wide streak of insecurity about his abilities as a soldier, reacting badly to people questioning his dedication or competency. And he crumbles completely when some of his comrades are killed as the result of a split-second mistake on his part, stating a wish to have died in their place. Thereafter, he acts in ways that read as choosing to take all the risks on himself rather than go through more loss. It makes him an interesting mix, someone who acts as a cheerleader, boosting everyone else's morale, while swallowing his own doubts and personal fatalism.

He is also presented as one of the most sexually active members of Tekkadan, using his wages to visit brothels to sleep with women. Indeed, he is frequently found extolling the virtues of the opposite sex, referencing collections of pornography (at least in the English dub), and generally being a very typical teenage boy about such matters.

Given this, you might assume Yamagi is longing hopelessly for a straight man. That is indeed the idea the show teases us with for much of its run (can something be straight-baiting? I feel if anything ever earned that title, it's this). OK, Shino's fond of Yamagi as a friend and frequently relies on his assistance in improving his fighting ability, and per ancillary material, is the one who got Yamagi transferred to the mechanics corps in the first place, rescuing him from struggling in the infantry. And sure, Shino spends an awful lot of time in very close proximity to Yamagi, including literally pulling him into the cockpit to assist with a mission. And yes, Shino is absolutely a flamboyant creature, sporting gold ear studs and an attraction to the colour pink, ensuring his mobile suits are painted all over magenta in order to stand out on the battlefield. And certainly, Shino is extremely empathetic, adjusting his attitude depending on his impressions of other people, such that he dials his boisterousness down in Yamagi's presence, displaying a far more gentle affection than he does with his other friends.

But clearly he hasn't noticed Yamagi is head over heels for him.

Right?

Well, towards the end of Season 2, during another moment where Yamagi is literally sitting on Shino's knee, Shino proposes the two of them drink together all night long once the fighting is over. Not only is this an unambiguously romantic overture (he's asking while pushing aside the fringe that normally covers half of Yamagi's face, in order to look into his eyes properly), it comes after a joke several episodes earlier in which Shino has to explain to a less worldly comrade that a girl inviting you for a drink is not a request to go out with the whole gang but a far more intimate gesture (I say explain, it's more expressing incredulity Akihiro didn't realise Lafter was asking him on a date). Later, it is revealed Shino did indeed work out that Yamagi 'likes' him (to his friend Eugene's exasperation that it took him so long to notice), and he reacted with amazed delight to discover there was someone in Tekkadan who'd fall in love with 'a guy like me'.

He'd assumed because Tekkadan is a family (a description provided by their ally Naze, which everyone just kind of runs with), romantic love wasn't possible between them. Having worked through this mental block and finally realised the blindingly obvious, he renews his desire to protect Tekkadan as long as he lives, refuting his previous view of himself as an expendable human shield and heading out with every intention of surviving all the way to the end.

And because IBO is an exquisitely-written tragedy, he is promptly killed while attempting a futile one-man attack against their enemies, his advances on Yamagi forming part of a long build-up whereby the boy who loves him provides the tools he needs to charge into a suicide run.

Right then. *drags out the reading comprehension soap-box* I have seen some people refer to this as an example of the 'bury your gays' trope, and there is nothing more likely to get me manifesting behind you in the form of an irate shoebill than to do likewise. 'Bury your gays' refers to a tendency for queer characters in fiction to disproportionately suffer tragic fates. This is a writing choice usually rooted in the idea queer relationships are inherently tragic, either because they are viewed as a perversion of 'correct' forms of love, or because of some misguided idea the prevalence of homophobia means queer joy is impossible. I am going to be charitable and concede this is indeed a case where one half of a budding homosexual relationship dies horribly. But, as always, the context matters.

All but one of the romantic relationships established prior to the epilogue of Iron-Blooded Orphans end in death. Of the two that survive in some capacity, one is a heterosexual background romance between two older characters and the other is a pair of women I shall be covering later. IBO is a story about child soldiers that does not shy away from the fact these are teenagers being fed into a meat-grinder. That the director's original intention of killing every named character was toned down (to the series immeasurable benefit, in my opinion) dos not change a narrative arc towards doom.

Within this, Yamagi and Shino aren't singled out for being queer. The coyness around Shino's eventually-evident bisexuality serves to generate an instant of hope and relief right before the rug is pulled from under everyone's feet. Where Shino's death does differ from those of other characters is in presentation: he dies alone and does not get any form of farewell or the passing-on moment afforded to others. But that is only to be expected, since we're talking about the point where it becomes clear there is no saving the situation. It's a cruel, abrupt moment of bad luck, puncturing the heroic idea of scraping victory at the last second. Shino flew out intending to live and he died anyway. A queer relationship forming part of what he was fighting for is an almost incidental detail.

(As an aside, I am aware of two other examples in Gundam fiction where a pilot and a mechanic have a doomed love affair. One is in Char's Counterattack, where a male engineer's romance with a female pilot ends with them both being abruptly killed, and the other is from Gundam AGE, where a female mechanic sacrifices herself for the greater good, leaving a male pilot to mourn her loss for the rest of the series. Shino and Yamagi reiterate this same concept.)

Stepping back from the tragedy, Yamagi's love for Shino is as delightfully underplayed as the other relationships in the show, with little emotional melodrama being wrung from the romance itself. Yamagi can't bring himself to declare his feelings, frequently turning cold instead and perpetuating Shino's misunderstanding of where they stand. Yet Shino ultimately proves enthusiastic for the idea, rendering moot any concerns Yamagi had over getting turned down (going beyond the text, a Q&A with the series' director confirmed Shino was written as bi). Equally, in the aftermath of Shino's death, Eugene comforts Yamagi by relating the truth of Shino's earlier realisation and even going so far as to rebuff Yamagi for implying there's something wrong with him for grieving. This and other interactions in the same episode imply those nearest to the pair were well aware of Yamagi's desires and had absolutely no problem with them. The prevailing attitude within Tekkadan is one of complete acceptance for its members and this is no different.

Indeed, for me, the most important part of how queerness is represented in IBO is that it is treated as just another aspect of the diversity of the cast. I've seen it stated that viewing homosexuality as a natural part of human existence was Tomino's motivation in making Guin gay. IBO presents us with the same idea, far more seamlessly and far more positively.

Now, let's leave the anime proper and look at the same-sex pairing from spin-off manga Iron-Blooded Orphans: Moon Steel.

Deira Nadira and Mina Zalmfort are part of the Gjallarhorn nobility and their marriage was arranged to strengthen relations between their two families. We see an example of a similar political match in the main show, where the heir to the Fareed family, McGillis, is betrothed to the second child of the Bauduins, the much, much younger Almiria. That this can take place regardless of the gender of the participants has big implications for the functioning of a bloodline-focused aristocracy. Presumably it indicates they are happy to use medical technology to ensure the Nadira family continues into the next generation, and if same-sex marriages are thus permitted, that means fewer factors to worry about when it comes to perpetuation. Whether male-male weddings are allowed too remains an open question; given the existence of real-world double-standards, it is possible Deira and Mina represent the only acceptable form of homosexuality. Nevertheless, that it is accepted speaks volumes. Gjallarhorn is not an especially progressive organisation, built as it is on rigid class structures and notions of human purity. Yet here we are.

Perhaps we should have expected that the norms around gender in this system don't correspond to strictly patriarchal patterns from the real world. Carta Issue, a key player in Season 1 of the anime, is the only child of the Issue Family's current leader and positioned as his sole heir, irrespective of the fact she's a woman. The logical inference is that any children of hers would count as Issues, rather than belonging to a potential husband's family. Deira is similarly the heir to her father's position, although intriguingly, it's not outright confirmed if she is his only child or simply the oldest. The possibility exists that gender is a non-factor in determining inheritance.

With respect to sexuality, Deira seems pretty obviously intended to be a lesbian. Her relationship with Mina is presented as one they are both happy with, despite it being an arranged by their parents, and Deira is depicted in the manual for Gundam Gremory's model kit as favouring the clothes of 'a handsome man'. She doesn't present that way within the manga' story, first showing up wearing the standard unisex Gjallarhorn pilot-suit, then wearing a formal gown for a meeting while in an official capacity. But she is depicted wearing masculine clothes in silhouette when initially mentioned and in a post-story panel at the back of the final volume.

(Another aside: the fan translations I use for this part of the manga refer to Deira using male pronouns when she's introduced. However, that could simply be down to the poor quality of said translation; she's consistently referred to using female pronouns in official materials and the game adaptation of this scene has her named as simply 'Lord Nadira', the standard appellation for Gjallarhorn family heads.)

Whether Deira's code-switching is the result of institutional expectations around her role or personal preference, it adds extra texture to her depiction. While civilian garb was designed for the adult version of Carta and closely matches conservative gender expectations for a woman, she's never shown wearing it, so we don't have a point of comparison to judge what's required of a character in Deira's position.

Regarding Mina, you'll notice I grouped her with Shino rather than the characters whose sexuality I consider to be stated outright. With Shino, the nature of his sexuality is not put absolutely beyond question in the text. This is splitting hairs due to the overt nature of what's on screen but the fact remains, the anime doesn't clarify if his being open to Yamagi's love means he already thinks of himself as bisexual, or if this is something he hadn't considered before. With Mina, it's more a case that I'm unwilling to label her one way or the other based on the available information. Deira carries sufficient signifiers, I find little room for doubt over the intention. We also have an outright statement that she holds great affection for Mina regardless of being obliged to consider her an eventual romantic partner. Indeed, she becomes so upset by believing her fiance dead, she runs off to Antarctica in a Gundam. But the exact depth of Mina's feelings in return is not discussed.

In addition, Mina is considerably younger than Deira. McGillis and Almiria's match takes place when he is (probably) somewhere in his late twenties and she is nine, with plans for the union made four years prior. This is not great, to put it mildly, albeit fairly typical of how such things have historically worked for nobility. Based on appearances and how they are treated by the rest of the cast, I would assume Mina to be in her mid-teens, and Deira to be in her early twenties (annoyingly, exact ages are provided for several characters in Moon Steel, just not these two). A less dramatic gap (and I don't believe Mina is meant to be quite as young as her appearance perhaps suggests), yet still significant when one of the people involved is below what we'd consider adulthood.

There is no indication of anything untoward going on, within the confines of the situation, similar to how we're given no indication McGillis is abusive towards Almiria. Any comparisons with Lord Iznario's activities lie purely along the axis of how children are exploited by adults even without suffering directly. All indications are that Deira and Mina have made the most of something they have little choice in. Regardless, I still feel more comfortable describing Mina as open to being in a relationship with another woman, rather than pinning her to a specific preference.

Continuing the theme of things where doubt or ambiguity exist, let's discuss some characters were there shouldn't be any: Atra and Kudelia.

I don't know about you, but I find it extraordinarily hard to read this as anything other than a three-way love-confession. Still, in the interests of fair play, let's review the wriggle room for declaring this something else.

Kudelia Aina Bernstein and Atra Mixta are love interests of nominal protagonist Mikazuki Augus, in an iteration of another tried-and-true trope, that of a male lead inexplicably being attractive to the female characters in his orbit. Or rather, it would be if the show didn't take such pains to demonstrate why these girls fall for him, setting up a long-established crush on Atra's part (rooted in him being the first person in the world to be nice to her) and a mutual respect on Kudelia's that gets spurred to more when Mikazuki randomly decides to kiss her because she 'looked cute' (Mikazuki has the manners of a feral stray raised on the streets, because that's precisely what he is).

Justification aside, this has the makings of a traditional triangle, that is, one without a connecting base, which we might expect to be resolved by either Kudelia or Atra 'losing out'. For a few episodes, this does indeed seem where we are headed. Then Atra discovers the concept of polyamory via the polygamous Turbines group and all bets are off.

Having realised it is perfectly possible for a family to consist of multiple romantic partners, Atra proceeds to work towards ensuring everyone gets everything they want. Strictly speaking, this doesn't mean she is attracted to Kudelia as well – even if she clearly recognises Kudelia as an attractive person from the start and…

You know what? Acknowledging that the information about their eventual marital status was only stated in interviews at live events with no official record and seems to have been framed around raising the son Atra has with Mika, I'm going to abandon the pretence of both-sided objectivity and go straight for the throat. Turns out my patience for soft-footing this lasts about as long as it takes to say 'bi-erasure'.

Over the course of Season 1, Atra not only decides the end-game is some form of three-person wedding, she also:

Shows no jealousy over Mikazuki and instead chides him for not providing the correct emotional support to the girl he kissed.

Spends a great deal of time with Kudelia and enthusiastically throws herself into furthering Kudelia's goals, without necessarily understanding the technicalities.

Covers for Kudelia by pretending to be her during a confrontation with Gjallarhorn soldiers, getting herself soundly beaten up in order to prevent them from chasing after the real deal.

Drives an armoured car through a battlefield for Kudelia's sake, safely delivering her to a vital rendezvous.

Leaps in front of a massive mobile suit to push Kudelia out of its path, physically shielding the other girl with her body.

As much as it pains me to resort to the 'if this were a man and a woman, would it read as romantic' crudity – yes! Yes it would! Especially since in Season 2, Atra presents Kudelia with a good-luck charm bracelet she has woven, something she previously did for Mikazuki explicitly out of having a crush on him. I'm all for embracing platonic love (which is why Takaki and Aston are not featuring in this rundown) and there's nothing in the above list necessarily entailing attraction beyond deep friendship. But when Atra consciously repeats her actions towards Mikazuki (someone she goes on to definitely have sex with) with Kudelia and it leads to the scene between them where they declare how they feel about each other and Mikauki, looking for non-romantic angles takes more effort.

After all, if we are to read Shino's openness to Yamagi's affection from the things he says and how he looks saying them, we can certainly do the same for Atra and Kudelia's use of the word 'like' in reference to one another and their reactions to hearing it said of them. (Obligatory note that if there is some nuance in the original Japanese the translation doesn't capture, I'd love to hear about it. The English scripts, however, leave little to the imagination.)

It is indisputable that Atra feels a strong affection towards Kudelia and while I have been focusing on her a lot (she is by far the most proactive member of the triad), Kudelia reciprocates at every opportunity she is presented with. Even if there truly wasn't an intention to portray this as exactly equivalent to Atra and Mikazuki, the end result manages to be on par with Yamagi and Shino. Consider Kudelia and Mikazuki, for example. In terms of portrayal and the two-girls-one-guy trope being explored here, they have the same level of chemistry and the same absence of overt consummation as Kudelia and Atra, and it would hardly be a serious position to claim the show does not place the two of them in romantic conjunction, now would it?

You may at this point be wondering why I am getting so defensive of reading Kudelia and Atra as romantic partners. Honestly, I am too. On reflection, I think it's because IBO is playing around with such a worn-out and insipid means of wringing drama from characters who should know better, I keep searching for the catch. And yet there isn't one. This show really did respond to a nascent love chevron by having the mousy, homely girl tell the governor's beautiful daughter to shut up and get in the polycule, and turned it into a true triangle.

That's wonderful. I cannot properly express the wave of joy and relief that came over me when I realised this was the direction they were taking. It ends in tragedy, of course, Mikazuki giving up any chance of a peaceful life to die in battle, far away from the women who love him. But their lives continue because of his sacrifice and by all appearances they remain together. In some ways, for the overarching message of hope persisting on the back of heartbreak, the precise details of that arrangement don't particularly matter. So why not take the gayest reading possible?

What an excellent segue into a blink-and-you'll-miss-it, probably-stretching-too-far, nonetheless-compelling potential bit of queerness: Chad in the series epilogue.

One of the many tertiary characters in Tekkadan, Chad Chaden has minor speaking parts throughout Season 1 and a larger role in Season 2. He initially appears during a particularly dire early moment when it looks like everyone is about to be killed by attacking mobile suits. His obvious resignation to this fate sets the tone for a rather dour personality, at least while on the clock. Chad starts out as human debris, a person enslaved after a space battle and sold to the CGS military group as free labour. This gives him a very matter-of-fact attitude towards fighting and the kill-or-be-killed nature of being forced into it – he voices the sentiment that even when facing other human debris, they can't afford to show mercy.

Off the clock, Chad displays a more sensitive personality. He seems studious, learning about interplanetary communications from Kudelia's maid Fumitan and later being promoted to leader of Tekkadan's Earth branch. He has some difficulty acclimatising to being treated as a free person, proving unsure about the concept of wearing a smart suit instead of his normal fatigues. And he grows anxious when he returns to Mars to discover nobody told him two of the few adults in the group (Yukinojo and Merribit) had started dating, worrying that he's no longer 'one of the guys'.

The most we learn about his relationship preferences prior to the series epilogue comes in a comedic sequence about a third of the way into Season 2, when Shino suggests a trip to a local brothel. Eugene responds by proclaiming that he's realised money will not buy him true love. This prompts Chad to ask Merribit if this is true and, on her saying she supposes so, opts out of the trip as well. Judging by his body-language in the next frame where he appears, this is possibly a decision he regrets – perhaps owing to his anxieties, since he just passed up the chance for some team-bonding.

None of this is directly relevant to the topic of this essay. If anything, the scene I just described suggests that, like Eugene, Chad has previously gone along with Shino in paying for sex with women, only to discover he wanted more than just physical intimacy. But then we get the exchange in Kudelia's office during the last episode, following a time-skip after Tekkadan's defeat and dissolution. Now working for Kudelia as an assistant of some kind, Chad notes that Merribit is shortly to give birth to her and Yukinojo's second child, saying he and Yamagi intend to meet up later to plan a celebration. Eugene reacts with amused disbelief, accusing them of just wanting an excuse to go out drinking, to which Chad retorts, 'what's wrong with that?'

And the thing is he's blushing when he does. Which may simply be because Eugene is accusing him of slacking off – IBO characters blush all the time and their embarrassment is frequently to do with being caught acting immature or otherwise against how they want people to see them. But given the weight that 'drinking the night away' carries in regards to Yamagi following Shino's actions shortly prior to his death, it is easy to speculate this represents something more specific.

As far as I can recall, Chad and Yamagi do not interact at all over the course of the show's two seasons, meaning these lines present a rather unexpected combination of characters. Eugene would have seemed a more likely candidate to associate with Yamagi. He's positioned as Shino's closest friend, he comforts Yamagi over his grief, and they are together for much of the climax to the series' plot. So what has happened in the years since, that Eugene's teasing should elicit a blush from Chad instead?

If we put on our shipping goggles, it's far from a nonsensical pairing. Chad goes through an arc not too dissimilar to Shino's. He is knocked into a coma while protecting an ally from a bomb blast and subsequently the Earth branch gets swept into a war orchestrated by one of the factions within Gjallarhorn. On recovering, he blames himself for the many deaths that result, echoing Shino's line about thinking it better if he'd died in place of his comrades. On returning to Mars, he jumps head-first into mobile suit training, determined to make up for his perceived failure as a leader and cheering himself up through rigorous activity. Different though their personalities appear on the surface, there are clear commonalities here. Further, Chad's responses to his traumatic experiences have a more measured quality to them than Shino's. He is not nearly as reckless and provides clear directions to his comrades even while acting as a decoy against a dangerous enemy, rather than abandon any attempt to be an effective leader. Taken together, and coupled to a more long-term view of romance, these qualities might make him a 'safer' version of things Yamagi loved about Shino, creating space for them to be drawn together.

Or perhaps they're simply the most logical points of contact between the ex-Tekkadan survivors at the Admoss Company and Kassapa Factory and intend to make that an excuse to get companionably plastered for no greater reason than it being a nice time. I am speculating over a couple of lines and an animation choice. Nevertheless, it does not feel like unreasonable speculation. When we already have a veritable gaggle of characters who are queer or may trivially be read as such, it's hardly a stretch to assume one more.

Chad/Yamagi doesn't appear to be a thread the fandom at large has pulled on much, likely because the pairing of Shino and Yamagi is so prominent, it eclipses a mere throwaway possibility. But I'm glad it exists within easy reach. And even if we take off our goggles, these lines demonstrate life for the characters has not stopped. The ex-slave and the gay kid are not stuck, trapped by the tragedies of their past. They have instead grown in both confidence and happiness and now have peaceful, stable lives where they're on going-out-drinking terms. That above all is why I wanted to explore this exchange: it reinforces Iron-Blooded Orphans' rejection of the idea the suffering people like Chad and Yamagi go through is perpetual or inevitable.

OK, one more character to look at. Let's talk about Orga and asexuality.

Orga Itsuka, leader of Tekkadan and instigator of the series' events, is notable for his charisma, his drive to provide a safe home for his comrades, and his complete unsuitability for the grown-up activities he attempts. Trying to party all night leaves him puking up his dinner. He forces himself into a suit and tie to handle the administration of a break-out paramilitary company, despite finding it stultifying and bewildering. His goals spin like a weather-cock, as he's surrounded by older characters possessing strong convictions while unable to stick to his own. And he is ultimately undone by an unwillingness to ask for help, having assumed that, as leader, he must decide everything alone.

I suspect his expressed lack of interest in women is intended to help convey overall immaturity. Orga is a good soldier and tactician, but he plainly isn't prepared for adulthood, lacking the grasp on the complexities of life that implies. Making him uncomfortable about sex serves to heighten the impression of a teenager trying to navigate circumstances for which he's not yet ready.

Relatedly, it should be stressed Orga stating he 'doesn't care' about woman is a response to Eugene asking if he agrees love and kindness are what's important, as opposed to Shino's endorsement of boobs. On hearing this response, Eugene proceeds to mock his commander for inexperience. That he himself has only just had his first sexual experience with another person and previously said much the same about not caring about sex simply proves hypocrisy is a fundamental aspect of Eugene's characterisation. The whole scene is very teenage.

Matters have not improved much when Orga and Eugene's dynamic is revisited in one of the side-stories released via the Iron-Blooded Orphans G mobile game. A year and change later, Eugene continues to act superior about having 'experience' where Orga doesn't.

Orga takes this rather poorly.

(Subtitles by @trafalgarlog)

Eventually Merribit has to shout at them to stop being brats, shaming them for behaving like argumentative children. It's funny – and then you remember they basically still are children and this is headed towards more carnage that will not spare them for being young. Such it is to engage with Iron-Blooded Orphans.

What does any of this tell us about Orga's sexuality? In principle, taking it as a device to convey immaturity, nothing. Orga's persisting virginity could simply mean he's not worked out this aspect of himself yet. He is a busy young man who likely hasn't had the time to try.

Alternatively it could mean he is gay. Mikazuki/Orga is an extremely popular ship in the fandom and we might take Orga's professed lack of interest in women as 'evidence' of him swinging the other way.

Or we could take my view, that Orga is asexual and his embarrassment is rooted in just not getting what the big deal is.

To immediately clarify, I don't think he is ace because he 'hasn't worked out what he wants', I think he's ace because he blushes on admitting he doesn't care about women and does not try to prove otherwise once he's in a position where he could easily do so. In circling back to the same joke for the side-story, the writers portray Orga as continuing to be uninterested in sex and sensitive over being needled about it. Again, a feasible interpretation is that he's into guys. Yet this is an argument with Eugene, whose response to the idea of Yamagi being in love with Shino is basically 'you mean you didn't notice?' Eugene is a dork and jerk; he isn't bigoted. None of the Tekkadan guys are. It's unclear if homophobia is even a factor in the setting. Sexism is, but when someone as superficially macho as Shino is comfortable with male/male attraction, and there are same-sex weddings inside Gjallarhorn, we cannot assume stigma exists around being gay. So why should Orga be worried, unless it goes beyond a question of who you're attracted to and into the answer being 'nobody at all'?

When you're surrounded by people who happily wax lyrical about how the joys of sex make you a real man, the absence of a libido might easily become a sore point.

Again, I'm supposing. Again, there is room to do so. As I touched on with Chad, it is easy to read queerness into the text when the assumption of straightness has been taken away, which is something this show does wholeheartedly and deliberately.

Orga Itsuka is one of the first characters I looked at and realised, not only shouldn't I assume heterosexuality, I shouldn't assume sexual attraction at all. I cannot credit Iron-Blooded Orphans alone with this. I do credit it with being a piece of media that applies itself to inclusiveness in ways quite remarkable for a show about giant robot fights, produced to market toys.

The word we want here is 'normalisation'. IBO has a lot to say about what constitutes 'normal' and a lot of it accords well with my own views, particularly those that have me twitching whenever anybody demands we 'be normal' about something. Normality is horrible. It is cruel and it is callous. 'Normal' is a world run on exploitation, on slave labour and on police savagery. Normal is children forced to risk their lives to earn the money required to feed themselves, because it is normal for their parents be gone, or incapable of supporting them. War is normal. Corruption of political systems is normal. Death coming more rapidly for those deemed expendable by society is very, very normal.

But so is protest. The drive to do something, to change things. The capacity for caring about each other. Love. 'Normal' is just a statement about what surrounds us every day, for worse and for better. In too many pieces of fiction, normality is narrowed, rendered a neater, cleaner picture, often excluding the kinds of people we might run into on the street, or walk past, or see on the news, distant and dehumanised.

Queerness is normal, yet for a long time it has been one of the first things to be cut out of fictional worlds. And when it is present, it's a big deal. An object lesson or a cry of triumph over breaking free of unfair strictures. I love stories about queer joy and victory. Heck, I'm a sucker for a good, soppy gay romance. But these aren't the only kinds of stories we tell. Sometimes we need to reflect the worst aspects of the world and what it does to normal people.

In attempting this, Iron-Blooded Orphans commits to an idea of 'normal people' that includes those who are gay or bisexual, those of colour and those we'd call white, the polyamorous, the illiterate, the desperate, the powerful, those who throw themselves into the fight with everything they have, and those who are simply kind. Those who are accepting, understanding and compassionate. Those who need to be accepted, who struggle to be understood, who suffer for a lack of compassion.

There are all sorts of people in IBO and – as a certain cheery, violent dumbass once said – man do I love it. I don't believe it is reading against the spirit of the thing to imagine more diversity than gets outright stated, to interpret one of the leads as ace or suppose another side character is bi or pansexual. It would seem entirely natural if they were.

Everyone's welcome here, down among the debris and the bloodshed, where hope is precious and fleeting and still somehow endures. So why shouldn't we raise a few extra pride flags?

Queer as in 'fuck you'

This all said, taken as a whole, Iron-Blooded Orphans is not a story about queerness or queer romance. Nowhere is this clearer than in its ending.

I skipped over the framing of the final scenes of the anime when I discussed Kudelia and Atra. They form a striking contrast with the ending of The Witch from Mercury, where the conclusion is directly focused around Suletta and Miorine's love for one another, their bonds of wedlock, and the happiness they have found together. This follows from the show being primarily about their relationship. In Iron-Blooded Orphans, the ending focuses not on Kudelia's feelings toward Atra, but those she has for Akatsuki, Mikazuki's son, with Eugene even saying she's eager to go see 'the man she loves', setting up a brief moment of uncertainty over who the character with Mikazuki's outline actually is.

The nature of Kudelia and Atra's relationship post-time-skip is implied rather than stated: in the English versions of the script, they do not refer to each other using terms suggesting they are married, although Atra has dropped her habitual 'Miss' from the front of Kudelia's name. They do not have wedding rings (redundant as those would be alongside the charm bracelets) and Akatsuki does not call Kudelia 'mom'. That they are raising him together is suggested very strongly, in line with Mikazuki asking Kudelia to be guardian of his child if he died. There are non-romantic ways of taking this idea, though, and none of these are closed off as viable interpretations.

But why should we expect some definite statement about romantic status when the point being conveyed is how Tekkadan's legacy continues to shape the world? This is a story concerned with the exploitation underpinning the world and the effort required to make even the smallest wide-scale change. It is about how people trapped at the bottom of the pecking order are still people, still human, messy and complex. It is about their pointless deaths, they ways they struggle on until those deaths come for them, and why they matter, even if the world forgets them.

Mikazuki, the living weapon, the human sacrifice for Orga Itsuka's reckless ambitions, leaves behind a child who will grow up in a more peaceful time, in a society slightly better off than when he and Orga were starving on Chyrse's streets. He doesn't live to see it; Akatsuki does. For all the failures, the attempt wasn't a waste. Don't you dare disrespect the people who died by saying it was.

This is where the epilogue centres, on Akatsuki and on Kudelia's cherishing of the world Mikazuki and everyone else built. Atra and Kudelia's relationship is there, a part of the gentler life they now have (Atra's desires were always towards the version of her existence where Mikazuki retires to a farm; here she fulfils the dream with Kudelia alone). It just doesn't need to take up space for the ending to land.

Yet, as I pour over how queerness is incorporated into Iron-Blooded Orphans, I find myself considering the struggles queer people face in reality. The victims of the AIDS crisis, dehumanised by indifferent institutions. Section 28 and the attempted destruction of knowledge around non-heterosexual forms of love. Riots and campaigns, voices raised loud and proud. How we are equated with dirt and corruption, reduced down to facts others find disgusting. The name-calling. The petty, pathetic posturing that makes everyday existence pointlessly harder.

So it goes for space-rats and degenerates alike.

I am lucky. My life is about as far from that of a child soldier as it is possible to get. My sexuality has been largely invisible. My gender matches the one most favoured by my society. I still have more common cause with those born in poverty on the other side of the world than I will ever have with the aristocrats and billionaires who shape the direction of my country. Because we hold many causes of misery in common. Because we share the same capacities for joy and suffering. Because our humanity is so easily cast aside by those we will never be able to touch.

There is always a place for stories uncomplicatedly about queer love conquering all. Equally, it is important to recognise the places queerness overlaps with stories about the many other ways the world casts people out. It is vital to be able to explore loss, futility and heartbreak. It is essential to capture why we strive onwards despite how heavily tragedy might weight us down.

We may be doomed. Our lives still matter. To ourselves, to each other and, whether they remember or not, to those who come after us.

So, no: for all the queer characters it contains and the many more we might trivially imagine queerness into, Iron-Blooded Orphans is not gay in the vein of The Witch From Mercury. It is not a happy story.

But it is a tenaciously hopeful one and, from certain angles, that alone looks queer as hell.

---------

Happy UK/US Pride Month – in honour and memory of Marsha P Johnson and everyone else who refused to go quietly.

I shall leave you with one of the least straight things ever to be included in any Gundam show.

[Index for further writing]

[hypnos333]

Never going back

Alastor x Angel Reader

Synopsis: You were turned to an Angel trapped in heaven trying to go back to your one true love while Alastor was livid and was turning crazy without you

“Let me tell about a story between two humans, One was a bad person protecting the one and only person he truly loves, the other? Was too good for the world almost perfect and kind. They were soulmates maybe that’s why heaven would think it would be to difficult to separate them. Separate her”

She died first and not long after he died too but in separate places. Separate Afterlives.

You heard of the Angel and human but this was about a Demon and a Seraphim Angel. Both higher ups.

You were the main reason for Alastor to help Charlie with the hotel. Just to see you and make sure you’re okay, to hold you, to be with you again forever this time. But you knew better to wish to far.

Adam wasn’t gonna let you out of heaven, and Sera was just as bad on not letting you go.

Back in hell.

Alastor sigh looking up high hoping to see you, his Wife. He was sane for now, today was the day Charlie and Vaggie would go to heaven to convince the higher up Angels. He was gonna give Charlie your ring to give back to you and that says everything on what’s going to happen.

You appeared during a meeting introducing yourself to Charlie and Vaggie with Adam on your left and another angel to your left.

“Hello I’m ____ a Seraphim Angel as well” You saiding bowing down to the two demons.

“___ don’t bow to these cunt” Adam mumbled making you chuckle nervously before trying to fly towards your seat. Charlie eyes were wide open the whole time. You were an Angel? What did Alastor had to do with an Angel?

She took your hand before you could go to your seat and place the diamond ring in your hand making you look at it hiding your shock. You took her hand back hiding the ring before smiling sadly “Tell me why I'm waiting for someone, That couldn't give a fuck about me? No, you can’t” You whispered to her before flying towards Adam to your seat.

You never argued with Adam, you knew about the extermination in hell. You weren’t apart of it but you couldn’t argue with Sera or Adam.

You weren’t gonna wait for him no more, Heaven was all you need right now to follow behind Sera or even your favorite Archangels. After the whole argument Charlie and Vaggie were sent back to hell and another thing that Charlie wanted to avoid was Alastor.

“My dear, How was it in Heaven? Any news about my Darling?” Alaster questions with her sinister smile making Charlie sweat in nervousness.

“W-Well you see ___ gave me back the ring and said she was done” Charlie blurted out making Alaster smile slowly turn into a frown focusing on those words.

That’s when he started glitching his smile became more scarier and sinister. Vaggie pulled Charlie back standing in front of her. “No she wouldn’t reject being back together, You must be mistaken my dear” Alaster demonic voice came out.

“No” “No” “No”

She wasn’t coming back but when the extermination starts he’ll make sure to get you. Where you can never go back, just like in their human lives he’ll keep you back in your cage.

⏩

[roanofarcc]

CHASE IT

pairing. javi rivera x reader

summary. Javi has a problem telling you how he feels until he almost loses you. 

warnings. angst with a happy ending! slightly inaccurate meteorological info, a curse word or two, descriptions of injuries, reader gets hurt, love confessions! movie scenes will not be shot-for-shot but as close as I can remember.

word count. 2.5k || masterlist

The car ride to El Reno was tense. A tornado was hurling toward a town full of people and Javi had made the decision to follow Kate, Tyler, and the rest of the wranglers to help instead of staying with Storm Par. And as much as you wanted to tell him it was the right choice, you were too stubborn to. It wasn’t because you didn’t agree; you did. You’d been skeptical of the business since you started working for them but you tried, time and time again, to convince yourself that they were helping people. It wasn’t until seeing Kate’s reaction that you snapped back to reality. 

You didn’t say anything to Javi because you were still upset with him. The night before you two had gotten into an argument bigger than you ever had. You’d come to the end of your line. For the past couple of years, you’d been stuck in a confusing limbo with him. One minute you were making out in bars and staying up until the early hours of the morning talking, and the next he treated you like a co-worker. He was up and down, hot and cold. You had no idea where you stood, and you had gotten so tired of waiting around for him to finally commit. You started to think he never would. 

But heaven forbid you get flirted with by a good-looking stranger at the diner you’d all stopped at for dinner. Javi refused to make a move and he tipped-toed around an answer when you asked him what the two of you were doing. But he didn’t like someone else making the move he wouldn’t do. It wasn’t fair. All you wanted to was to know how he felt, but he couldn’t seem to give you that. So, you two argued, hot and angry. You still felt the thick tension cloud the car, with the added anxiety of the people directly in the storm’s path. 

You both stayed silent the whole ride, not speaking until you arrived in a town that was alive with sirens and dangerous winds. You had spotted Kate, and Javi was quick to throw the truck into park. You both rushed out, only to find a frantic Kate trying to lift a heavy piece of debris that trapped Tyler’s foot. Javi grabbed the closest thing he could find, stuck it under the piece of debris and you all lifted it enough for Tyler to yank his foot free. He didn’t look too badly injured, or maybe his body was pumping enough adrenaline to keep him upright. 

“We’ve gotta find shelter!” Kate yelled above the whirling winds. The nearest building that people rushed into was an old-looking movie theater down the road. There didn’t look to be many obvious safe places in the dated downtown, but the storm was moving fast, and staying outside only worsened their chance of survival. 

None of you had a chance to take off anywhere before a horrible creaking sound echoed above the wind. You spun around just as the town’s water tower started to make its way to the ground. A string of curses left your lips, tumbling out of your mouth as the water tower crashed to the Earth, releasing the water in a rush. You tried to run, but the water mixed with the flying debris swept all of you up before you could get far. 

The current pulled you harshly before it slammed your body against the front of a building. Pain brushed up your side as you groaned, soaked head to toe from the mixture of rain and rushing water that depleted as it continued down the street.

You coughed, feeling like you were still moving. Everything spun around you, whipping around as you sat on the ground trying to grasp your bearings. It wasn’t until Kate appeared at your side and pulled you to your feet did you rip yourself from your daze. There was no time to think about anything other than getting everyone to safety. The sky was turning darker by the minute and the town had already erupted in chaos. 

In your wet clothes, you took off after the group, following the mass of people into the movie theater. 

The place had no basement, only scared people confused storm chasers. You were suddenly filled with hopelessness, cold and daunting that crept into your gut. It was bad, really bad, and growing worse by the minute. If the tornado hit the theater, there was a good chance not everyone would make it out alive. 

You had no idea what to do, but you saw something flicker in Kate’s eyes, something the boys had missed as they watched the storm out of one of the exits, trying to come up with a plan for all of the people inside. She took off running towards the other exit, and you followed her. 

You had only just met Kate, but Javi had told you a lot about her from their college days. He trusted her, and from what you’d seen that week so far, so did you. Maybe it was a reckless move, following an almost stranger outside in the middle of a tornado, but you weren’t thinking rationally, only with the mindset that something had to be done and Kate seemed to know what that was. 

It wasn’t until she reached Tyler’s truck that you caught her, grabbing her arm before she swung open the door. 

“What are you doing?” she asked, breathlessly. “Please, don’t try to stop me.” 

You glanced at the incoming storm, the ominous clouds that held so much destruction within its black, swirling form. “I'm going with you.” 

She looked like she wanted to ask why, but there was no time. Instead, she nodded and quickly got into the truck as you followed, hopping into the passenger seat. 

Javi had told you of Kate’s original study in school; she wanted to stop a tornado. And it looked like she was going to put it to the test again. She raced through a field, hitting every bump, causing your head to nearly hit the roof of the truck each time. 

You had been close to a tornado, closer than most people willingly got, but you’d never been inside of one. Nor had you seen a storm quite like that one. The tornado was massive, a wall of sheer force that knocked into the truck with everything it had, knocking the wind right out of you. 

Kate was too determined to be paralyzed by the swirling darkness that surrounded you. She slammed down on the buttons on the center console, but nothing was happening. 

“It’s not working,” she cried, trying again and again as her panic swelled. You shuttered, hardly hearing her above the roar of the wind. The truck rocked, unsteady, and you weren’t sure how much force it would be able to take. The size of that tornado wasn't like the kind the Wranglers drove into. 

You glanced out the rearview window at the barrels on the trailer that were supposed to release their contents, but the lids remained on. Kate gripped the steering wheel hard as the wind beat against the doors, shaking the truck worse and worse by the second. Her hands shook too, trembling as the tornado continued to engulf you, threatening to chew you two right up and spit you out like it was nothing. 

You repeated Kate’s actions with the buttons, hitting them with a silent prayer again and again until finally, the lids all popped open, and their contents were sucked up into the storm. 

Both of your relief was short-lived as the storm overpowered the rig. The world blurred before your eyes as the truck was flipped. The passenger side window was shattered as you landed upside down; shards of glass sliced through the skin on your face, but the pain wasn’t felt right away. The only thing you felt was the intense drumming of your heart that beat against your ribs. 

You’d felt panic before in a storm, a small drop compared to what you felt at that moment. It was hard to breathe with the world seemingly closing in around you. You didn’t want to die, not like that. But it felt inevitable at that moment. The blood rushing to your head, the shattered glass peppering your skin, and the scream of the twister directly over top of you. 

Your mind was on fire, but you tried to find an anchor, something to hold your panic still enough to think straight. Javi came to mind subconsciously. You saw him, his sweet smile and dark eyes. The argument you had was far from your mind. Instead, all you saw was the good stuff. Sneaking out of your motel rooms to watch the stars on clear nights during chases. Him laughing at your jokes no matter how terrible. The way he had memorized your drink order and insisted on buying you them at every bar. Despite his inability to just tell you how he felt, Javi had always been the person you were drawn back to. And you didn’t see that stopping. Maybe it would hurt in the long run, and maybe it was just wishful thinking that he wanted anything deeper than what you had. But he was so intertwined in your life. He was the only person you wanted to share things with, the first person who you had cared about so intimately.  

You loved him, you realized. You had pretty shit timing. 

Or maybe not. 

A hand grasped your arm, sending a wave of pain through your shoulder. You gasped, peeling open your eyes you hadn’t even realized were closed. Turning your head, you saw Kate’s glossy eyes staring back at you, wide but focused. She held her hand hovering over your arm; it was red, and you weren't sure if it was her blood or yours. 

“We did it,” she whispered, and you realized you could hear her, easily. The roar of the wind was gone. The storm was just…gone. A smile broke out on her lips as she repeated," We did it!” 

There was a nasty cut on her face, blood running down the side of it. Your hands fumbled for your seatbelt and harness, undoing them quickly and trying to maneuver your body so you didn’t land on your head in the overturned truck. 

“We’ve got to get the hell out of here,” you breathed out. Kate followed your actions. Shards of glass cut up your hands as you crawled out of the busted window, slowly and pained. You clawed at the mud, never having felt so grateful for the feeling of the earth under your fingers. 

You only managed to get your upper half out of the truck before someone grabbed your arms. Looking up, you met Javi’s panicked gaze. He held onto your arms tightly, breathing heavily and rain-soaked. He helped you the rest of the way out and pulled you to your feet. The world still spun a little, and you swayed, disoriented. He didn’t let go of you, keeping his hands firmly on your shoulders. It looked like his mouth was moving, but the sudden movement of standing hurt your head. 

It took a couple of moments before his voice cut through the pounding in your head. “Are you okay?” 

You swallowed thickly, achy and definitely bruised. But you were alive and that was a lot better than you’d thought you be a minute ago. “I-I think so.” 

He sighed in relief before his expression shifted into something unreadable. With his hands still on your shoulders, he shook you, gently but enough to get his point across. “What is wrong with you?!” Javi raised his voice too. “What the hell were you thinking? You could have died! Seriously, what-”

You cut him off by shoving him hard enough for him to drop his hold on your shoulders. The revelation you just had slipped back to the back burner and the fight you had the night before stood front and center. 

“Are you seriously yelling at me right now?” you bit back. 

“Yes!” He threw his hands up in the air as if to say ‘obviously.’ “I thought you died! You can’t do shit like that! You can’t just leave in the middle of a goodman storm and not tell me!” 

A scoff fell from your lips. Your whole body throbbed in a dull pain, momentarily overshadowed by the adrenaline pumping through your veins. “Why do you care?” you shouted back; your words were coated in hurt that you’d been too angry to express during your fight the night before. You hadn’t said all that you wanted, but it bubbled to the surface and mixed with the flush of emotions you felt in the middle of the storm for Javi. 

He looked offended by your words. “I care because…because you’re you! And if something happened to you I-I…” he trailed off, caught on his words.

You were sure if the wetness on your face was fresh tears, blood seeping from the little cuts, or leftover tears from your near-death experience. Too many things were spiraling around you, even though the storm had stopped. 

“You still can’t do it.” Your chest hurt like someone had reached inside and sank their nails into your heart. “You still can’t tell me how you feel.” 

Wiping your cheeks, you stumbled backward, on the verge of crying. But before you could walk away, he caught your wrist, spinning you around to face him. 

“I couldn’t live with myself if something happened to you,” he admitted, blurting out with so much emotion it was dizzying. You were sure you'd never seen him look like that, scared yet brave. “If you died and I never got to tell you…” He took a breath, sliding his hand down your wrist and into your hand. “Tell you that I love you.” 

For a moment, you weren’t sure you had heard him right. You blinked, silently staring for a moment. You’d hit your head more than once and everything was still a little off as you came back down from the tornado. 

“You what?” 

“I love you,” he said, that time without hesitation. “I’m sorry it took me so long to say it.” 

You smiled, bright and relieved. You hastily grasped the side of his face before pulling him toward you in a sweet but desperate kiss. That kiss was different than it had been before, in the darkened corners of country bars. The kiss was full of pent-up emotions and unsaid words finally spilled. 

Pulling apart, you rested your forehead against his, laughing lightly at the absurdity of it all. You still felt like you were spinning.

Someone behind you both cleared their throat and you felt your face get hot at the raised brows of Tyler and Kate. “Sorry,” you said, feeling giddy and still a little woozy. 

“Don’t be,” Tyler replied. “That was beautiful.” Kate rolled her eyes and smacked his arm. 

“Let’s get out of here,” Kate said before she and Tyler led the way back to town. 

You and Javi lingered for a moment longer, your hands intertwined. “I love you too,” you said, earning a toothy grin from him. He slung his arm around your shoulder, careful to avoid the little bumps and scarps you’d accumulated over the course of the storm, and pressed a kiss to the side of your head.

[witchthewriter]

𝐇𝐨𝐰 𝐭𝐡𝐞𝐲 𝐰𝐨𝐮𝐥𝐝 𝐫𝐞𝐚𝐜𝐭 𝐭𝐨 𝐲𝐨𝐮 𝐟𝐚𝐥𝐥𝐢𝐧𝐠 𝐚𝐬𝐥𝐞𝐞𝐩 𝐨𝐧 𝐭𝐡𝐞𝐦 𝐩𝐫𝐞-𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩

⤷ gender neutral, ambiguous race, and any size reader. Requests are open, thank you for reading!  

ᴹᵃˢᵗᵉʳˡᶤˢᵗ | ᴹᵃˢᵗᵉʳˡᶤˢᵗ ᴵᴵ

𝑺𝑭𝑾🌿

P.s. this is pre-relationship, when your feelings are still untold...some of the guys are still awkward and some are not :')

𝐉𝐎𝐇𝐍 𝐏𝐑𝐈𝐂𝐄

Visiting Price in his office was a common occurance. Sometimes you brought a drink with you, other times you just brought your old tired self.

This was one of those times.

And without looking up, he patted his knee and you hesitated. But only for a moment because as soon as you saw his pen stop scratching on the paper, you stalked over to him.

You rest your head on his shoulder, trying not to think about the goddamn awful day you had. You knew John would want to talk about it when you were ready. It's one of the things you love about him. He wants to help you no matter what.

As if on Instinctive John wraps his arm around your shoulder and brings you in closer. Your face was flushes against his neck and your hands cling to his other arm.

John is so warm, and makes you feel so safe. Everyday is a battle for you; because you just want to fall into his arms and kiss him until you can no longer breathe.

But you can't, because he's your superior and you don't want to jeapordise anything.

𝐒𝐈𝐌𝐎𝐍 𝐑𝐈𝐋𝐄𝐘

Wide-eyed and trying not to move. Even his breathing becomes shallower. It's lucky he's wearing a mask otherwise there would've been a bright red Ghost for everyone to see.

Continues to death glare the others, placing a firm finger in front of his lips. Reminding them to SHUT UP.

No one is allowed to talk when you are asleep in the common area. On Ghost's literal orders.

But he never thought you would actually fall asleep on him.

It was a nice feeling. One that made him giddy inside. Like ... he had been chosen for something important.

And maybe he had. This could be a way for your body to tell Ghost that "I WANT YOU!" But unless you actually tell him, he isn't going to get it - or believe it.

𝐊𝐘𝐋𝐄 𝐆𝐀𝐑𝐑𝐈𝐂𝐊

Warmth travels to his cheeks as he realises that you've practically clung yourself to him and fallen asleep.

He had taken you to the movies because you had some spare time on your hands and wanted to feel like normal people for once.

But halfway through, drowsiness had overcome you, and consciousness faded away.

It was easy to fall asleep next to Gaz, whose smell and gentle heartbeat felt like heaven.

You hadn't wondered if this was going to far, you trusted Gaz enough to tell you if it was. But he would never tell you that.

Because there was no 'too far.' He would do anything for you. He just didn't know how to get you to see that.

𝐉𝐎𝐇𝐍𝐍𝐘 𝐌𝐀𝐂𝐓𝐀𝐕𝐈𝐒𝐇

Oh our sweet boy Soap, he would become so goddamn giddy. His cheeks turn red as he moves ever so slowly to look at you.

Watching movies together was a common occurance. Your place or his, it didn't matter. Even the movie didn't matter - though you both argued over it relentlessly. It was a way for you both to spend more time together. A reason to say why you were late for ___

Your head had dropped a little and his eyebrows flew upwards. He would never live it down if you fell straight into his crotch area.

So he moved his arm around your shoulders and let you turn fully around to hug him.

Your face pressed against his neck, breathing in his scent.

"Tha gaol agam ort," he whispers into your hair. You only barely heard it. It means (I love you).

He only ever says it when you cannot hear him. But litte did he know you were catching on to certain Gaelic words. Maybe not at that moment, but you had better hearing than he thought you did.

𝐊𝐎𝐍𝐈𝐆

Did not know what to do, and in the midst of his panic, he had accidentally wriggled his shoulder. Which meant you curled up on his lap.

"Oh maus..." Konig whispered, afraid that you would wake up and freak out. But if he truly believed that, then he hadn't been paying attention to your friendship at all.

After ten minutes of the movie playing but Konig couldn't stop staring down at your curled form in his lap, he slowly and gently moved the hair from your face. Stroking your cheeks, running his fingers over your nose and forehead.

It was right then that he fell in love with you. Truly fell in love with you.

A monster and his love. That's how Konig saw the two of you.

𝐍𝐈𝐊𝐎𝐋𝐀𝐈

Charming, suave, flirtacious and utterly awkward when it comes to you.

He makes as much spare time as he can to spend it with you. And curling up on the couch seemed to be the best idea for today.

His large hands wrap around your form and pull you closer.

"Иди спать, малышка" (go to sleep little one) he says quietly, watching you intently as you drift into a deep slumber.

Maybe there is a gun wedged between him and the armrest, but he knows his lifestyle, and how many people want to kill him.

But that is nothing compared to spending time with you.

𝐊𝐄𝐄𝐆𝐀𝐍

Coughs; yes he actually coughs and a few times at that. Why did he cough? He has no clue. Was he trying to wake you up? See if you accidentally forgot he was there?

In all honesty he was panicking - this wasn't the type of friendship that you had. It was all banter and poking fun at each other.

Someone actually asked if Keegan was being bullied a few weeks ago.

He snorted and just walked away. It was probably the best thing that recruit could've said.

It was after a long mission and you barely had time to undress from your military clothes, when Keegan barged in and held up two family sized bars of chocolate. "As a thank you for having my back out there, kid."

You couldn't deny the fluttering in your stomach. But saving face was what you two did. So you took both of the offerings and laid down in bed. "If you're having all the chocolate, I'm not leaving" "I'm not giving it back Keegan." "Looks like you have a bunk buddy then."

And the tall man climbed into bed beside you awkwardly trying to get comfortable. "Jackass," you mumbled. But a slight smile was on your lips. And within an hour you fell asleep.

When you woke up, Keegan was practically ontop of you, melted chocolate on his lips and slight snoring coming from his nose.

𝐏𝐇𝐈𝐋𝐈𝐏 𝐆𝐑𝐀𝐕𝐄𝐒

"What the fuck," he mutters to himself as you rest your head on his shoulder on the plane.

You had both been placed on a mission for months and now that it was over, you were exhausted (to say the very least).

The whole time you were together, there had always been bickering. Especially when you were undercover as a married couple.

So you were used to the hostility of Graves (even though he barely had any anymore when it came to you).

Hence, you were way too tired to give a shit. Honestly, if he were to wriggle you off, you would clutch his arm to keep him still.

But he didn't do that. Instead he feigns annoyance and rests his head against the back of his chair. His eyes flickering over to you every few seconds to see if you were okay (if that were to be brought up, he would say that he was looking out the window).

As the time went by, and you woke up, you found that Graves had found your hand and was clutching it.

𝐀𝐋𝐄𝐉𝐀𝐍𝐃𝐑𝐎

Sinks into you as well. His culture isn't so rigid as others. And showing affection means multiple things, but the main thing is that it means he cares.

Where your head lolled on his shoulder, he moved back on the couch, yawned, and pulled you down with him. Your sleeping head was rested gently against Ale's chest.

He knew about your feelings for him, and you knew about his, so this situation was awkward. He knew he had to step up and say something, but it had turned into a game of sorts. As if the first person who spoke up would lose.

But having you on his chest, smelling your hair, feeling the weight of your body on his, he decided that he would happily be the loser.

[joemama-2]

nanami kento has always been a patient man. he’s respectful and doesn’t talk to unless spoken to. he doesn’t like most people, might even hate some. but you’re not the type of person he would exactly hate, unlike a certain someone. he thinks you’re kind, polite, you always bow respectfully to your seniors, you diligently complete every task that’s asked of you. there’s also one more thing about you….he just cant put his finger on it. maybe you’re just tolerable, yeah that’s it.

you’re not a sorcerer, at least not a very good one. it’s why you’ve opted to be an auxiliary manager like ijichi and akari. “as long as i get to help the sorcerers in battle, i’m fine with whatever position i’ve been assigned.” you would say with a big and warm smile, innocently, naively. he thinks you’re too good for such a rotten society, something like that will get people killed. and he doesn’t want you on that list.

when he first met you back in high school, he didn’t think much of you. you weren’t a special grade, you didn’t have any awesome technique, you were just simply there. maybe you have connections, he thought. because there’s no way someone like you was admitted into tokyo jujutsu high. to this day, he doesn’t know how you did it. maybe you have some super cool talent that you didn’t like showing, maybe you just won over everyone’s hearts and they felt pity for you, he’ll never be able to find out. that’s one of his many regrets.

his other regrets are letting himself grow attached for no reason. no matter what, his eyes had a mind of his own, searching and scanning any room or environment for your figure. he chalks it up to protectiveness, you weren’t strong like he was and he didn’t want to see another comrade die. because thats all you were, a comrade. a comrade. a comrade. he chants this mantra into his mind every morning.

nanami didn’t know how it happened, but one thing led to another and he was always alone with you. comfortable silence was what he loved the most. you two could sit together for hours in a flower field you came across one day, just watching the sky and clouds form random shapes. you liked when they made hearts and little animals. although he always argued that they’re just clouds.

but, clouds almost reminded him of you. free, soft, floating around from place to place, and residing high in the sky. because he knew, no matter what, you were one of the few people who would go to heaven in this sick world, sick society. you belonged in heaven, you looked like an angel, acted like a goddess.

“let’s go to malaysia together.” you told him randomly one day, seeing an ad pop up about a beautiful vacation spot. kuantan. he didn’t take you too seriously. malaysia? out of all places? he didn’t see the hype.

all these thoughts flood his brain when he sees your body, looking lifeless and bloody, next to ijichi. you two have huge stab wounds in your mid-section. however, you have a bit more than your co-part, clear signs of your fight. even when you know you don’t have the upper hand, you won’t hesitate to fight back.

it’s hard as he carries you two, having to make sure ijichi doesn’t fall off his back while simultaneously holding you close to his chest. his heart twists and turns, stomach churning the entirety of the slow walk he does to bring you two back to ieiri. his mind is running rampant, constantly looking down at you. you can’t be dead, he thinks. neither of you two are dead, he can’t see more comrades die.

it’s almost weird to him how his throat tightens, tears stinging at his eyes. you don’t move, head lolling to the side as barely a sign of a breath is escaping your lips. your skin is pale and bruising. he hates it, hates how you look, hates how hurt you are, hates how he wasn’t there to stop it and protect you.

he sets you down first once he reaches shoko, handing the passed out ijichi to her. finally, he kneels down, taking in your appearance. nanami rarely gets mad, at least not seriously. but this time, he’s absolutely furious. silently seething as he breathing gets heavy. his fists clench by his side, nails drawing blood into the skin.

he gets up, no being able to stand how you look. but, he forgets you’re a fighter, forgets that no matter what, you look out for the sorcerers. out for him.

“kento….” you straggle out, hand weakly clutching onto his. you can barely keep your eyelids open. you mutter out the next few words. “…man….blonde……ponytail……s-sword….”

ah, he thinks. that’s his target.

he gulps, simply nodding. but your hand stays clutched onto his. using all your strength, you open your eyes wider, and he hates the tears that form in them. “….come back to me please…..”

he feels like crying with you. but he can’t, not now at least. he kneels down again, bringing the back of your hand up to his lips to press feather light kisses to each knuckle. his other hand gently uses his thumb to wipe your tears, treating you with utmost care. “kuantan,” he murmurs. “when this is all over, i’ll take you.”

you weakly chuckle, more tears falling at this point. “..p-promise..?”

he hesitates, but you notice. “promise.“ he says back, leaning down to give your forehead a kiss, sealing the promise. he places your hand back to your stomach before getting up to leave, not before sparing you one last glance.

and as you watch him leave, you don’t even know that it’s the last time you’ll ever see him, last time he’ll ever see you. because you trust his word, trusted that he’d come back to you.

nanami leaves with a heavy heart, staring death in the face and yet all he can think about is you. there’s many regrets he has.

he broke your guys’ promise, he hopes you won’t stay mad at him.

he won’t be able to take you to kuantan.

he won’t be able to see you, hold you, talk to you.

and finally, he wasn’t able to confess that he loved the simplicity. that he loved you.

he’ll see you again, in heaven and in another life. until then, he’ll watch over you. because nanami kento has always been a patient man.

[absolute-flaming-trash]

Pairing: Yandere!Alastor x Reader

SFW

Word Count: 2'627

Warnings: Yandere behaviour, Implied forced relationship, Implied captivity, Toxic relationship, Possessiveness, Invasion of personal space, Non-consensual touching.

Additional Notes: Do be kind, I have not written for this man before and find him exceedingly difficult.

Every week at the Hotel, there was something new Charlie had planned.

Trust exercises. Ice breakers. Activities meant to bring everybody closer together as a group. To try and get people to open up and show a side of vulnerability that - she believed - would help sinners take one step closer to salvation.

Most of them were awkward, and a lot of them never went as planned. A fact she realized and, after a near mental breakdown, had her promptly take advice from Vaggie and agree to try something different.

The task was very simple compared to the previous activities. She requested everybody to think about redemption and what it meant to them.

Thinking about the definition itself took little to no effort.

Redemption (noun): The action of saving or being saved from sin, error, or evil.

But it was clear that Charlie wanted more than just a quote from the dictionary. She wanted residents of the Hotel to mull over it while looking deep down into themselves so they could share their stance on the matter later on.

That was the tricky part.

From how you saw it, “saving yourself” from sin was easy enough to accomplish. ‘Just don’t be a dick and avoid the bad shit.’ was the first thought that came to mind, but where you hit a snag was based on what Charlie had shared about Heaven. According to her, even so much as breathing in Hell was enough to solidify your place in the inferno, yet she made it clear that actively resisting sin wasn’t something to go unrecognized.

It took a lot of effort, energy, and courage to do so, and it was hard to disagree even if Heaven didn’t see it that way.

Error was a bit harder. In your opinion, nobody could be saved from that, at least not entirely. Eventually, inevitably, you or someone else would do something wrong, it was just a matter of degree. It could be something as minor as bumping into somebody by accident or as major as Angel relapsing for what felt like the hundredth time, but it would happen and it was only a matter of time.

Charlie did bring up a rather good point, though. Apologizing when you realized you had done something wrong was the best thing someone could do, and it was the first step in the right direction.

You had to give her credit where it was due for that.

But evil was a different matter entirely.

Evil lurked everywhere in Hell. Across every street, around every corner, evil was out in the open for everyone to bear witness and see. None of it was hidden. None of it was meant to be hidden.

What would be the point? You and every other sinner were already in Hell - and many would argue that hiding it would be counterintuitive to being there in the first place.

Charlie tried to plead the case that everyone had good in them. A good that could be tweezed out if given the right chance, and the right environment, which the Hotel was perfect for.

You wish you could agree.

Evil was in the hotel itself, not that Charlie was fully willing to see it.

You believed she was careless there. Little Miss Bleeding Heart wanted to see the best in people, and by god did you ever want to know what it was like to see through such rose-tinted glasses, but you knew you never could. Not in this place.

Stepping a foot into the building was the worst thing you’d ever done because it showed you just how wrong you were about evil being so out in the open. It still had the ability to lurk, something you learned the moment you shook hands with Alastor.

You could see it on his face upon meeting him for the first time - the way Alastor’s perpetual grin widened upon seeing the goosebumps that lined your arms when he clasped your hand in his. No comment was ever made on the matter, but the way his lips peeled back to reveal the black of his gums before he pressed a brief kiss to your knuckles said enough.

Something utterly sinister reeked from him in a manner you couldn’t describe, so you took your own advice and applied the same thing you did when it came to sin.

Avoidance. As much as you could, at least.

Some moments were easier than others. The distinct metallic clack of Alastor’s microphone against the floor combined with a surge of radio static usually bought enough time for you to make whatever excuse you needed in order to leave before he arrived.

Other times you weren’t so lucky, and Charlie’s group meetings were usually to blame in that regard.

At first, you made a great deal of effort to put as much distance between yourself and the Radio Demon as you could, which worked for a time. Unfortunately, Alastor caught onto what you were doing much faster than you would’ve liked.

He reveled in it. You knew he did. After a while you had the gnawing suspicion he was purposefully going out of his way to make you as uncomfortable as possible for his own entertainment. You saw no other reason as to why he’d consistently move so close to you that you could literally feel him breathing down your neck.

Lately, he had adopted the skin-crawling habit of locking eyes with you the moment you stepped foot in the room and patting the seat beside him - reserved specifically for you. Accepting the gesture felt like swallowing nails, but being openly rude to Alastor was something that you knew better than to do.

Instead, you began to find excuses for skipping the meetings entirely and have Angel or Husker fill you in later, which was exactly what you were doing now.

“To be honest I wasn’t payin’ much attention,” Angel said while he scrolled through his phone, resting his chin in his upper left hand while his lower right swirled alcohol around in a glass. “Was the kind of thing that could’ve been sent in an email.”

You traced your finger around the rim of your own glass, its contents untouched. “Still, I want to know what I missed.”

“He’s right, it wasn’t anything special,” Husker replied, slinging a cloth over his shoulder from behind the bar. “Same old bullshit about salvation with a new coat of paint on top.”

A pang went through your chest, but you pushed it down. “So nothing new?”

Angel scoffed and looked up from his phone. “Trust me, dollface, you did yourself a favor.” He downed the rest of his drink in one go. “What were you doing anyways?”

“You know…” You replied with a shrug, glancing down. “I went out.”

Angel smirked, raising an eyebrow. “Out?”

“Yeah.” You tapped your nails against the edge of the glass. “Things were feeling a little claustrophobic, so I went out for some air.”

Husker made a noise in the back of his throat. “Yeah, I know how you feel, kid. This place is a mess.”

Angel tilted his head, placing his phone down on the bar and leaning forward a bit. “So where’d you go? Anywhere fun?”

“Where indeed~.”

All your movements went rigid. After a few seconds, you slowly turned your head to look over your shoulder to see Alastor standing barely a foot away from you, staring down at you with a tight, closed-lipped smile. You hadn’t heard him coming in the slightest, which you immediately could tell was intentional.

Whether he’d used his shadow or had actually stalked up behind you wasn’t something you wanted to think about, and if Angel or Husker picked up on the immediate tension, neither of them said anything about it.

“Hey, Smiles.” Angel greeted with his usual flirtation, placing the elbows of his upper arms on the bartop as he turned to face Alastor. “Fancy a drink? You look a little stiff” He gave Alastor a very long once over, “and I’ll have you know I know a few ways I can help relieve some… tension.” 

Alastor’s lips curled back to reveal his teeth, the muscle in his cheek spasming for a moment.

Mentally you were kissing Angel on the cheek for the save as you slowly picked your coat up off the bar and slipped it on, concealing the goosebumps already present on your skin. Husker gave you a glance from the side and gave a very slight shake of his head, silently advising you against your unspoken desire to leave.

“I assure you, such a thing is never going to happen.~”

“You sure?” Angel rested his lower right arm on his hip. “I have a few tricks that can loosen you up.”

The leather in Alastor’s gloves audibly squeaked as his grip tightened around the staff of his microphone and his attention immediately shifted back to you, ignoring Angel entirely.

“My dear,” His voice dripped with such a saccharine sweetness it made you feel sick, “Could I speak with you for a moment?”

Fewer combinations of words could instill such a unique feeling of encroaching dread all at once, but you refused to let it show as you nodded and turned your body on the bar stool to face him fully; waiting for him to say the first word.

His eye twitched ever so slightly.

“Privately.”

That made you swallow.

“Sure.” You slid off the bar stool, doing your best not to appear as reluctant as you felt.

“Lovely.~” He said, promptly turning on his heel and walking towards the staircase - expecting you to follow.

You glanced back towards Husker and Angel, each giving you looks of grim sympathy and confusion respectively before you took a deep breath and forced one foot in front of the other, following Alastor up the steps.

You thought he would talk along the way. Engage in some form of idle chit-chat where he’d be pulling the strings, or even hum along to the countless jazz tunes that he played in the halls over the Hotel’s sound system.

But no such music played and he remained silent. A few minutes into the walk you gathered enough courage to glance up at him and found his eyes locked straight forward, not even sparing you so much as a glance.

You averted your gaze, the hem of your sleeves suddenly the most fascinating thing you’d ever seen.

Eventually, he came to a stop, and he held out the end of his microphone to prevent you from going any further down the hallway.

“Here we are!” Rather than producing a key from his coat, a green flash emanated from the lock when he placed his hand on the handle and opened the door.

He all but leered at you as he gave a small bow that didn’t feel genuine in the slightest.

“After you.~”

Like the alleged gentleman he was, Alastor held the door open for you, eyes never leaving your form as you walked inside his suite.

The smell of dampness and soil hit you immediately.

Alastor’s suite wasn’t the worst thing you’d seen in Hell by a mile, however, it was still eerie beyond words. The skeletons that hung along the walls and mantlepiece of his fireplace became less complete and increasingly disorganized as they led further into the room - which itself gave way to a swamp-like environment halfway through. Undoubtedly a result of whatever hoodoo, voodoo bullshit he was capable of, and while it still wasn’t the worst you’d seen, it served its purpose thoroughly.

It creeped the shit out of you.

“Now, then.” Alastor clicked the door shut, his body half-facing yours as his hand still lingered on the doorknob. “I'm sure you have a good explanation for what you’ve been doing.~”

The immediate dryness in your throat was hard to ignore. You knew what he was talking about, and you knew that he knew, but you still attempted to buy some time as you tried to figure out what to do.

You cleared your throat. “I was just catching up with Angel and Husk-”

He chuckled, the sound like that of a radio shifting stations. “Don’t be coy.” His head turned towards you with a sickening, ossified crackle that bent his neck in a manner that made your stomach lurch. “You’ve been avoiding me, and I’d like to know why.”

Fuck.

“I haven’t.” Lying to Alastor was a mistake, but you still decided to risk it since it wasn’t entirely false. “There’s just been a lot on my mind recently.”

“Hmm.” Interest and something much worse flickered behind his eyes as he faced you fully with another crack of his vertebrae. “Such as~?”

You shook your head, looking away from him. “That’s private.”

There was a quick flash of red, and the tip of his microphone turned your face back towards him - the cool metal of the edge digging into the skin of your cheek. You had to bite back a grimace.

“Not when it concerns me.” His tone was sharp, a stark contrast to the faux politeness he was putting on before. He kept the tip of his microphone where it was to prevent your eyes from looking anywhere but him. “And trust me darling, when it comes to you, everything concerns me.”

His words twisted in your gut. “...I’m not sure what you mean.”

Alastor tutted, his smile widening once more. “Don’t be stupid, darling, it’s unbecoming of you.” The way he said it was patronizing, like he was scolding a child. “You know precisely what I mean, so I’m going to ask again, as much as I hate repeating myself.~”

Cool metal was replaced with the warmth of his hand as he tilted your head up and brought his face frighteningly close to yours.

“Why are you keeping yourself from me?”

It was an odd sensation. Being backed into a corner, both metaphorically and physically. A frightening one that all but yanked on your instincts to do whatever it meant to get the fuck out of there, but you knew that was the worst thing you could do.

Alastor was a predator, a creature designed to prey on those he deemed weaker, and turning your back on a predator would almost certainly trigger a series of events that would not bode well for you.

So you did the next worst thing.

You told him the truth.

“Because I can see you.” The words felt wrong to say out loud. “I can see you for what you are, I can feel the absolute malevolence that radiates off you in waves, and it’s suffocating.”

Saying any more was a horrendous idea, but you couldn’t help but add one last thing.

“And if I want any chance at leaving this god-forsaken place, I can’t be around you.”

The silence that stretched on afterward was deafening.

Mentally, you were bracing yourself. Alastor had killed people for far less, and you expected nothing different for saying something so daring to his face.

You could see it too, the anger that simmered underneath his gaze. You expected the red of his sclera to flash black and his antlers to extend with his body in a grotesque display before you were ripped to pieces while he laughed.

What you didn’t expect was for his eyes to narrow into slits and his expression shift into one that was far more genuine than you wanted it to be, and it was then you knew that being saved from this kind of evil was never going to happen.

“Oh, my dear, you don’t need to worry about something silly like that.” Alastor all but cooed.

“After all, what makes you think I’d ever let you leave?~”

© absolute-flaming-trash 2024. Do not repost, modify, copy, or claim.

[imaginaryf1shots]

Fan Favourite Moments | Lewis Hamilton

Words count:

Lewis Hamilton x reader

Summery: just some of the fans favourite moments of you and Lewis.

warning: not edited, none

Masterlist

Lewis Masterlist

Kissing in the rain

This race week is set in Spa and the weather condition isn’t the best, it’s forecasted to rain a lot as you go through weekend, but at the moment it’s sunny. The sun is up that it makes you think that there’s noway it’ll rain but you’ve been to too many races and places to know that. Mother nature is very indecisive with mood swings so bad you want to know if she’s okay. Anyways Lewis hasn’t done his track walk yet, so he went around looking for you, finishing you in a corner in the garage with Susie, she was telling you about her plans with women in sport and what they’re working on to change their role in the sport.

You looked concentrated, you were so into the conversation he almost felt bad for breaking the conversation, but if you wanted to come with him then now’s the best time to go and take advantage of the weather. You were already dressed in running shoes and sports trousers ready for the walk, you talked about the day before.

“Sorry to interrupt, but (y/n) do you wanna come on a track walk with me?” Lewis asked if you changed his mind, that’ll be okay with him even if he wanted you to come. It’s been a couple weeks since you last saw each other because of schedule conflict.  

“Go,go, we’ll continue talking later.” Susie said straight away waving you off. “We spend most of the time together anyway.”

“Okay, but we’re definitely continuing later.” Waving bye to her, you lace your hands with Lewis, as you leave the garage.

“Here I got you this.” Lewis said and gave you a jacket he had in his other hand, you let go of his hand and he helped you put it on, it’s one of his jackets that were waterproof, but provided warmths. 

“Thanks.” You say with a satisfied smile, Lewis smiled down at you, he found you so cute with you engulfed in his jacket looking cosy and warm. Lacing your hands once again you start your walk down the pitlane and the track. It wasn’t the most athletic walk, you were just walking at a slow pace. You were telling Lewis about how his fans turned you into a grid mum online, gathering all the cute moments you had through the years you’ve been with Lewis. You were very animated as you told him about the memes and what not, even showing him a couple that you saved on your phone. It was over halfway through the track that it started to get gloomy and dark. “So much for the sun.”

“To be fair if we walked faster we would’ve been done by now.” Lewis said looking up at the sky as you walked, the clouds were dark and heavy looking.

“True but I like having those slow walks with you, especially when we haven’t seen each other in a long time.” You pout as you say this, Lewis wraps his arm around your shoulder sideways, and yours goes around his middle.

“I do too, you know some would argue that two weeks aren’t that long of a time to not have seen each other.” Lewis said and you shake your head scoffing. “I’m not saying that, because you know I hate spending a day without seeing you.”

“You know that some wou;d argue that that’s not healthy and that this is attachment issues.” You fire back and Lewis laughs, you fight the smile creeping onto your face. “I’m not saying that, I for one love that, my only complain is that sometimes I can’t sleep when you’re not next to me.”

“And you love your sleep.”

“I love my sleep.” you felt it then the first drop hitting your face making you flinch slightly, looking up, it’s like heavens doors just opened and you’re both wet in seconds, pulling up your hood, Lewis does the same, you could see the pitlane from where you walked. “We should hurry up.”

“Wait for a second.” You were confused, Lewis stopped walking and held your wrist to halt your walking before you faced him, he had his head tilted back, eyes closed, clearly enjoying the rain.

“Lew, you can get sick my love.” You warn him thinking of his health. 

“Just a moment.” He answered, your worry visible on your face but he couldn’t see it with his eyes closed. You take in the peaceful look on his face, and find yourself smiling. This Lewis is your favourite Lewis, the one only you and close friends and family get to see. Slowly you move your arms around his middle pressing yourself against him, but your head was back to look at your boyfriend. Lewis opens his eyes and looks at you, water was running down your hoodie and you both were getting wetter and wetter. However you looked so good to him right now, so carefree and smiley. 

So you can't blame him for not resisting, his hand cups your cheek before he's pulling you in for a kiss. You squeak surprised, Lewis is a very private person and isn't big on PDA, so kissing while there are cameras possibly around is usually a thing when he's winning. You don't hesitate once you get over the shock to kiss him back your hands holding his jacket tighter. The kiss doesn't last long, and it isn't a deep kiss but it was filled with love and passion. It left you warm and tingly, with butterflies in your stomach, how he still gives you butterflies after all those years you'll never know. 

Cameras catch the kiss from the pitlane the long lenses capture the moment between you two. And even though you hate how much cameras are always in your face the pictures from that day you have saved on your phone.(maybe even framed in your Monaco house? 

Training

It really was just a  series of videos he posted to his story.

Story 1. He told his fans that you were going to try and train like him, you could be seen in the background stretching in your gym wear.

Story 2. It was easy, just some cardio, you were all smiley giving the camera thumps up and everything.

Story 3. You move to goblet squats, you’re again doing okay no thumps up but you’re okay.

Story 4. Deadlifts. Of course all the training you’re doing is fitted for your body and your limits, but you don’t really do deadlifts while you’re in the gym. So you’re frowning while LEwis is hyping you up, you managed to do them but sweat is appearing faster and faster now.

Story 5. It starts with you complaining that you can’t even do press ups, much less dumbbell press ups. Yeah… you only managed to do five and Lewis was generous with his counting. 

Story 6. You’re laying on the ground breathing heavily and refusing to move. You glare at Lewis when he tells you what you have to do next. 

Story 7. You’ve given up, sitting on the ground, your back to the wall, knees bent and your water bottle in your hand. Lewis was amused but he praised you for what you’ve done. 

Helmet kiss

You didn’t mean for it to happen, it wasn’t planned really. But you found yourself kissing Lewis’ helmet every time you were at a race from the start of your relationship. After and before every race it just became something that you always did. He’d have his visor up and you could see his eyes in a smile. It was something for the both of you, for you to show Lewis that you’re proud of him, that you’re there for him, even when he didn’t win or wasn’t on a podium you always kissed his helmet or him to be honest, if there were cameras or there weren't any.

Getting pulled in an interview by the reporter

Media days, usually are the days you spend the most time with Lewis on track. All the time between interviews and breaks he had, it gave you enough time, and you were able to stand with the Merc staff behind camera and watch him.

And so here you are, media day after a week off between racing, Lewis was pulled into an interview in pitlane, you were standing off camera watching him with his PR manager.

“We just saw you last week at Milan fashion week,” The interviewer said, just last week you both were in Milan and attended a few shows and walked a couple red carpets together. “Along with your girlfriend y/n, are times like this you spend destressing or just taking time off away from racing”  

“I mean yeah, it’s always fun to spend time away and have a break and it’s something we’re both interested in.” Lewis kept it short and sweet, but the interviewer had other things on her mind.

“You both looked amazing, actually we have y/n here.” She said and the camera turned around and panned to you, you had a startled look on your face for a split second before you smiled and waved to the camera. “Come here y/n, come on.”

Timidly you walked to your boyfriend’s open arm, you wrapped an arm around his waist, while his rested on your back. 

“y/n tell us, you spend so much time on the road with Lewis, what is something that you both like to do that helps you take a break from formula 1?”

“Uh, I don’t know, because once we’re off track we usua;;y just do something fun and don’t think much about formula 1.” You looked at Lewis for confirmation and he gave you a smile of encouragement. “It’s our way of not letting it consume us, and I do a lot of my work on the road as well, so we just have time off around the races and do something we like.” 

“That’s lovely, it’s great to have some stability in each other, lewis?”

“Definitely, having y/n with me gives me a sense of stability, and just having her with me helps me a lot.” You just couldn’t fight the smile on your face hearing his words, because you both sacrificed so much for his job, and if there is ever moments where you’d think maybe it’s too much or you can’t push back any of the things you want in life, you remember how happy you are with him and how sacrificing some things is okay, every relationship has some sacrifices and you’re okay with that. The highs are really good and you’ve managed to go through all the lows together, the support you have for the other is really one of the foundations to your relationship.

Driving

It’s a well known and documented fact that you can drive, and you love driving and that you’re actually a very good driver. But no matter what you’re not a super car driver. Mercedes thought it’ll be good idea to film a video of you driving a car in Silverstone, with Lewis in the passenger seat before you switch. 

You’re not used to being in those kind of things, yes you have sealed with your fair share of paparazi and media but not in a video where you had to be miked up and everything. So you were a little nervous, Lewis saw your eyes as they ran over all the cameras and filming crew, your eyes were the only indication that you were nervous. Walking up to you he smiles, you were dressed in a Mercedes race suit, matching his. Even your helmet was the same as his, he had it made for you. 

“Are you okay?” Lewis asked you, shielding you away from everyone’s view. 

“Yeah, just a little nervous.” You mumbled and pouted as you looked up at your man leaning into him slightly, Lewis pulled you in for a hug.

“It’s okay, the moment you want to end this and not film just tell me and we’ll end it.” Lewis reassured you, he wouldn't want to pressure you into doing anything you didn’t want to do. 

“No, I’m powering through this, nerves never stopped me before.” You winked at him and smiled, you remembered the first time you met Lewis how nervous he made you it almost made it hard to talk to him but you pushed the nerves aside and talked to him and here you are now, so happily in love. 

You got called to start filming, both Lewis and you stood next to each other in front of the camera, as someone introduced you.

“Driving with Lewis is his girlfriend, (y/n) (l/n)!” You smiled and nodded to the camera trying to keep your cool, Lewis placed a comforting hand on your back. “(Y/n) will take a turn driving around the track first before they switch and Lewis will drive.”

“Am I allowed an out lap to get the track?” YOu asked raising a hand, you’ve walked it before with Lewis, but you haven’t drove it.

“Sure.”

With that you got in the driver’s side and LEwis in the passenger. “This is familiar.” You say once you were in, meaning that you almost always drive when it’s the two of you. 

“Let’s go!” Lewis was excited, he wanted to see what you got. You never sped up or drove over the speed limit, so seeing you driving fast is going to be something new to him. 

“You have to give me some tips.” YOu said as you turned on the car and started driving, you were taking it easy not fast and not slow, a happy 80km/h. Lewis then pointed to where you should break where you can speed up. Once you had a lap around the track, your actual lap started. 

Speeding up, you were so focused on the road in front of you. “Break here, here.”

“You go, love.” “Speed up!” “Babe that was amazing.”

You laughed as you slowed down for the end of the lap, Lewis held his palm up and you high fived him. “We should get you a seat at Mercedes.”

“Shut up… this was super fun.” You said unbuckling your seat belt and opened the door before you two switched places. 

“Ready?” 

“Ready.” 

You were not ready, Lewis pressed his foot down on the paddle and off you were.

“Oh my god, oh my god, oh my god!” For some reason you didn’t expect the car to go that fast. At least not that fast straight away. You clutched the door and the seat tightly your knuckles turned white. Lewis was laughing. “Lewis!”

“Hold tight.” He said before he pulled the handbrake and turned, your body was pushed to the side of the car, making you scream. 

“Lewis, lewis, lewis, babe, please-aaah.” He was showing off, he was, breaking late, accelerating faster, using the car as if he was racing and in his F1 car.

“Okay, okay.” He slowed down for a bit, and you sighed in relief, Lewis looked at you grinning.

“I’m not going to even tell you to look at the road.” You muttered shaking your head, Lewis laughed before pressing his foot down and once again you went flying down the track. 

By the end of the TWO laps, you knew one thing for certain. “This is why I drive us around and not you.” 

Road-trip 

It's a well known fact that Lewis hates driving when he's not racing, He's said it before a million times. So all the cars the both of you own are basically your cars. Lewis is a passenger princess and you absolutely love it. 

Even though you have your own money and make a good living, Lewis loves spoiling you and doing everything in his power to make it so you need nothing, craving some dessert you have in Italy you got it. Saw some bag in the passing and asked him what he thinks about it, you got it. Want to try a new hobby, you got the top of the art supplies. Anywhere you want to just think it and he'll book it straight away. Its not that you can't do all that, he just loves spoiling you, simple as that. And its not to say that you don't spoil him as well, but there's something about driving him around that makes you so happy. 

"Let's go princess." You called out the car, the windows were down, and Lewis was checking that you had everything you needed before you hit the road. The GPS was already set up, your sunglasses were on and you were itching to get going. 

"Haha, just making sure we have everything." Lewis said before he got in the car, he had his glasses on, you both were dressed very casually, you'll be in the car for a while so looks weren't important. "You look so happy." 

You couldn't help the smile on your face as you pulled from the building. "Yeah, you know I've been wanting to do this for a couple years now."

"I'm glad you're happy." Lewis said with a smile. They can now relax after a long season flying and being everywhere, Lewis thoughts its the best time to have a road trip from your home in Monaco to the UK. As much as Lewis hates driving on normal road with normal speeds you love it, this idea has been on your mind for years, so the moment Lewis suggested that you do it you jumped at the chance. 

Driving through France and seeing the country from a different perspective than what the both of you are used to, and just spending time with him away from everyone else for a few days.

The music was on and you both had your windows down and singing softly along to the music. Lewis took a few photos of you, he couldn’t help but wanting to document the trip.

You guys made the 14 hour drive into a three or four day drive, spending afew hours on the road, before staying in a hotel/inn and going around sight-seeing. Both of you were severely underdressed than your usual selves, sporting sunglasses and hats to keep a low profile. Your hard effort did in fact pay off, no one was the wiser, and having a less known name than Lewis everything was booked under your name.

Lewis did post a few things on his insta story, making the fans go crazy. 

The first story he posted was from where you were singing, your hair flying everywhere, and he was hyping you up, the video ended with you both laughing. Both sounding and looking so happy.

The second picture was a selfie of himself enjoying being a passenger prince. He captioned the picture with a best passenger❤️

The second day you posted a picture of Lewis changing one of the tires, followed by a short video showing you in the middle of the countryside, with nothing to be seen around you. Honestly all of the content the fans were fed during the trip was enough to keep them satisfied for a while, before they were starved once again.

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Matching Outfits

these...

[m1ngkis]

Mingi the munch (18+)

A/N: MINORS BE GONE. This will contain oral intercourse in a closet and my man of course. MWAH

Mingi is a munch and I will die on that hill. I can just see him losing himself between your thighs and eating you out until his eyes cross and his tongue goes numb.

He especially likes to do it right before a show. While staff and his other members are bustling around and yelling time checks, all he can think about is getting his mouth on your pussy before he goes on stage.

I want to say he thinks of it almost like a claim like yeah he's about to make 10,000 people scream his name but you're the only one that gets to have him on his knees like that.

He spots you sorting out their clothes for the quick changes just as a staff yells "Ten minutes!"

It's a simple touch to the small of your back but it feels like fire skating up your spine. Your head whips to find him and you barely catch him slip down the hall.

"Can you finish this up for me?" You hand the clothing to your assistant and go for the hallway, the chatter of voices getting quieter the farther you go.

"Mingi?" You call out for him. "We don't have time for this. You need to be with your members."

"I'll be quick, promise." You gasp as he appears behind you, lifting your body and carrying you into a nearby closet.

He doesn't even bother closing the door all the way, letting the light filter inside the small space through the crack. He's on his knees in a second, fiddling with the button of your pants.

"You're gonna get dirty! Get up!"

"You really want to spend the next eight minutes arguing or you want me to make you cum?"

You can see it in his eyes. He needs this. He's tense, anxiety coursing through his nerves. Six years and he's still afraid he won't do well enough.

Your silence gives him his answer as he resumes tugging your clothes down and off. Your hand finds it self in his hair as he kisses your thighs, hiking on up on his shoulder as he nips at your skin.

"Mingi.." You don't mean to rush him but now that he'd gotten you like this, the anticipation was killing you.

"I'm here. Not going anywhere." He mumbles just as his tongue stretches out and licks you up from hole to clit before settling his lips around it, making you shudder.

His tongue swirls around the bud along with the suction of his lips and it sends waves up pleasure to your senses, making your brain fog and your mouth the drop.

As soon as the first moan escapes your mouth, Mingi relaxes. His shoulders drop and his eyes flutter closed as your taste on his tongue takes him to heaven.

You let out a shaky curse when he split you open on two of his fingers, thrusting lazily into you but still hitting the spots he needed to have you shaking and gripping his hair and shoulders.

"Five minutes!" Another staff yells and just as you tense, Mingi groans against your sex, as his tongue and fingers trade places.

He rubs tight circles on your clit and opens his eyes to watch as you fall apart, his name on your lips in harsh whispers as you try not to be heard.

He keeps moaning against your pussy as your juices coat his chin and the tip of his nose. He can feel you getting close. It's in the way your eyes screw shut and your fingers practically grip the hair out of his head. The way your pussy clenches around his tongue so hard it makes his eyes roll back

So even before you let out a breathless, "Fuuck, Mingi!", he's ready to catch your release on his tongue.

"Thank you." He helps you get dressed again as you come down from your high. "Even though it was pretty risky this time."

"Any time, baby." You don't even want to look at him because if the hard on against your belly was anything, you're sure the sparkling in his eyes would have made you drop to your knees right then.

"Showtime everybody! Where's Mingi!? Anybody seen him?"

"You gonna go out like that?" You graze a hand across his boner and he lets out a hiss.

"Yeah..Trust me, fans will like it." He chuckles, before kissing your lips.

"Go be great."

"Always do."

[knightofthesevenfandoms]

Bee fell first, Gabe fell harder

I've seen it described the other way around, but I really believe this is how it happened.

Okay, so.

Bee fell first.

That first meeting, at the bar in Russia (?)

Gabe seems annoyed to be there. He's disinterested, doesn't know why he's there.

I don't think either is particularly interested in the other at this point. But it DOES start here. Well, it builds on something that happened at the airbase. Gabe realizes he has an equal who understands the frustration of being held accountable for all of Heaven, and so does Bee, with Hell. It's a strange feeling of camaraderie neither of them has felt before. Which is why Gabe gets flustered by the "Arma-bloody-gedon" and starts to joke about it. And Bee NOTICEABLY perks up when he's being a goofball about it.

Gabe then quickly shuts it down, with the "pity we'll never speak again." I think he's genuinely saying that. It's a shame he won't feel that camaraderie again, since obviously the war is still going to happen. Or so they both believe.

The next meeting. This was a HUGE jump. They went from "we're ready for Armageddon 2.0" to "how about no" in one meeting. Obviously we're given to assume that more meetings than we've seen have taken place. Gabe shows up at the bar and launches into his plan of no Armageddon. I think at this point he's intrigued by the way he feels when he's with them and if the war happens, he doesn't get to explore that more. Bee, on the other hand, is GONE for him at this point. The way they EAT UP his no-Armageddon plan immediately, and the way they're smiling at him?!

AND. The most important bit. When they explain the music to him. They do it SO GENTLY. Bee, the demon who's usually yelling, usually insulting everyone around them. They explain the music to help him understand. And he's receptive to it, maybe not necessarily enjoying the song itself, but enjoying it because Bee likes it. Bee's enjoyment makes him happy.

And the way they look at him when he says that. Head over heels.

I would still argue that at this point, Gabriel is still merely interested in exploring all these new feelings he gets when he's with Bee. He's taking this much slower than Bee. But then he invites them to go look at his statue. Does he understand how vain that is? Probably not, but the fact that he invited them to see something that makes him happy? He took a big step here. Maybe bigger than Bee realizes. This meeting has no pretense, no motive like the previous ones did. Those were "we need to talk about the war" meetings. This one is PURELY for the purpose of meeting up with each other.

And how sad Bee looks when Gabe is talking about how much he enjoys looking at the statue? They want so badly for him to look at them like that, but I don't think they realize that he's almost there.

How could they? They probably have feelings of doubt, of low self worth, because this is the Supreme Archangel Gabriel, they're a demon. He couldn't possibly reciprocate what they're feeling.

Could he?

But then they get their answer, at the pub, with the miracle. This is the angel who frowns upon frivolous miracles, thinks it's a waste of holy energy. He miracles the song to play for them. For no reason other than Bee. To make them happy, to see them smile. And smile they do.

Gabe fell harder

Beelzebub jumped in to their feelings with both feet, but Gabe was more hesitant. He did have a lot more to lose, I'd argue. Bee has already fallen, Gabe probably assumes he could fall for being involved with a demon. Especially since Heaven is probably intensely watching for that after, you know, that other angel and demon. Which is a terrifying prospect, I'd assume, for the angel in charge of everything. And he's vain, he loves himself, loves being righteous, loves the authority of Heaven. So of course he's more hesitant. But he leaves all that behind when he admits to himself that there's something worth more than choosing Heaven.

Y'all. Not only was he ready to fall, he welcomed it. He didn't want to spend another minute in Heaven without Bee. Look at his face when Metatron says he's going to remain an angel. He's SO DONE.

We're lead to believe that falling is the worst thing that can happen to an angel, and Gabriel is willing, no, insistent that he fall.

He wouldn't be falling because of Bee, he'd be falling for Bee.

[holylulusworld]

Big Grumpy Bear - Family Day snippet

Summary: He’s grumpy. You are sweet. A match made in heaven.

Pairing: Alpha!Walter Marshall x OmegaReader

Warnings: a/b/o, a/b/o dynamics, grumpy alpha, tooth-rooting fluff, daddy Walter, hinted breeding kink, pregnant omega

A/N: A short drabble.

Big grumpy bear masterlist

Catch up here: Big grumpy bear – Mother’s Day snippet

“Daaaaadaaa!” Your baby boy slowly stumbles toward his father on wobbling legs. You hold your breath, almost choking on tears, because these are your son's first steps. “Dada…”

“Baby boy!” Walter gasps, watching his son slowly and unsteadily stumble toward him. The little boy holds out his chubby hands, eyes wide and wet because he has missed his father. “Look at you!” Your husband crouches down to hold out his arms for his son.

The little boy walks a little faster. It’s more stumbling than walking, but he’s too eager to scent his father, his alpha.

“There you are, my big boy,” Walter coos as he wraps his arms around his son and picks him up. He kisses the top of Walter Jr.’s head, sighing happily. “He grew again, Y/N.”

“Yes, he did.” You giggle and point at your baby girl on your lap. She looks in her father’s direction, close to tears. She pouts and holds out her hands for Walter. “Someone else missed you too, Alpha.”

“Baby girl!” Walter sits on the couch next to his daughter on your lap. He coos her name and runs his large hand over her head. “Did you miss Daddy too?”

She chokes out a sob. “I guess this means yes, Walter.” You softly say this while Walter helps his son sit on his right thigh while you help him place his daughter on his left thigh. He wraps his large arms around their small bodies to steady them. "We have all missed you, Walter.”

“I’ve missed you too, Omega,” he purrs your name and leans closer to your side to steal a kiss. “How do you feel today? Do you need me to rub your back?” His eyes drop to your middle. Walter smirks as you purse your lips. “It’s not my fault you didn’t want to wait for me to put a condom on.”

“If I recall right, Alpha,” you say, and poke his upper arm with your index finger. You took the chance to sneak into the shower with me, and I couldn’t get clean. You got me dirty all over again.”

Walter grins again. He hums and recalls the night you are talking about. “What’s one more bundle of joy? Right?” Walter nuzzles his nose into your neck. “I love having you round and full of my babies. You smell like me if you are having my pups.”

“You won’t put another into me after the third one popped out!” You point your index finger at your baby boy and then at your baby girl. “We are going to be outnumbered soon enough. No more babies.”

This time, Walter pouts. He furrows his brows and thinks about arguing with you, a pregnant and sleep-deprived omega. “I could lend you a hand, Omega. Let me handle the little rascals, and you can get some sleep.”

“No,” you huff. “There is so much to do. I need to get more blankets for the nest and change their diapers. Oh, and they need to eat before they go to sleep. Both need a bath too, and I think one of them peed on me.”

“Love, leave all of this to me,” he says, kissing your cheek. “I’ll handle it.”

“You want to breastfeed them too?” You challenge with a big grin on your face. “Walter, they don’t do hairy and muscular chests.”

“Now let me take care of our bundles of joy. I can handle everything but the feeding. I understand they want yours. I prefer them too.” His eyes drop to your chest, and he licks his lips. “They are perfect and bigger since you’re lactating.”

“Walter, no!” You warn and scoot away. “No more babies.”

Walter hums when you shake your head.

“Aw, sweet omega. I’ll always have you full of me...”

Tags in reblog.

[semisolidmind]

How do you think season 5 would’ve gone in your Bad End or Twice As Bad AU?

ok, so

y'know how, since season 4, mk has been going through the whole “i don’t want to use or even acknowledge my monkey form because it makes me feel like a monster��� thing? well, bad end/twice as bad mk doesn’t have that hangup to address, because he’s spent his entire life up until the shows’ events in that form, training and living in it. he knows no other way.

he is an incredibly powerful monkey demon; he is the harbinger of chaos, and he's fine with it.

his “mortal” form is the one he’s been having visions and confrontations with. (i imagine the ink curse in s4 using his mortal form to taunt him about being weak now that he's got mortals he cares about– "keep on compromising for them, and you'll end up just like them; too small and insignificant to ever make a difference.")

instead of having to face his fear that he may be dangerous (because as a crazy powerful monkey demon trained by the two other most powerful monkey demons in the universe, of course he is), his mortal self is trying to tell him that he doesn't have to be a monster like wukong. death and rampant destruction don't have to be his legacy.

the mortal mk in his meditative visions tells him that caring for his friends doesn't make him weak or undeserving of his power and lineage. the visions he has during the guardian trials (and the guardians themselves) tell him that in order to be a real hero, he has to care about those that his training would tell him are "lesser" than him (also that his friends aren't worth less just because they don't have a ridiculous amount of power).

mk would learn to accept that every being in the world has value, regardless of their status. nuwa would tell him this as well, when he meets her.

season 5 would be bad end/twice as bad mk's journey of accepting that he has a mortal heart, and that caring for others has immense power all on its own. he must choose to be the change to the status quo.

he'd always known he was an "agent of chaos," but the events of season five cement in his mind that he was brought into the world for a reason. just that now, he alone gets to decide what that reason is.

----------

as for his mentors...

getting captured and re-bound by the gold fillet wasn't exactly on the monkey king's itinerary, and he's majorly pissed. he levels the surrounding area about it, and decimates all of the soldiers sent to subdue him (regardless of how agonizing the tightening spell is; the pain just makes him angrier). he breaks every ward and barrier placed against him, tears apart any enemy who dares to come close. his rage is a force to be reckoned with.

wukong had sworn he'd never be subjugated by heaven ever again; he's definitely not just gonna let this slide. the celestial realm will suffer for their breach of the tentative peace they brokered by leaving the monkey king well enough alone.

as the only one that gets captured after his fit of rage, he only has to get himself out of celestial prison. easy, despite how many wards are placed on his cell (it's not like heaven has ever been much of a threat to him before, after all). he has to get back to the group, for his family's sake. nothing will stand in his way.

macaque only barely dodges getting locked into a fillet as well, and uses his advantage to launch a sneak attack on nezha and li jing; this forces them back and gives the gang their chance to escape in the chaos caused by the monkey bros.

the shadow general takes the distraction provided by wukong's rampage to get reader and everyone else somewhere safe. from there, the gang helps mk find all the stones, defeat the guardians trials, and eventually make their way to the pillar.

both wukong and macaque try to stop mk from sacrificing himself (in-between fighting the nine-headed demon), and reader tries to talk him down from it. however, she can't argue with the look of quiet determination on his face..she knows that he's made up his mind. with tears in her eyes she embraces him, then lets him go.

wukong tries to go after him, but one look at reader stops him. she's...she's accepted his decision. just like she always has. maybe...maybe this time, wukong should too. he sheds tears and holds onto his wife... but doesn't follow his son into the pillar.

the world goes silent, before bursting back to life.

the stones are destroyed, the nine-headed demon dissapears, and things go back to almost normal.

----------

—i imagine reader, with her skills as a peacemaker developed from her centuries as queen of flower fruit mountain, is the one who keeps everyone calm and grounded throughout their ordeals. she's gotten to know them all through her adopted charge, and keeps them on track.

—now it'd make sense for reader to be left relatively safe on ffm, but given the state of the universe in this season, the monkey bros aren't about to let her out of their sight (weird end-of -the-world-again family road trip). they don't care much for the rest of existence, but even they have to acknowledge that they'd prefer the world and their mountain unbroken.

—the pagoda sequence is a very emotionally tense one for reader and the boys in twice as bad. reader relives being stolen and the early years of her imprisonment; after they break her out of the hundred eyed demon's spell, she won't look at either of them and flinches away when they try to touch her; little does she know, her husbands relived the same thing (plus all the other bad shit they've done). they've learned enough compassion for her to feel a bit of shame.

[cupidkenji]

Hi!

I love Doctor, Doctor, please listen! The way you wrote about the differences between the two that were apparent at first and then how they were actually similar! 🫠

Would you be interested in doing a follow up for the same reader who still refuses to carry a gun, but then she and Spencer are in danger and an unsub is about to kill Spencer, so she breaks her rule and uses Spencer’s gun to shoot the unsub? She doesn’t have to shoot to kill, but just to protect Spencer.

Like maybe she got injured first and didn’t defend herself but the moment it’s about to happen to “her Doctor”, she knows what she has to do.

(If youre not interested, totally get it!!!) thank you for reading!

ANON YOU'RE A GENIUS OH MY GOD Pairing: Spencer Reid x Chubby!Fem!reader Cw; Guns, mention of violence towards a kid, reader gets stabbed (again), death mention, mention of reader getting a leg amputated WC: 909 This is a little spin-off of my first fic which you can read here but it can be read as a standalone as well

Things had escalated fast. The team had profiled a calm, rational unsub. She was acting more out of desperation than anything, nobody thought an attack was plausible. You had ruled out a partner early into the investigation, the kills were too mundane for that of two people. Even now, with said partner having killed the unsub, you still wondered how the companion could have possibly hid herself so well. The partner was armed, clearly the dominant of the two, it became an obvious case of master/servant. 

It was just you and Spencer here, Hotch was following close behind but his ETA was around 6 minutes. You didn’t have 6 minutes. She had gotten you good, coming out angry and ready to take out as many as possible. Your leg paid the price as she dove at you. You aimed for the floor, just needing to get out of her way, but you’re about 60% sure she sliced right through your Achilles. It would take all the energy you had to get back up, leaving you stationary and practically useless on the floor. 

The woman was clearly struggling with paranoia. She ditched the knife she struck you with in favor of waving her pistol around. She was incredibly animated as she spoke, throwing her hands in tune with her words as she argued with the air around her. Soon, as though a decision had been made, she set her sights on Spencer. Up until this point, he’d been helping you stop the blood pouring from your leg. You saw her make up her mind, and knew you had to act quick. She was coming for him. 

“Spencer, give me your gun.” You said it quickly and near silently, thanking the heavens he was so close to you. You discreetly laid your hand on the ground, and he placed it on your open palm. His back was towards her, it was up to you to protect him now. 

“You people think the whole world is up for you to dictate, you know that? You can never just let people be.” She was panting, hauling Spencer up from the floor and walking him against the wall at gunpoint. “We were fine! Nobody was ever even meant to get hurt, but you all can never just let people make mistakes.”

You were hiding the gun with your arm, if she saw it she could snap. “We understand mistakes, ma’am. But sometimes people get hurt. Don’t you think it’s fair the people you wronged get some justice?” You tried, but in your professional opinion this woman was already too far gone. 

“No! Don’t say it like that! We didn’t mean to hurt that kid, ok? We just got carried away.” She was rising, there was no talking her down. “You could have let us go, we would have left the country.” It was horrific, she was crying - remorseful. “But now - now I have to kill you and I don’t even want to.”

“Put down the gun, ma’am. Please.” One last bargain. “It doesn’t have to end this way.”

She only cocked the gun as a response, raising her hand to aim the pistol at Spencer’s temple. 

“I’ll make it quick, I promise.”

You didn’t have a choice at this point. This was the first time in your entire career you’d been forced to hurt an unsub. You’d never been anywhere without a team to back you up. This time it was your finger on the trigger. The angle you were aiming from - crooked, while lying on the floor - made it incredibly difficult to predict where the bullet would end up. You aimed low, crossing your fingers it would shock her away from Spencer. She can’t hurt him. It was the only thought left in your head. Please don’t hurt him.

–

You found yourself in the back of an ambulance. Again. The wound was more severe this time, Spencer glued to your side for the trip to the ER. You were going to need surgery to repair the nerve damage she caused.

“I hate hospitals.” Dread pooled in your gut at the thought of going under the knife. Spencer looked at you appalled. He couldn’t believe you were complaining about the service that was going to save you from an amputated leg. Or in other words, he was panicking. 

“Are you kidding me? You’ve lost enough blood to fill half a milk carton, Y/n! The fact they think you’re going to keep your leg means you got luckier than 67.2% of patients with similar stab wounds. Have a little gratuity.” His face was flushed, the hand gestures that usually accompanied his words were otherwise forgotten about. 

“Spencer, I’m gonna be ok.” You looked in his eyes from where you laid on the stretcher. Sounding out each word a little more purposefully in order to calm him down. 

“You shot someone. You’ve never even had to detain someone. I know how much you prioritize peace, Y/n.” Ah, so that’s why he was worked up. 

“Spence.” You laughed a bit - endearingly - at how worried he was about you breaking a vow. “She was going to hurt you. I would have killed her if I had to.” He looked so fragile in the vehicle’s stark lighting.

“Really? You mean that?” The kinder way of saying would you have done that for the others? 

You smiled at his words. “Only for you, Doc.”

[tyrantisterror]

Who's THE Devil?

You know, from, like, The Bible?

One of the things the various takes on Hell more or less agree on is that there is one demon among the legions of Hell who more or less reigns supreme - The Devil with a capital The. What they rarely agree on, however, is which devil that is. So, for funsies, let's look at all the candidates for The Devil, shall we?

Belial

The concept of demons arguably predates Abrahamic religions, at least if we take it at its most nebulous definition of "supernatural people from an Other world who are somewhat antagonistic toward humanity." But the more specific and probably more familiar version of them began with The Book of Enoch, one of many texts that were deemed non-canonical by Christians yet still holds a great deal of influence on Christianity as a whole. It's an extended account of the Noah story, positing that a group of angels rebelled against heaven because they wanted to sleep with mortal women, and created a race of giant half-human half-angel offspring called the Nephilim (Goliath, of David and Goliath fame, was one of the nephilim). God wasn't happy with this, and sent the rebel angels to a fiery pit before killing most of the nephilim with the big ol' flood (though Goliath's lineage survived somehow I guess).

It's not quite how most people picture the War in Heaven and rebellion of the angels, but it's nonetheless where that story started, and that makes it important. This is the first take on what would become the classic origin story for demons and Hell itself. And who is the leader of the rebel angels in this story? Why our good friend Belial, of course. Belial would remain a prominent demon from hereafter, but despite having the earliest claim for the crown of The Devil, Belial has not remained the frontrunner in the race, and is generally demoted to just being a high ranking demon, rather than the Highest ranking one.

2. Beelzebub

I've talked about Beelzebub before and I don't want to spend too much time rehashing that post, so brief recap: Beelzebub began as a mean nickname for a god from a rival religion to Judaism who was named Baal Zebul, which means Lord of the Heavenly Place. Baal Zebub, by contrast, means "Lord of the Flies." Eventually Baalzebub becomes Beelzebub and, divorced from the original context of its creation, becomes a character in his own right, being a prominent demon. And because Beelzebub appeared in a lot of texts, many of them very old as demonology go, he became a major competitor for the title of The Devil, and remains so to this day. I think it's partly because the name "Beelzebub" is really fun to say, but the sheer history and volume of demonology texts portraying him as a big, powerful devil also help. In the rare stories where Beelzebub appears but does not get to be The Devil, he's still portrayed as fairly high ranking, with both Milton's Paradise Lost and Marlowe's Faust making him The Devil's right hand demon, second in command of Hell. So even when he loses the crown, Beelzebub takes home a good silver medal

3. Asmodeus

Asmodeus is another of our "predates Christianity" demons, right up there with Beelzebub and Belial, and as far as I can tell from what I've read he was originally intended to be The Devil rather than just a devil. It's kind of right there in the name - "deus" means god, so Asmodeus having that name marks him as a demon who thinks himself equal to God.

(well, ok, there's some debate about the full origin of his name, with some arguing the "deus" part was originally a play on "deva," which in turn is loosely translated as... demon. The fact that Asmodeus's name is pronounced/spelled differently to a preposterous degree is part of why the water is so muddy - Asmoday, Asmodai, Asmodee, Osmodeus, it goes on and on)

One of his better claims to the crown comes from the story of Solomon - you know, the wise king who told people to cut babies in half. Solomon's less canonical feats include enslaving a shitload of demons to build a temple for him by way of the rite of exorcism, using a magic ring and the power of Christ to compel the damned to do manual labor for him. Asmodeus is specifically stated to be the strongest demon he summons in part because he is the King of all Demons, i.e. The Devil - and the other demons weep at the sight of their king being reduced to a slave by mortal hands.

Why is this a strong claim? Because the story of Solomon in turn inspired The Lesser Key of Solomon, a text about using the rite of exorcism to summon and use demons to do your bidding. The Lesser Key of Solomon includes the Ars Goetia, which is basically a big ol' bestiary of demons, and where many of your favorite pop culture demons - like, say, Stolas the owl guy - come from. Being the King of all demons in the story that inspired one of the more thorough and exhaustive lists of demons and their hierarchies should count for a lot.

There's one other great claim to fame Asmodeus has in his favor. While not directly named in Dante's The Divine Comedy, the description Dante gives of Satan's physical appearance matches with the most popular descriptions of Asmodeus - in particular, his three heads, one of which is yellow, one red, and one black. Granted, it'd be more of a smoking gun if one of those heads was a bull and the other a goat, but they're all very ogre-like, so I still think it stands. Dante's Devil is, more likely than not, Asmodeus, and that's a BIG point in Asmodeus's favor.

4. Hades/Pluto

Ok, so, a great deal of the Old Testament was originally written in Greek, and the New Testament was written in Latin, both of which happened when belief in the Olympian Gods was pretty strong. As such, the word "Hades" appears in the Bible a lot when talking about the place where dead people go, though it probably wasn't meant to literally be the same underworld as that in Greco-Roman mythology. Probably.

But because Christianity was spread primarily by the Roman empire once they converted to Christianity, and because Europe ended up getting a centuries-long case of stockholm syndrome for the Roman Empire that involved many people in power declaring that Greco-Roman mythology was super important literature and Latin was the language of God Himself, there is a good chunk of Biblical apocrypha that treats the use of Hades as, well, a literal crossover of sorts. Which is to say that Hades the god is sometimes treated as, like, a figure in Christianity, generally a demon specifically. And because he's, you know, Hades, from, like, The Odyssey, people feel he needs to be prominent. I mean, Hades RULED the underworld in Greek mythology, so if we're stealing him for Christian folklore, he should at least be in upper management, right?

The strongest case for Hades being The Devil comes from The Book of Revelation, one of the few books in the Bible that actually contributes to demonology (despite what people tell you, demons really don't show up in the Bible that much - most of what we think of as iconic demon lore come from non-canonical works). You know the four horsemen of the apocalypse? War, Famine, Plague, and Death, right? HA, WRONG! It's Conquest, War, Famine, and Pestilence & Death, you fake horseman fan. Well, anyway the line that introduces Death/Pestilence & Death ends with "And Hell followed with him." Except, no, not really, because the specific word used is... Hades. "And Hades followed with him." Which, depending on how you want to interpret the line, could very well mean a literal, King of the Underworld Hades.

Of course, the problem with using Revelation as proof is that Revelation itself is pretty unclear on who's leading the forces of evil. Is it the Seven-Headed dragon who's cast out of Heaven at the beginning of the end of the world? Is it the seven headed leopard monster that the dragon gives his crown to? Is it the monster who crawls out of the ground to speak for the seven-headed leopard with the voice of a dragon? Is it Hades? Is it God, the one who's allowing all this violent shit to happen and frequently sending his angels to make it way fucking worse? Who can say.

So, while it's not super common, there are more than a few works where The Devil is none other than Hades himself. Disney... might not have been completely off the mark, I guess?

While I think Hades's claim is pretty weak, I should note that one of the works that puts a LOT of Greek mythology into Hell is none other than Dante's The Divine Comedy. 70% of the demons in Dante's Hell are just Greek monsters, with the remaining few being Asmodeus and some OC demons he made up with portmanteu names a la Pokemon. Notably, Hades is one of those demonized Greek figures - presented as the Judge who decides where in Hell sinners end up based on their crimes. He's not The Devil, though, so while Dante kind of helps Hades's case, he also kind of ends up making a counter argument to it.

5. Abaddon/Apollyon

Ok, so, the word "abaddon" is used in some texts to refer to Hell, and sometimes it's personified as well. It literally means "ruin." Well, in time, Abaddon is personified and become a demon, which should feel like a familiar story to you by this point. And because Abaddon can also literally be Hell itself, it's only natural that some stories posit Abaddon the demon as the rule of Hell, much as Hades is the ruler of Hades in Greek mythology. This is Abaddon's big claim, and it's not bad, but it's not super strong. Nonetheless, it was enough for at least one prominent Christian text, Pilgrim's Progress, to make Abaddon (under one of his synonym names, Apollyon) to be The Devil, so we can give him that too.

6. Sheol

The sections of the Bible that are written in Hebrew use the word "Sheol" to refer to the underworld/afterlife rather than Hades. Now, Judaism doesn't have the same Hell as Christianity, or the same concept of Heaven either for that matter, and Sheol is less a place of torment for the damned and more of a waiting room for the dead to hang out in until the Messiah comes.

Nonetheless, Sheol did get personified like Abaddon and Hades, and that personification (which, in some versions, is a batty old lady, which is fun) later became a demon in its own right, and thus, for the same reasons as Abaddon and Hades, has a claim to being The Devil by dint of also being, you know, Hell itself. Not the strongest, most popular claim, no, but a claim nonetheless.

7. Satan

Feels rather obvious, doesn't it? Ok, so, in The Bible, one of the characters who was retconned into being The Devil is the angel in the Book of Job who takes on the title of Satan. In the original context of the story, "Satan" is not a name, but, again, a title - a job title, really, roughly akin to "prosecuting attorney." The Satan in the Book of Job isn't a rebel angel, but an angel whose job is to argue for the opposing view point to make sure everyone is doing the right thing. Less "The Devil" and more "the devil's advocate."

But! Christians fucking LOVE the devil, and they want more devil in their Bible, so many translations treat (the) Satan not as the hard-working servant of God he was originally written as, but as, you know, The Devil, arch-enemy of God and justice. And so Satan becomes synonymous with The Devil, and over time more and more appearances of The Devil give him the name Satan.

I can see an argument for this being the strongest claim, because the sheer amount of works where "Satan" is treated as The name of The Devil is enormous. But I think it's important to note that many of those works actually treat it as a name for the devil, which is to say, not the only name. I guess a lot of modern works think the name is so commonly used that it lacks its punch, and so they have The Devil pull the "I have many names" schtick to sound more imposing.

8. Lucifer

So there's a part of the Bible that talks about a star falling out of Heaven as a sort of metaphor for how people can fall from grace. Well, good ol' King James translated this as not just a falling star, but specifically The Devil himself, giving him the name Lucifer, which means "light-bringer." The King James translation of the Bible is bad in that it's immensely inaccurate, but good in that it's a beautiful piece of poetry in its own right, and since it had the authority of a goddamn king behind it, it quickly became a prominent Christian text and is still the preferred translation of many Christian sects to this day.

So, you know, that's pretty fucking big as claims go. There is one incredibly prominent (if woefully inaccurate) translation of the Bible where Lucifer is The Devil. Kind of hard to fight that one.

But it doesn't end there! I would argue that the most influential origin story for Christian devils, the one that has become ingrained in the cultural consciousness as THE story of the War in Heaven, is Milton's poem Paradise Lost. That's where most of the tropes we associate with The Devil and demons and Hell really come together to form the great devil mythology - well, it and Dante's The Divine Comedy, anyway. You know which name Milton chose for The Devil?

Lucifer.

Well, ok, he also calls Lucifer "Satan" with about equal frequency, but still - Lucifer is The Devil of Paradise Lost. And because of the sheer weight that both Paradise Lost and the King James Bible have in culture, Lucifer has ended up being used as The Devil in countless works since! Not bad for a translation error, right?

While the sheer number and notability of literature that uses Lucifer as The Devil is kind of argument enough for him having the best claim, I'd like to add one more argument in his favor: dramatic irony. I think what draws people to Lucifer is the meaning of his name - "the light-bringer" - and how it contrasts with his role as the king of a pit of darkness and misery. "Light-bringer" is a heroic name, the name of a character who brings hope and joy, which makes it so delicious when it turns out our "light-bringer" is an utter bastard. It's just irresistible, isn't it?

9. Mephistopheles

A good number of demon stories - arguably the majority of them - focus on mortals who make deals with demons and end up damned to Hell for doing it. We call these stories "faustian pacts," and we do that because the most famous story of this kind is the story of Faust, a scientist/alchemist who makes a deal with a devil named Mephistopheles to learn the secrets of the universe and ends up doing a lot of sinning in the process. Since Faust is such a famous and influential story, it only follows that its main devil is frequently viewed as The Devil.

...except

In most versions of Faust, Mephistopheles is not presented as The Devil within the narrative. He's a henchman, a flunkie, with one of the bigger names like Lucifer or Beelzebub pulling the strings. So while there are a number of stories (including a few versions of Faust itself) where Mephistopheles gets to be The Devil, it's far more common for him to be a devil - perhaps a prominent devil, maybe even one of the strongest and a close member of The Devil's inner circle, but rarely the one in charge.

10. Baphomet

Baphomet is a god whose name and appearance was repurposed as a demon by The Church of Satan, and so while I have to admit that is a claim to the crown, I don't think it's a great one. First, nothing about the Church of Satan's belief system is meant to be taken genuinely, with them admitting that they view Satan/Baphomet as a symbol rather than a literal supernatural being they believe in. Second, by rights Baphomet should be allowed to be Baphomet instead of being literally demonized. I honestly think it's better for Baphomet to lose this race than to win it.

11. Iblis

Demons in Islam work differently from demons in Christianity. Rather than being fallen angels, demons are wicked Djinn - a race of people made from fire and smoke rather than ash and dirt like humans. Djinn aren't quite as powerful as angels in Islam, but do have significant supernatural powers that humans lack. Like humans, Djinn have free will and can choose whether to be good or evil - and those that choose to be evil reside in Islam's version of Hell, where they are ruled by Iblis, the first Djinn to choose the wicked path and the ruler of Islam's Hell.

Unlike Christianity, there isn't really any debate on this. Iblis is, for all intents and purposes, the CANONICAL ruler of Hell, The Devil of Islam, and thus has the strongest and really ONLY claim to be The Devil of that religion.

...but, at the same time, Iblis can't really be the Christian devil, because Christianity doesn't have Djinn, and all the iconic parts of Christian demonology kind of hinge on the idea of demons as rebel angels, which demonic djinn very much aren't. So while Iblis's claim in Islam is irefutable, he doesn't have one in Christianity. Ain't that wacky?

I think it should be noted that there are more-or-less canonical texts where Iblis isn't treated as purely evil, either, including one where he actively asks for help in repenting and is turned down because, well, evil has to exist, and someone has to rule over it, and like it or not, that's Iblis's job now. It ends with Iblis wailing that he has become the greatest martyr of Islam. Which is so fucking hardcore, I love it. In Christianity, the texts where we humanized demons are non-canonical at best and deemed heresy at worst, but Islam allowed it to be more-or-less canon. They saw the coolest takes on the Devil and said "yeah we can allow that" - so much more rad than what Christianity did with them.

~

~

~

So, who do YOU think is The Devil? You know, from, like, The Bible?

[libraryraccoon]

Ok I request Azrael x archangel gn reader please (romantic pls)

Gender : GN

Pronouns : None

Message from Raccoon : it's honestly a little hard to write for Azrael because we know nothing of him-

You and Azrael have known each other for a long time, before the Earth was created.

You had to watch over Heaven and make sure everything was okay. Azrael often accompanied you in your task because he wanted an excuse to escape the paperwork.

He often tells you what some souls did when they were alive and how they died, like this demon killed by a hunter and dogs because they thought it was a deer.

You got closer, and what was supposed to happen happened.

You start to date him.

Now that was fun.

Do you know what the “50 questions to see if we approve you for dating our brother” archangels/family of Big G version is ?

No because you felt like you were being questioned for a serious crime and not dating their brother.

3 hours.

All right ? 3 hours of suffering an interrogation for a crime that wasn't a crime. In the end, they accepted you, apparently it went pretty quickly because you knew them..

You don't even want to know how long it would have lasted if you didn't know them before dating Azrael.

You and Azrael flying together is canon.

You fly at least once a week, and when you don't people think there's a problem.

Literally you and Azrael might just don't want to fly the week, but people will think you've broken up.

There are always angels to come and find out why you don't fly together, even after you tell them to stop.

Although it also helps a lot, in the sense that when you argue there are always angels to help you resolve the problem.

Personal/private life who ?

You know how Viv sold us Lillith x Lucifer ? Not what it's like on the show, but how she sold it, the loving couple everyone wants ? Yeah. It's you and Azrael.

Azrael always plays jokes on you, and you play jokes on him in return.

I can just see you starting a never ending prank war, you creating new jokes so it never ends.

You created most of humanity's jokes, Big G once asked how you had so much imagination for this sort of thing.

Hugs. So there, three possibilities :

If you are shorter than him then you are the little spoon,

Or you are the same size and always change from small spoon to big spoon depending on your mood,

Or you're taller and he's the little spoon.

The one who makes the big spoon must always put their wings around the other.

Whenever one of you is sad, the other always puts their wings around the one who is sad, because it's just comforting and brings a kind of sense of security.

Gabriel is your number 1 shipper. You can't tell me otherwise, he was literally the one who managed to bring you together in the first place.

Lucifer wondered how his brother managed to find someone, especially since Azrael had never seemed interested in love before.

Michael threatened to kill you if you ever hurt his brother... you didn't feel like it was a threat but more of a warning.

You’re glad he never heard about your little arguments.

Despite your little arguments which are rare, you and Azrael are THAT couple that everyone wants.

I just know that some angels come to ask you how you manage to have such a perfect/good couple.

I can see Azrael being sarcastic, so if you are too, know that you are the threat couple from Heaven.

(Second) Message from Raccoon : Writing for a character that we haven't see/know anything about them is so hard ?? I never suspect it to be that hard tbh.

[starbylers]

Rambling about things that’ve been said a million times but like…character’s final scenes in each season foreshadow what will be going on with them in the next season right? We’ve seen this. So by that logic we literally know what’s going to happen in s5. (In terms of character’s journeys, not talking about plot). Like we know for certain. They’re barely even theories to me anymore it’s just canon waiting to happen 😭. A huge amount of my Byler confidence comes from this tbh so if you need a little boost maybe this will help.

Dustin’s scene shows he is going to be grieving Eddie (we’ve already had confirmation of this I think so we know the pattern follows for s4 that final scenes are foreshadowing)

Lucas’ scene shows he will obviously be doing everything possible to care for and help Max

El’s scene shows she’s going to be focused on 1) saving Max & defeating Henry and 2) her family and having the support of her dad back

Caleb literally mentioned that Lucas & El’s relationship will be explored and we know Max is the thing that ties them together (the boyfriend and the best friend) so that’s another piece of evidence of s4 final scenes being foreshadowing

So it has to follow that Will & Mike’s scene shows they are definitely going to be working as a team

And if we take symbolism into account…

Their final one-on-one in s3 lingered on a shot of a blue telephone on yellow wallpaper & we know all about their s4 communication issues so yeah we’re absolutely taking symbolism into account

…that red flipped couch? They’re going to be in the upside down. Together. In the season where Will is going to have an emotional arc which will ‘tie the entire series together’. (Although even if the couch stuff was somehow incorrect the team part still stands).

To me the chances of M*leven being endgame in this scenario are so tiny they’re almost nonexistent? If next season was about showing how strong of a couple and how in love they are (which is basically the only place their story could really go atp if the intention was for them to be endgame), they would’ve had their final scene together! El would be sitting in Will’s place on the couch! Mike would be reaching into the light and grabbing El’s shoulder, symbolising that he’s choosing her.

The meaning behind this shot is so clear it’s almost funny like it literally looks like some magical celestial beam of light from heaven is shining down on where they’re connected

They wouldn’t be spending the season with their stories primarily focused on & tied to other people (“other people” being Mike’s literal other love interest!!!) if the show was trying to tell a story of them being this alleged central power couple working together and growing together in a loving, healthy, mature, supportive relationship. It’s completely illogical.

I feel like it’s so obvious that Mike and Will are at least going to be working together next season, and it’s incredibly weird to me that people even try and argue us on that point. Is it denial? Is it the fact that deep down, they are actually aware of how foreshadowing and logical story structure work and they’re scared that if they admit Mike and Will are going to be paired up, they’ll have to admit where the story is inevitably leading…?

[sur-i-ki]

𝘖𝘯𝘦 𝘮𝘰𝘳𝘦 𝘵𝘪𝘮𝘦

𝘚𝘩𝘰𝘺𝘰 𝘏𝘪𝘯𝘢𝘵𝘢 𝘹 𝘙𝘦𝘢𝘥𝘦𝘳

Authors note: it's October. Don't read this if you're a minor.

Shoyo has always had this habit. He'll keep going after something until he gets it. One more game. One more round. One more date.

One more time.

It drives you insane, in the best way possible. During his time away, it was always 'One more call.' or 'One more hour.' He was insatiable. Always being the supportive partner, you'd give in, but not too much. Never too much. Of course, that didn't last when he came back.

Before Shoyo left, he was timid. Not in the sense that he was shy with you, but more in the sense he didn't know what the fuck he was doing. His words. Although, that does not apply to him anymore, in any way, shape, or form. He'd grown into his body, and grown into more as a whole and it stole your breath at the airport.

Literally.

One moment he was at the end of the terminal and next thing you know, his lips were on you and his hands were gripping your waist. Shoyo's presence took your breath away. As the greetings came and went that day, you didn't leave his side. He wouldn't let you.

A hand on your lower back, or holding yours. But he'd become possessive in touch, ever so slightly. You couldn't help but think he was behaving like he hadn't played a game in a long time. He'd finally found a ball, an arena. His hand brushed your nape and fiddled with your hair. He stole kisses every chance he could.

One more time.

What you hadn't expected was what would happen the minute you locked your door that night. When you turned your unsuspecting back to poor Shoyo, the man just couldn't help himself.

Look at you. Finer, prettier, and his. Just as the tell-tale sound of the deadbolt sliding into place sounded, your hair was over your shoulder and his mouth was on your neck. His name came out as a strangled gasp, and you couldn't believe it. This cannot be the Shoyo who gave you timid kisses on your cheek and had shy, albeit clumsy sex with you.

There was something about him, something had changed, because you were already hyperaware of him after such a long time, and this was just, insane. Rapidly losing any semblance of higher-functioning thinking, you whip around in your man's arms. You just had to see him, had to confirm that this was your Shoyo and not some, some imposter!

And the look in his eyes could only be described as hungry love. it was the look he got on the court when he was in his flow.

"Sh-shoyo?"

Your back was up against the wall, his hands resting on your hips. His eyes looked into yours, then fell to your lips. Maybe it was a little mean of you, but you can't help but bite your lips, looking up at him. He gives a little smirk before he kisses you again, but it's heated this time, with an edge that wasn't there before.

Soon, you're on your bed as he all but throws on you it, lifting his arms up and shedding his shirt somewhere on your floor. Not that you cared in particular where it landed, because the scene in front of you was much more interesting. Shoyo was more muscle now, and you'd felt it but seeing it was different. You automatically shuffle a bit, and he tracks the movement before his mouth is leaving open-mouthed kisses on your neck and his hands are moving on your chest.

"Shoyo-!"

His face is still buried in the crook of your neck when he speaks, his voice vibrating through you.

"Just, missed ya' so bad, pretty."

And who can argue with that logic?

Not you, if the state of you was any indication. He’d done something, and next thing you know your legs are now on his shoulders, which are so much more wider, and his head in between them, and sweet heavens, this man was gonna ruin you.

Your hands were in his hair or gripping the sheets, and you’re pretty sure that you are being the opposite of shy at this moment, with the sounds Shoyo’s tongue keeps pulling out. You’re so close to your high, and his hands are curved around your legs holding you in place. You feel as if you are going to shatter.

“Come on,” his voice reverberates through you, and you glance down at him. His eyes are already on your face though, and you don’t break eye contact until his does this long swipe with his tongue and you are done for. Snapping your eyes shut you cry his name as he works you through your orgasm.

You know you’re panting hard, but his fingers are fiddling with you now and you know you won’t walk tomorrow when he smirks up at you and says,

“One more time.”

And you can’t say no. You never have. Who says you’ll say it now?

⇝ 𝘓𝘪𝘬𝘦𝘴, 𝘴𝘩𝘢𝘳𝘦𝘴, 𝘢𝘯𝘥 𝘳𝘦𝘣𝘭𝘰𝘨𝘴 𝘢𝘳𝘦 𝘢𝘱𝘱𝘳𝘦𝘤𝘪𝘢𝘵𝘦𝘥! 𝘗𝘭𝘦𝘢𝘴𝘦 𝘥𝘰𝘯'𝘵 𝘳𝘦𝘥𝘪𝘴𝘵𝘳𝘪𝘣𝘶𝘵𝘦 𝘮𝘺 𝘸𝘰𝘳𝘬 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘮𝘺 𝘱𝘦𝘳𝘮𝘪𝘴𝘴𝘪𝘰𝘯