#heaven help you if you think this is the place to argue about that

[argentumcor]

Tolkien's works were hitting popularity when it was becoming widespread to see fictional stories as metaphor. We live in that now, to the point where if there's any kind of racial tension in your fictional universe people assume the groups involved are a stand in for one real-world group or another.

His experiences inform a lot of his writing, as they do for all writers, and his themes are truths about life he learned. But the Ring is not a metaphor, though it can be likened to some things. The animosity between the elves and the dwarves is not a metaphor, though it is a lesson on getting over the past to unite for the good while still holding onto the good things about your own culture. The nearest thing to a metaphor might be the Scouring of the Shire, but I think it's more a reflection on the way the shadow can touch even places and people you think are safe.

Heaven help us in genre fiction, no one argues Flannery O'Connor's continuously writing metaphors about having lupus. Fantasy and sci-fi stories are not necessarily- in fact, are rarely- metaphors, but even non-readers and non-academics are addicted to understanding them as such and it brings everything down.

J. R. R. Tolkien: no, my books aren't about the war I experienced. It's just a story

J. R. R. Tolkien's works: you cannot go home, war ends entire bloodlines, you are mourning the death of your brother alone, you dug into the earth and permanently scored the land, you cannot explain what you have been through, you cannot go home, "that wound will never fully heal. He will carry it the rest of his life", leaving the women behind does not save them, the young die first, you cannot go home, the parent will bury their child, you have lost the wives and you will never connect with them again, "how shall any tower withstand such numbers and such reckless hate?", you are not the same, you cannot go home, you can never go home, your father will only side with those he sees as worthy bloodlines and you cannot change his mind, it is more meaningful Not to kill, sometimes your sacrifice accomplishes nothing, you cannot go home

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IBO reference notes on . . . queerness

How has it taken me this long to write about this aspect of the show? (He asked rhetorically, staring at the enormous amount of fanfic that basically stands as a thesis statement on how very queer this part of the Gundam franchise is [as opposed to all the other terribly straight parts, he added, sarcastically].)

Anyway, let's do it. Full spoilers up to the end of the show will follow, together with discussion of child abuse and exploitation, since that is what IBO is all about.

Special thanks to @lilenui and @prezaki for their invaluable assistance in locating sources.

Statement of caveats: this work is an amateur analysis of the English-language localisations (subtitled and dubbed) of a piece of Japanese media. I do not speak or read Japanese. I am myself bi, which qualifies me to be attracted to more of the cast than the average viewer, and have a working knowledge of LGBTQ+ history in the UK and USA, which tells me nothing about the cultural and historical context in which this anime was made. As such, I will not be addressing the behind-the-scenes production or the corporate mandates surrounding it but will focus narrowly on what I perceive to be present in the text (hereafter meaning both the script and animation, and any additional fictional details provided elsewhere).

Queerness in Gundam

Some background before we dive in. To my knowledge, the first character in the Gundam franchise to be intentionally depicted as LGBTQ+ is Guin Sard Lineford from Turn A Gundam (1999). An ambitious young aristocrat who spends the series on the line between hero and villain, he is infatuated with protagonist Loran Cehack and the show makes little attempt to play this as anything other than one man falling in love with another.

This is entirely one-sided and not appreciated on Loran's part, although that seems to have less to do with it being homosexual attraction than with Guin's high-handed and entitled attitude to life, filtered through heavily gendered social norms. For plot reasons, Loran spends several episodes cross-dressing as 'Laura Rolla', corsets and all, and Guin continues referring to him as 'Laura' long after the deception is no longer required, saying it 'suits him better'. Guin is eventually called out on this by a third character, who accuses him of forcing an idea of feminity on the other man rather than stoop to place himself in the position of a 'wife'. Objectifying Loran is presented as of a piece with Guin's overall flaws as a person, to whit, putting his own views about how things should be above the material reality and desires of those around him.

Guin is also the only explicitly gay character in the show (I'm honestly not sure how to classify whatever Dianna Soreil and Kihel Heim have going on, but it's certainly not labelled in the text). Therefore no counterpoint is provided to demonstrate healthy queer relationships. I don't state this to dismiss his inclusion: he forms part of a smart, nuanced plot thread, and Gundam creator Yoshiyuki Tomino had to fight to get Guin's homosexuality clearly included. But even so, Guin is a palpable step forward rather than a watershed moment, and the end result veers close to some nasty stereotypes about queer people imposing their desires on others.

There are other examples of characters transgressing gender norms in Turn A, most especially Loran's aforementioned cross-dressing. He is comfortable playing the part of 'Laura', in ways that mitigate viewing this situation as the extended joke it might be in another production. Funny moments do come up – particularly in the lead-in to his 'debut' as he acclimatises to the female attire of the show's pseudo-Edwardian setting and takes posture lesson – but he and the concept of a man in ladies' clothes are never made a subject of mockery. The same cannot be said for the character of Sochie Heim, whose attempts as a young woman to fulfil a gung-ho masculine role often turn comedic. This is part and parcel of her assaying militaristic modes of action, which are soundly mocked across the board. It nevertheless stands out next to Loran/Laura.

Further, Loran's status as a literal moon-child carries implications for his attitudes. His dismissal of existing social standards on Earth is very much presented as correct, and in keeping with what I know of Tomino's other writing and stated beliefs, but it dovetails unfortunately with a treatment of queerness as otherworldly, not something that may be found among an average population. We get another example of cross-dressing in the next-but-one series, Gundam 00 (2007, not a work Tomino helmed), where the usually male-presenting artificial lifeform Tieria Erde switches to a female presentation (in a ball-gown, no less) during a covert mission. This sufficiently parallels Loran's case, I assume it was a deliberate call-back, being as it is a disguise enacted by someone even less typical than a boy from the moon.

What I am driving at is that while Guin, Loran and Tieria may be characters who are queer or perform queerness in some manner, they do not necessarily represent an outright embracing of queerness as a mundane facet of everyday life.

Fast-forward to 2024 and the latest mainline Gundam show is a lesbian romance.

If you have been following my blog for a while, you will know I do not hold The Witch From Mercury in especially high regard. I think it is annoyingly messy, frequently half-baked, and, broadly-speaking, exactly as frustrating as I'd expect from the guy who wrote Code:Geass. It's still an explicit love story that opens with a clangingly blunt statement about the acceptance same-sex relationships and ends with the two female leads happily married to one other. For all its flaws, I genuinely think the central relationship between Suletta Mercury and Miorine Rembran is a nice piece of story-telling, not to mention admirably open about what it is doing. Like it or lump it, Gundam is gay now, properly, with a protagonist and co-protagonist who can be definitively labelled queer and whose romance appears entirely unremarkable for the setting (in terms of being same-sex; clearly there is a lot to remark upon otherwise).

I would be remiss if I did not mention that the conclusion of the series was accompanied by a certain amount of corporate arse-showing, with hollow attempts to walk back the ending seemingly for the sake of appeasing homophobic elements within and without the companies that produce Gundam. The frankly laughable nature of these actions stands testament to how unequivocal G-Witch is. It is flatly impossible in my opinion to interpret as anything other than flagrantly homosexual, and that's great.

Between this interesting but limited start and the full-throated present lies Iron-Blooded Orphans (2015), my absolute favourite and the show that got me writing slash fic after years of… not doing that. So: what is the deal with queerness in IBO?

Natural for a human

By my count, including all present spin-offs, there are three characters stated in-text as being attracted to people of the same gender (Yamagi Gilmerton, Iznario Fareed, Deira Nadira), two who are at the least open to the idea (Norba Shino, Mina Zalmfort), two whose mutual attraction is stated within the context of polyamory with a third person of the opposite gender (Atra Mixta, Kudelia Aina Bernstein), one whose sexuality is briefly hinted at (Chad Chaden), and one male character who is possibly not attracted to women (Orga Itsuka).

Let's get Iznario out of the way first, because the less time we spend on the actual paedophile, the better.

Lord Iznario Fareed is a rich, powerful aristocrat who sexually abuses young blonde boys and inadvertently sets large parts of the plot in motion as part of quasi-villain McGillis' backstory. In a lesser show, Iznario would be the embodiment of the 'predatory queer' stereotype Guin skirts the edge of. Here, however, he is very much not the only 'gay' character present and his proclivities demonstrate one of the many ways the world exploits vulnerable children, a core theme of the series. Early on, we see fleeting glimpses of young girls being pimped out on the streets of Mars. Iznario shows this social failing extends to the much richer Earth and although he is portrayed as the worst among the Gjallarhorn elite, they all abuse their power for personal gain. Thus, as much as the reveal of what he has done carries a certain shock value, it is not present purely for cheap impact. (This isn't the essay to discuss it, but the flashbacks to McGillis being abused as a child are a masterclass in how to frame such things around the victim, clearly communicating what's happening while avoiding gross voyeurism.)

I don't know how deliberate it is the canonical gay character who is shown in an entirely positive light fits the profile of Iznario's victims to a T, but it does underscore we're looking at a case of power allowing people to get away with hideous things, not a stand-in for queerness in general. To an extent I resent having to spell this out, since it seems so obvious Iznario is not fulfilling the role of a homophobic cliché. Sadly, the cliché exists and the point is worth discussion.

Moving swiftly on: Yamagi and Shino.

Yamagi Gilmerton is a small, quiet teenage boy with a somewhat withdrawn and acerbic personality, who spends much of Iron-Blooded Orphans nursing a hopeless crush on mobile suit pilot Norba Shino. Like the majority of the cast, Yamagi is a child soldier, but a mechanic rather than a combatant. Additional backstory commentary reveals that he struggled on joining CGS mercenary group due to his physique. Indeed, while this detail is not directly referenced in the anime itself, he is indeed drawn noticeably thinner than the other boys.

Again, we veer towards stereotypes, where a queer character is portrayed as weaker and more effeminate. Yet in spite of leaning this way in looks, Yamagi is an eminently capable person, never treated as lesser for fulfilling a support role rather than being a fighter. If anything, IBO goes out of its way to highlight how vital good mechanics are to mechanised warfare, and we see multiple examples of Yamagi being both assertive and kind of badass. At one point, he scales, unaided, an 18 metre tall mobile suit that's collapsed to its knees. When he and Shino are revisited in spin-off game Urdr Hunt (soon to be some form of animated production), he pilots a spaceship within an active battle-zone, flying escort for a damaged freighter as it retreats. In Season 2, he's comfortable ordering Tekkadan's new recruits around and is the first person to properly chew Orga out for his failings as a leader. Far from being an outlier among the protagonists, Yamagi is equally brave and dedicated to the cause, irrespective of his sexuality.

To be fair, he does tend to clam up and grow more awkward around the object of his affections. To be equally fair, he has the misfortune of having fallen for the most oblivious himbo on God's red Mars.

Shino is a big, boisterous warrior, the polar opposite of Yamagi in personality and physicality. He embodies Tekkadan's machismo, eagerly anticipating the chance to prove their strength and generally being a standard bearer for becoming the biggest, baddest group around. Things are not as straightforward as they seem on the surface, however. He shows a good awareness of when the group is in over their heads – going so far as to suggest retreat in the face of bad odds several times – and he is not nearly as sure of himself as he might first appear. He displays a wide streak of insecurity about his abilities as a soldier, reacting badly to people questioning his dedication or competency. And he crumbles completely when some of his comrades are killed as the result of a split-second mistake on his part, stating a wish to have died in their place. Thereafter, he acts in ways that read as choosing to take all the risks on himself rather than go through more loss. It makes him an interesting mix, someone who acts as a cheerleader, boosting everyone else's morale, while swallowing his own doubts and personal fatalism.

He is also presented as one of the most sexually active members of Tekkadan, using his wages to visit brothels to sleep with women. Indeed, he is frequently found extolling the virtues of the opposite sex, referencing collections of pornography (at least in the English dub), and generally being a very typical teenage boy about such matters.

Given this, you might assume Yamagi is longing hopelessly for a straight man. That is indeed the idea the show teases us with for much of its run (can something be straight-baiting? I feel if anything ever earned that title, it's this). OK, Shino's fond of Yamagi as a friend and frequently relies on his assistance in improving his fighting ability, and per ancillary material, is the one who got Yamagi transferred to the mechanics corps in the first place, rescuing him from struggling in the infantry. And sure, Shino spends an awful lot of time in very close proximity to Yamagi, including literally pulling him into the cockpit to assist with a mission. And yes, Shino is absolutely a flamboyant creature, sporting gold ear studs and an attraction to the colour pink, ensuring his mobile suits are painted all over magenta in order to stand out on the battlefield. And certainly, Shino is extremely empathetic, adjusting his attitude depending on his impressions of other people, such that he dials his boisterousness down in Yamagi's presence, displaying a far more gentle affection than he does with his other friends.

But clearly he hasn't noticed Yamagi is head over heels for him.

Right?

Well, towards the end of Season 2, during another moment where Yamagi is literally sitting on Shino's knee, Shino proposes the two of them drink together all night long once the fighting is over. Not only is this an unambiguously romantic overture (he's asking while pushing aside the fringe that normally covers half of Yamagi's face, in order to look into his eyes properly), it comes after a joke several episodes earlier in which Shino has to explain to a less worldly comrade that a girl inviting you for a drink is not a request to go out with the whole gang but a far more intimate gesture (I say explain, it's more expressing incredulity Akihiro didn't realise Lafter was asking him on a date). Later, it is revealed Shino did indeed work out that Yamagi 'likes' him (to his friend Eugene's exasperation that it took him so long to notice), and he reacted with amazed delight to discover there was someone in Tekkadan who'd fall in love with 'a guy like me'.

He'd assumed because Tekkadan is a family (a description provided by their ally Naze, which everyone just kind of runs with), romantic love wasn't possible between them. Having worked through this mental block and finally realised the blindingly obvious, he renews his desire to protect Tekkadan as long as he lives, refuting his previous view of himself as an expendable human shield and heading out with every intention of surviving all the way to the end.

And because IBO is an exquisitely-written tragedy, he is promptly killed while attempting a futile one-man attack against their enemies, his advances on Yamagi forming part of a long build-up whereby the boy who loves him provides the tools he needs to charge into a suicide run.

Right then. *drags out the reading comprehension soap-box* I have seen some people refer to this as an example of the 'bury your gays' trope, and there is nothing more likely to get me manifesting behind you in the form of an irate shoebill than to do likewise. 'Bury your gays' refers to a tendency for queer characters in fiction to disproportionately suffer tragic fates. This is a writing choice usually rooted in the idea queer relationships are inherently tragic, either because they are viewed as a perversion of 'correct' forms of love, or because of some misguided idea the prevalence of homophobia means queer joy is impossible. I am going to be charitable and concede this is indeed a case where one half of a budding homosexual relationship dies horribly. But, as always, the context matters.

All but one of the romantic relationships established prior to the epilogue of Iron-Blooded Orphans end in death. Of the two that survive in some capacity, one is a heterosexual background romance between two older characters and the other is a pair of women I shall be covering later. IBO is a story about child soldiers that does not shy away from the fact these are teenagers being fed into a meat-grinder. That the director's original intention of killing every named character was toned down (to the series immeasurable benefit, in my opinion) dos not change a narrative arc towards doom.

Within this, Yamagi and Shino aren't singled out for being queer. The coyness around Shino's eventually-evident bisexuality serves to generate an instant of hope and relief right before the rug is pulled from under everyone's feet. Where Shino's death does differ from those of other characters is in presentation: he dies alone and does not get any form of farewell or the passing-on moment afforded to others. But that is only to be expected, since we're talking about the point where it becomes clear there is no saving the situation. It's a cruel, abrupt moment of bad luck, puncturing the heroic idea of scraping victory at the last second. Shino flew out intending to live and he died anyway. A queer relationship forming part of what he was fighting for is an almost incidental detail.

(As an aside, I am aware of two other examples in Gundam fiction where a pilot and a mechanic have a doomed love affair. One is in Char's Counterattack, where a male engineer's romance with a female pilot ends with them both being abruptly killed, and the other is from Gundam AGE, where a female mechanic sacrifices herself for the greater good, leaving a male pilot to mourn her loss for the rest of the series. Shino and Yamagi reiterate this same concept.)

Stepping back from the tragedy, Yamagi's love for Shino is as delightfully underplayed as the other relationships in the show, with little emotional melodrama being wrung from the romance itself. Yamagi can't bring himself to declare his feelings, frequently turning cold instead and perpetuating Shino's misunderstanding of where they stand. Yet Shino ultimately proves enthusiastic for the idea, rendering moot any concerns Yamagi had over getting turned down (going beyond the text, a Q&A with the series' director confirmed Shino was written as bi). Equally, in the aftermath of Shino's death, Eugene comforts Yamagi by relating the truth of Shino's earlier realisation and even going so far as to rebuff Yamagi for implying there's something wrong with him for grieving. This and other interactions in the same episode imply those nearest to the pair were well aware of Yamagi's desires and had absolutely no problem with them. The prevailing attitude within Tekkadan is one of complete acceptance for its members and this is no different.

Indeed, for me, the most important part of how queerness is represented in IBO is that it is treated as just another aspect of the diversity of the cast. I've seen it stated that viewing homosexuality as a natural part of human existence was Tomino's motivation in making Guin gay. IBO presents us with the same idea, far more seamlessly and far more positively.

Now, let's leave the anime proper and look at the same-sex pairing from spin-off manga Iron-Blooded Orphans: Moon Steel.

Deira Nadira and Mina Zalmfort are part of the Gjallarhorn nobility and their marriage was arranged to strengthen relations between their two families. We see an example of a similar political match in the main show, where the heir to the Fareed family, McGillis, is betrothed to the second child of the Bauduins, the much, much younger Almiria. That this can take place regardless of the gender of the participants has big implications for the functioning of a bloodline-focused aristocracy. Presumably it indicates they are happy to use medical technology to ensure the Nadira family continues into the next generation, and if same-sex marriages are thus permitted, that means fewer factors to worry about when it comes to perpetuation. Whether male-male weddings are allowed too remains an open question; given the existence of real-world double-standards, it is possible Deira and Mina represent the only acceptable form of homosexuality. Nevertheless, that it is accepted speaks volumes. Gjallarhorn is not an especially progressive organisation, built as it is on rigid class structures and notions of human purity. Yet here we are.

Perhaps we should have expected that the norms around gender in this system don't correspond to strictly patriarchal patterns from the real world. Carta Issue, a key player in Season 1 of the anime, is the only child of the Issue Family's current leader and positioned as his sole heir, irrespective of the fact she's a woman. The logical inference is that any children of hers would count as Issues, rather than belonging to a potential husband's family. Deira is similarly the heir to her father's position, although intriguingly, it's not outright confirmed if she is his only child or simply the oldest. The possibility exists that gender is a non-factor in determining inheritance.

With respect to sexuality, Deira seems pretty obviously intended to be a lesbian. Her relationship with Mina is presented as one they are both happy with, despite it being an arranged by their parents, and Deira is depicted in the manual for Gundam Gremory's model kit as favouring the clothes of 'a handsome man'. She doesn't present that way within the manga' story, first showing up wearing the standard unisex Gjallarhorn pilot-suit, then wearing a formal gown for a meeting while in an official capacity. But she is depicted wearing masculine clothes in silhouette when initially mentioned and in a post-story panel at the back of the final volume.

(Another aside: the fan translations I use for this part of the manga refer to Deira using male pronouns when she's introduced. However, that could simply be down to the poor quality of said translation; she's consistently referred to using female pronouns in official materials and the game adaptation of this scene has her named as simply 'Lord Nadira', the standard appellation for Gjallarhorn family heads.)

Whether Deira's code-switching is the result of institutional expectations around her role or personal preference, it adds extra texture to her depiction. While civilian garb was designed for the adult version of Carta and closely matches conservative gender expectations for a woman, she's never shown wearing it, so we don't have a point of comparison to judge what's required of a character in Deira's position.

Regarding Mina, you'll notice I grouped her with Shino rather than the characters whose sexuality I consider to be stated outright. With Shino, the nature of his sexuality is not put absolutely beyond question in the text. This is splitting hairs due to the overt nature of what's on screen but the fact remains, the anime doesn't clarify if his being open to Yamagi's love means he already thinks of himself as bisexual, or if this is something he hadn't considered before. With Mina, it's more a case that I'm unwilling to label her one way or the other based on the available information. Deira carries sufficient signifiers, I find little room for doubt over the intention. We also have an outright statement that she holds great affection for Mina regardless of being obliged to consider her an eventual romantic partner. Indeed, she becomes so upset by believing her fiance dead, she runs off to Antarctica in a Gundam. But the exact depth of Mina's feelings in return is not discussed.

In addition, Mina is considerably younger than Deira. McGillis and Almiria's match takes place when he is (probably) somewhere in his late twenties and she is nine, with plans for the union made four years prior. This is not great, to put it mildly, albeit fairly typical of how such things have historically worked for nobility. Based on appearances and how they are treated by the rest of the cast, I would assume Mina to be in her mid-teens, and Deira to be in her early twenties (annoyingly, exact ages are provided for several characters in Moon Steel, just not these two). A less dramatic gap (and I don't believe Mina is meant to be quite as young as her appearance perhaps suggests), yet still significant when one of the people involved is below what we'd consider adulthood.

There is no indication of anything untoward going on, within the confines of the situation, similar to how we're given no indication McGillis is abusive towards Almiria. Any comparisons with Lord Iznario's activities lie purely along the axis of how children are exploited by adults even without suffering directly. All indications are that Deira and Mina have made the most of something they have little choice in. Regardless, I still feel more comfortable describing Mina as open to being in a relationship with another woman, rather than pinning her to a specific preference.

Continuing the theme of things where doubt or ambiguity exist, let's discuss some characters were there shouldn't be any: Atra and Kudelia.

I don't know about you, but I find it extraordinarily hard to read this as anything other than a three-way love-confession. Still, in the interests of fair play, let's review the wriggle room for declaring this something else.

Kudelia Aina Bernstein and Atra Mixta are love interests of nominal protagonist Mikazuki Augus, in an iteration of another tried-and-true trope, that of a male lead inexplicably being attractive to the female characters in his orbit. Or rather, it would be if the show didn't take such pains to demonstrate why these girls fall for him, setting up a long-established crush on Atra's part (rooted in him being the first person in the world to be nice to her) and a mutual respect on Kudelia's that gets spurred to more when Mikazuki randomly decides to kiss her because she 'looked cute' (Mikazuki has the manners of a feral stray raised on the streets, because that's precisely what he is).

Justification aside, this has the makings of a traditional triangle, that is, one without a connecting base, which we might expect to be resolved by either Kudelia or Atra 'losing out'. For a few episodes, this does indeed seem where we are headed. Then Atra discovers the concept of polyamory via the polygamous Turbines group and all bets are off.

Having realised it is perfectly possible for a family to consist of multiple romantic partners, Atra proceeds to work towards ensuring everyone gets everything they want. Strictly speaking, this doesn't mean she is attracted to Kudelia as well – even if she clearly recognises Kudelia as an attractive person from the start and…

You know what? Acknowledging that the information about their eventual marital status was only stated in interviews at live events with no official record and seems to have been framed around raising the son Atra has with Mika, I'm going to abandon the pretence of both-sided objectivity and go straight for the throat. Turns out my patience for soft-footing this lasts about as long as it takes to say 'bi-erasure'.

Over the course of Season 1, Atra not only decides the end-game is some form of three-person wedding, she also:

Shows no jealousy over Mikazuki and instead chides him for not providing the correct emotional support to the girl he kissed.

Spends a great deal of time with Kudelia and enthusiastically throws herself into furthering Kudelia's goals, without necessarily understanding the technicalities.

Covers for Kudelia by pretending to be her during a confrontation with Gjallarhorn soldiers, getting herself soundly beaten up in order to prevent them from chasing after the real deal.

Drives an armoured car through a battlefield for Kudelia's sake, safely delivering her to a vital rendezvous.

Leaps in front of a massive mobile suit to push Kudelia out of its path, physically shielding the other girl with her body.

As much as it pains me to resort to the 'if this were a man and a woman, would it read as romantic' crudity – yes! Yes it would! Especially since in Season 2, Atra presents Kudelia with a good-luck charm bracelet she has woven, something she previously did for Mikazuki explicitly out of having a crush on him. I'm all for embracing platonic love (which is why Takaki and Aston are not featuring in this rundown) and there's nothing in the above list necessarily entailing attraction beyond deep friendship. But when Atra consciously repeats her actions towards Mikazuki (someone she goes on to definitely have sex with) with Kudelia and it leads to the scene between them where they declare how they feel about each other and Mikauki, looking for non-romantic angles takes more effort.

After all, if we are to read Shino's openness to Yamagi's affection from the things he says and how he looks saying them, we can certainly do the same for Atra and Kudelia's use of the word 'like' in reference to one another and their reactions to hearing it said of them. (Obligatory note that if there is some nuance in the original Japanese the translation doesn't capture, I'd love to hear about it. The English scripts, however, leave little to the imagination.)

It is indisputable that Atra feels a strong affection towards Kudelia and while I have been focusing on her a lot (she is by far the most proactive member of the triad), Kudelia reciprocates at every opportunity she is presented with. Even if there truly wasn't an intention to portray this as exactly equivalent to Atra and Mikazuki, the end result manages to be on par with Yamagi and Shino. Consider Kudelia and Mikazuki, for example. In terms of portrayal and the two-girls-one-guy trope being explored here, they have the same level of chemistry and the same absence of overt consummation as Kudelia and Atra, and it would hardly be a serious position to claim the show does not place the two of them in romantic conjunction, now would it?

You may at this point be wondering why I am getting so defensive of reading Kudelia and Atra as romantic partners. Honestly, I am too. On reflection, I think it's because IBO is playing around with such a worn-out and insipid means of wringing drama from characters who should know better, I keep searching for the catch. And yet there isn't one. This show really did respond to a nascent love chevron by having the mousy, homely girl tell the governor's beautiful daughter to shut up and get in the polycule, and turned it into a true triangle.

That's wonderful. I cannot properly express the wave of joy and relief that came over me when I realised this was the direction they were taking. It ends in tragedy, of course, Mikazuki giving up any chance of a peaceful life to die in battle, far away from the women who love him. But their lives continue because of his sacrifice and by all appearances they remain together. In some ways, for the overarching message of hope persisting on the back of heartbreak, the precise details of that arrangement don't particularly matter. So why not take the gayest reading possible?

What an excellent segue into a blink-and-you'll-miss-it, probably-stretching-too-far, nonetheless-compelling potential bit of queerness: Chad in the series epilogue.

One of the many tertiary characters in Tekkadan, Chad Chaden has minor speaking parts throughout Season 1 and a larger role in Season 2. He initially appears during a particularly dire early moment when it looks like everyone is about to be killed by attacking mobile suits. His obvious resignation to this fate sets the tone for a rather dour personality, at least while on the clock. Chad starts out as human debris, a person enslaved after a space battle and sold to the CGS military group as free labour. This gives him a very matter-of-fact attitude towards fighting and the kill-or-be-killed nature of being forced into it – he voices the sentiment that even when facing other human debris, they can't afford to show mercy.

Off the clock, Chad displays a more sensitive personality. He seems studious, learning about interplanetary communications from Kudelia's maid Fumitan and later being promoted to leader of Tekkadan's Earth branch. He has some difficulty acclimatising to being treated as a free person, proving unsure about the concept of wearing a smart suit instead of his normal fatigues. And he grows anxious when he returns to Mars to discover nobody told him two of the few adults in the group (Yukinojo and Merribit) had started dating, worrying that he's no longer 'one of the guys'.

The most we learn about his relationship preferences prior to the series epilogue comes in a comedic sequence about a third of the way into Season 2, when Shino suggests a trip to a local brothel. Eugene responds by proclaiming that he's realised money will not buy him true love. This prompts Chad to ask Merribit if this is true and, on her saying she supposes so, opts out of the trip as well. Judging by his body-language in the next frame where he appears, this is possibly a decision he regrets – perhaps owing to his anxieties, since he just passed up the chance for some team-bonding.

None of this is directly relevant to the topic of this essay. If anything, the scene I just described suggests that, like Eugene, Chad has previously gone along with Shino in paying for sex with women, only to discover he wanted more than just physical intimacy. But then we get the exchange in Kudelia's office during the last episode, following a time-skip after Tekkadan's defeat and dissolution. Now working for Kudelia as an assistant of some kind, Chad notes that Merribit is shortly to give birth to her and Yukinojo's second child, saying he and Yamagi intend to meet up later to plan a celebration. Eugene reacts with amused disbelief, accusing them of just wanting an excuse to go out drinking, to which Chad retorts, 'what's wrong with that?'

And the thing is he's blushing when he does. Which may simply be because Eugene is accusing him of slacking off – IBO characters blush all the time and their embarrassment is frequently to do with being caught acting immature or otherwise against how they want people to see them. But given the weight that 'drinking the night away' carries in regards to Yamagi following Shino's actions shortly prior to his death, it is easy to speculate this represents something more specific.

As far as I can recall, Chad and Yamagi do not interact at all over the course of the show's two seasons, meaning these lines present a rather unexpected combination of characters. Eugene would have seemed a more likely candidate to associate with Yamagi. He's positioned as Shino's closest friend, he comforts Yamagi over his grief, and they are together for much of the climax to the series' plot. So what has happened in the years since, that Eugene's teasing should elicit a blush from Chad instead?

If we put on our shipping goggles, it's far from a nonsensical pairing. Chad goes through an arc not too dissimilar to Shino's. He is knocked into a coma while protecting an ally from a bomb blast and subsequently the Earth branch gets swept into a war orchestrated by one of the factions within Gjallarhorn. On recovering, he blames himself for the many deaths that result, echoing Shino's line about thinking it better if he'd died in place of his comrades. On returning to Mars, he jumps head-first into mobile suit training, determined to make up for his perceived failure as a leader and cheering himself up through rigorous activity. Different though their personalities appear on the surface, there are clear commonalities here. Further, Chad's responses to his traumatic experiences have a more measured quality to them than Shino's. He is not nearly as reckless and provides clear directions to his comrades even while acting as a decoy against a dangerous enemy, rather than abandon any attempt to be an effective leader. Taken together, and coupled to a more long-term view of romance, these qualities might make him a 'safer' version of things Yamagi loved about Shino, creating space for them to be drawn together.

Or perhaps they're simply the most logical points of contact between the ex-Tekkadan survivors at the Admoss Company and Kassapa Factory and intend to make that an excuse to get companionably plastered for no greater reason than it being a nice time. I am speculating over a couple of lines and an animation choice. Nevertheless, it does not feel like unreasonable speculation. When we already have a veritable gaggle of characters who are queer or may trivially be read as such, it's hardly a stretch to assume one more.

Chad/Yamagi doesn't appear to be a thread the fandom at large has pulled on much, likely because the pairing of Shino and Yamagi is so prominent, it eclipses a mere throwaway possibility. But I'm glad it exists within easy reach. And even if we take off our goggles, these lines demonstrate life for the characters has not stopped. The ex-slave and the gay kid are not stuck, trapped by the tragedies of their past. They have instead grown in both confidence and happiness and now have peaceful, stable lives where they're on going-out-drinking terms. That above all is why I wanted to explore this exchange: it reinforces Iron-Blooded Orphans' rejection of the idea the suffering people like Chad and Yamagi go through is perpetual or inevitable.

OK, one more character to look at. Let's talk about Orga and asexuality.

Orga Itsuka, leader of Tekkadan and instigator of the series' events, is notable for his charisma, his drive to provide a safe home for his comrades, and his complete unsuitability for the grown-up activities he attempts. Trying to party all night leaves him puking up his dinner. He forces himself into a suit and tie to handle the administration of a break-out paramilitary company, despite finding it stultifying and bewildering. His goals spin like a weather-cock, as he's surrounded by older characters possessing strong convictions while unable to stick to his own. And he is ultimately undone by an unwillingness to ask for help, having assumed that, as leader, he must decide everything alone.

I suspect his expressed lack of interest in women is intended to help convey overall immaturity. Orga is a good soldier and tactician, but he plainly isn't prepared for adulthood, lacking the grasp on the complexities of life that implies. Making him uncomfortable about sex serves to heighten the impression of a teenager trying to navigate circumstances for which he's not yet ready.

Relatedly, it should be stressed Orga stating he 'doesn't care' about woman is a response to Eugene asking if he agrees love and kindness are what's important, as opposed to Shino's endorsement of boobs. On hearing this response, Eugene proceeds to mock his commander for inexperience. That he himself has only just had his first sexual experience with another person and previously said much the same about not caring about sex simply proves hypocrisy is a fundamental aspect of Eugene's characterisation. The whole scene is very teenage.

Matters have not improved much when Orga and Eugene's dynamic is revisited in one of the side-stories released via the Iron-Blooded Orphans G mobile game. A year and change later, Eugene continues to act superior about having 'experience' where Orga doesn't.

Orga takes this rather poorly.

(Subtitles by @trafalgarlog)

Eventually Merribit has to shout at them to stop being brats, shaming them for behaving like argumentative children. It's funny – and then you remember they basically still are children and this is headed towards more carnage that will not spare them for being young. Such it is to engage with Iron-Blooded Orphans.

What does any of this tell us about Orga's sexuality? In principle, taking it as a device to convey immaturity, nothing. Orga's persisting virginity could simply mean he's not worked out this aspect of himself yet. He is a busy young man who likely hasn't had the time to try.

Alternatively it could mean he is gay. Mikazuki/Orga is an extremely popular ship in the fandom and we might take Orga's professed lack of interest in women as 'evidence' of him swinging the other way.

Or we could take my view, that Orga is asexual and his embarrassment is rooted in just not getting what the big deal is.

To immediately clarify, I don't think he is ace because he 'hasn't worked out what he wants', I think he's ace because he blushes on admitting he doesn't care about women and does not try to prove otherwise once he's in a position where he could easily do so. In circling back to the same joke for the side-story, the writers portray Orga as continuing to be uninterested in sex and sensitive over being needled about it. Again, a feasible interpretation is that he's into guys. Yet this is an argument with Eugene, whose response to the idea of Yamagi being in love with Shino is basically 'you mean you didn't notice?' Eugene is a dork and jerk; he isn't bigoted. None of the Tekkadan guys are. It's unclear if homophobia is even a factor in the setting. Sexism is, but when someone as superficially macho as Shino is comfortable with male/male attraction, and there are same-sex weddings inside Gjallarhorn, we cannot assume stigma exists around being gay. So why should Orga be worried, unless it goes beyond a question of who you're attracted to and into the answer being 'nobody at all'?

When you're surrounded by people who happily wax lyrical about how the joys of sex make you a real man, the absence of a libido might easily become a sore point.

Again, I'm supposing. Again, there is room to do so. As I touched on with Chad, it is easy to read queerness into the text when the assumption of straightness has been taken away, which is something this show does wholeheartedly and deliberately.

Orga Itsuka is one of the first characters I looked at and realised, not only shouldn't I assume heterosexuality, I shouldn't assume sexual attraction at all. I cannot credit Iron-Blooded Orphans alone with this. I do credit it with being a piece of media that applies itself to inclusiveness in ways quite remarkable for a show about giant robot fights, produced to market toys.

The word we want here is 'normalisation'. IBO has a lot to say about what constitutes 'normal' and a lot of it accords well with my own views, particularly those that have me twitching whenever anybody demands we 'be normal' about something. Normality is horrible. It is cruel and it is callous. 'Normal' is a world run on exploitation, on slave labour and on police savagery. Normal is children forced to risk their lives to earn the money required to feed themselves, because it is normal for their parents be gone, or incapable of supporting them. War is normal. Corruption of political systems is normal. Death coming more rapidly for those deemed expendable by society is very, very normal.

But so is protest. The drive to do something, to change things. The capacity for caring about each other. Love. 'Normal' is just a statement about what surrounds us every day, for worse and for better. In too many pieces of fiction, normality is narrowed, rendered a neater, cleaner picture, often excluding the kinds of people we might run into on the street, or walk past, or see on the news, distant and dehumanised.

Queerness is normal, yet for a long time it has been one of the first things to be cut out of fictional worlds. And when it is present, it's a big deal. An object lesson or a cry of triumph over breaking free of unfair strictures. I love stories about queer joy and victory. Heck, I'm a sucker for a good, soppy gay romance. But these aren't the only kinds of stories we tell. Sometimes we need to reflect the worst aspects of the world and what it does to normal people.

In attempting this, Iron-Blooded Orphans commits to an idea of 'normal people' that includes those who are gay or bisexual, those of colour and those we'd call white, the polyamorous, the illiterate, the desperate, the powerful, those who throw themselves into the fight with everything they have, and those who are simply kind. Those who are accepting, understanding and compassionate. Those who need to be accepted, who struggle to be understood, who suffer for a lack of compassion.

There are all sorts of people in IBO and – as a certain cheery, violent dumbass once said – man do I love it. I don't believe it is reading against the spirit of the thing to imagine more diversity than gets outright stated, to interpret one of the leads as ace or suppose another side character is bi or pansexual. It would seem entirely natural if they were.

Everyone's welcome here, down among the debris and the bloodshed, where hope is precious and fleeting and still somehow endures. So why shouldn't we raise a few extra pride flags?

Queer as in 'fuck you'

This all said, taken as a whole, Iron-Blooded Orphans is not a story about queerness or queer romance. Nowhere is this clearer than in its ending.

I skipped over the framing of the final scenes of the anime when I discussed Kudelia and Atra. They form a striking contrast with the ending of The Witch from Mercury, where the conclusion is directly focused around Suletta and Miorine's love for one another, their bonds of wedlock, and the happiness they have found together. This follows from the show being primarily about their relationship. In Iron-Blooded Orphans, the ending focuses not on Kudelia's feelings toward Atra, but those she has for Akatsuki, Mikazuki's son, with Eugene even saying she's eager to go see 'the man she loves', setting up a brief moment of uncertainty over who the character with Mikazuki's outline actually is.

The nature of Kudelia and Atra's relationship post-time-skip is implied rather than stated: in the English versions of the script, they do not refer to each other using terms suggesting they are married, although Atra has dropped her habitual 'Miss' from the front of Kudelia's name. They do not have wedding rings (redundant as those would be alongside the charm bracelets) and Akatsuki does not call Kudelia 'mom'. That they are raising him together is suggested very strongly, in line with Mikazuki asking Kudelia to be guardian of his child if he died. There are non-romantic ways of taking this idea, though, and none of these are closed off as viable interpretations.

But why should we expect some definite statement about romantic status when the point being conveyed is how Tekkadan's legacy continues to shape the world? This is a story concerned with the exploitation underpinning the world and the effort required to make even the smallest wide-scale change. It is about how people trapped at the bottom of the pecking order are still people, still human, messy and complex. It is about their pointless deaths, they ways they struggle on until those deaths come for them, and why they matter, even if the world forgets them.

Mikazuki, the living weapon, the human sacrifice for Orga Itsuka's reckless ambitions, leaves behind a child who will grow up in a more peaceful time, in a society slightly better off than when he and Orga were starving on Chyrse's streets. He doesn't live to see it; Akatsuki does. For all the failures, the attempt wasn't a waste. Don't you dare disrespect the people who died by saying it was.

This is where the epilogue centres, on Akatsuki and on Kudelia's cherishing of the world Mikazuki and everyone else built. Atra and Kudelia's relationship is there, a part of the gentler life they now have (Atra's desires were always towards the version of her existence where Mikazuki retires to a farm; here she fulfils the dream with Kudelia alone). It just doesn't need to take up space for the ending to land.

Yet, as I pour over how queerness is incorporated into Iron-Blooded Orphans, I find myself considering the struggles queer people face in reality. The victims of the AIDS crisis, dehumanised by indifferent institutions. Section 28 and the attempted destruction of knowledge around non-heterosexual forms of love. Riots and campaigns, voices raised loud and proud. How we are equated with dirt and corruption, reduced down to facts others find disgusting. The name-calling. The petty, pathetic posturing that makes everyday existence pointlessly harder.

So it goes for space-rats and degenerates alike.

I am lucky. My life is about as far from that of a child soldier as it is possible to get. My sexuality has been largely invisible. My gender matches the one most favoured by my society. I still have more common cause with those born in poverty on the other side of the world than I will ever have with the aristocrats and billionaires who shape the direction of my country. Because we hold many causes of misery in common. Because we share the same capacities for joy and suffering. Because our humanity is so easily cast aside by those we will never be able to touch.

There is always a place for stories uncomplicatedly about queer love conquering all. Equally, it is important to recognise the places queerness overlaps with stories about the many other ways the world casts people out. It is vital to be able to explore loss, futility and heartbreak. It is essential to capture why we strive onwards despite how heavily tragedy might weight us down.

We may be doomed. Our lives still matter. To ourselves, to each other and, whether they remember or not, to those who come after us.

So, no: for all the queer characters it contains and the many more we might trivially imagine queerness into, Iron-Blooded Orphans is not gay in the vein of The Witch From Mercury. It is not a happy story.

But it is a tenaciously hopeful one and, from certain angles, that alone looks queer as hell.

---------

Happy UK/US Pride Month – in honour and memory of Marsha P Johnson and everyone else who refused to go quietly.

I shall leave you with one of the least straight things ever to be included in any Gundam show.

[Index for further writing]

[seulw0nz]

ʬʬ. ! I WISH I HATED YOU : PARK SUNGHOON ── 𝗌𝖾𝗏𝖾𝗇 𝗆𝗂𝗇𝗎𝗍𝖾𝗌 𝗈𝖿 𝗁𝖾𝖺𝗏𝖾𝗇 𝗐𝗂𝗍𝗁 𝗒𝗈𝗎𝗋 𝖾𝗇𝖾𝗆𝗒, 𝗉𝖺𝗋𝗄 𝗌𝗎𝗇𝗀𝗁𝗈𝗈𝗇

frat boy!sunghoon ੭୧ fem!reader ：（ 𝓯 ） 1OOOwc. ── partying, drinking, kissing, lots of bickering, slightly suggestive && ⠀ ｡｡ ARCHiVE ꒰˵ˊᯅˋ˵꒱

DANiELLE : happy sunghoon day ! also for my jenni bby (> <)

FRAT PARTIES WEREN'T YOUR THING. the sticky floors, the overwhelming smell of cheap cologne, stale beer, and bad decisions hanging in the air—none of it appealed to you. but chaewon had begged. your best friend had pleaded, promising it would be fun, and somehow, you’d caved.

what chaewon didn’t mention was that he would be here.

park sunghoon. resident frat golden boy, heartbreaker, and the bane of your existence.

you spotted him across the room almost immediately. he was impossible to miss, surrounded by a group of people laughing at whatever cocky thing he was saying. his dark hair fell perfectly into place, framing his annoyingly handsome face. he exuded that careless charm that made everyone fawn over him, and you hated how attractive he was.

as if sensing your glare, his gaze flicked to yours, and the smirk that tugged at his lips made your stomach twist in irritation.

you turned away quickly, pushing through the crowd to find the kitchen. maybe a drink would help.

but, of course, fate wasn’t on your side tonight.

“what are you doing here?”

the familiar, infuriating voice made you groan before you even turned around. there he was, leaning casually against the counter, holding a red solo cup like it was an accessory to his smirk.

“getting a drink,” you said flatly, reaching for the vodka. “is that a problem?”

“not at all.” he leaned closer, and his cologne—woodsy, expensive—clouded your senses. “just surprised you’re here. thought frat parties weren’t your scene.”

“they’re not.” you poured your drink and stepped away.

“then why come?”

“because chaewon begged me.”

he chuckled. “and here i thought you came to see me.”

you rolled your eyes, lifting your cup to your lips. “you really think everything’s about you, don’t you?”

“not everything.” he grinned, watching you with an irritatingly amused expression. “just most things.”

you opened your mouth to snap back, but chaewon appeared out of nowhere, grabbing your arm.

“there you are!” she beamed, blissfully ignoring sunghoon’s presence. “we’re playing seven minutes in heaven. come on!”

“no way.” you shook your head, already backing away.

“yes way!” she tugged on your arm. “it’ll be fun. stop being boring.”

before you could argue, chaewon dragged you toward the living room, where a circle had already formed around a bottle in the center.

“this is a bad idea,” you muttered, sitting reluctantly beside her.

chaewon grinned. “it’s just a game. what’s the worst that could happen?”

you didn’t have time to answer because sunghoon sauntered into the circle, taking a seat directly across from you. his smirk widened as his eyes met yours.

“great,” you muttered.

“you love having me around,” he teased.

“like a headache,” you shot back.

the bottle was spun. it clattered loudly against the hardwood floor, spinning so fast that the faces around it blurred. your heart pounded irrationally as it slowed—click, click, click—until it stopped.

pointing directly at you.

and sunghoon.

the room erupted into cheers and whistles.

“absolutely not,” you said, already standing.

“rules are rules!” chaewon said, grabbing your shoulders and pushing you back down.

before you could protest further, chaewon grinned devilishly and shoved you toward the nearest closet.

“chaewon, I swear—”

the door slammed shut behind you, cutting off your protest.

you turned around, and there he was, standing way too close for comfort in the dimly lit, cramped space.

“this is your fault,” you hissed, crossing your arms.

“mine?” sunghoon raised an eyebrow, amused. “you could���ve said no.”

“i did say no.”

he shrugged, leaning casually against the wall. “well, we’re here now. might as well make the most of it.”

“you’re impossible.”

he stepped closer, and you backed up instinctively, your shoulders hitting the wall.

“relax,” he said, voice low, teasing. “what, you think I’m gonna try something?”

“you always try something.”

he smirked, taking another step forward. “only because it’s fun to watch you get all flustered.”

“i am not flustered,” you snapped, even though your heart was racing.

“sure you’re not.” his eyes flicked down to your lips, lingering just long enough to make your cheeks burn.

“don’t even think about it,” you warned.

“why not?” his voice was softer now, the teasing edge giving way to something heavier. “afraid you might like it?”

“you’re unbelievable.”

he chuckled, but his hands moved to the wall on either side of your head, caging you in. “say the word, and i’ll back off.”

your breath caught, heat prickling at the back of your neck.

you should tell him to back off. you should push him away. but instead, you grabbed his shirt, yanking him down to crash your lips against his.

the kiss was fiery, chaotic, and everything you hated to admit you’d wanted. his hands slid to your waist, pulling you closer until there was no space left between you.

his fingers tightened slightly, thumb brushing the sliver of skin exposed by your top. it sent a shiver down your spine, and you hated how easily he unraveled you.

he tilted his head, deepening the kiss, and his teeth grazed your bottom lip, making your knees weak.

you gasped softly, and he smirked against your mouth, the bastard.

“still hate me?” he murmured, voice low and breathless.

you shoved his chest—half to steady yourself, half because his smugness was unbearable. “yes. more than ever.”

he grinned, leaning down as if to kiss you again. “funny. didn’t feel like it.”

outside, the muffled sound of someone banging on the door broke the moment.

“time’s up!”

sunghoon groaned, his forehead pressing against yours for a beat before he pulled back, his hands lingering at your waist.

“guess we’ll have to finish this later,” he said, voice dripping with confidence.

you glared at him, cheeks burning, and shoved him again.

“dream on, park.”

but as you stepped out of the closet, chaewon’s knowing grin waiting for you, and the taste of his kiss still lingering on your lips, you couldn’t shake the sinking realization that maybe—just maybe—you didn’t hate him as much as you thought.

[hypnos333]

Never going back

Alastor x Angel Reader

Synopsis: You were turned to an Angel trapped in heaven trying to go back to your one true love while Alastor was livid and was turning crazy without you

“Let me tell about a story between two humans, One was a bad person protecting the one and only person he truly loves, the other? Was too good for the world almost perfect and kind. They were soulmates maybe that’s why heaven would think it would be to difficult to separate them. Separate her”

She died first and not long after he died too but in separate places. Separate Afterlives.

You heard of the Angel and human but this was about a Demon and a Seraphim Angel. Both higher ups.

You were the main reason for Alastor to help Charlie with the hotel. Just to see you and make sure you’re okay, to hold you, to be with you again forever this time. But you knew better to wish to far.

Adam wasn’t gonna let you out of heaven, and Sera was just as bad on not letting you go.

Back in hell.

Alastor sigh looking up high hoping to see you, his Wife. He was sane for now, today was the day Charlie and Vaggie would go to heaven to convince the higher up Angels. He was gonna give Charlie your ring to give back to you and that says everything on what’s going to happen.

You appeared during a meeting introducing yourself to Charlie and Vaggie with Adam on your left and another angel to your left.

“Hello I’m ____ a Seraphim Angel as well” You saiding bowing down to the two demons.

“___ don’t bow to these cunt” Adam mumbled making you chuckle nervously before trying to fly towards your seat. Charlie eyes were wide open the whole time. You were an Angel? What did Alastor had to do with an Angel?

She took your hand before you could go to your seat and place the diamond ring in your hand making you look at it hiding your shock. You took her hand back hiding the ring before smiling sadly “Tell me why I'm waiting for someone, That couldn't give a fuck about me? No, you can’t” You whispered to her before flying towards Adam to your seat.

You never argued with Adam, you knew about the extermination in hell. You weren’t apart of it but you couldn’t argue with Sera or Adam.

You weren’t gonna wait for him no more, Heaven was all you need right now to follow behind Sera or even your favorite Archangels. After the whole argument Charlie and Vaggie were sent back to hell and another thing that Charlie wanted to avoid was Alastor.

“My dear, How was it in Heaven? Any news about my Darling?” Alaster questions with her sinister smile making Charlie sweat in nervousness.

“W-Well you see ___ gave me back the ring and said she was done” Charlie blurted out making Alaster smile slowly turn into a frown focusing on those words.

That’s when he started glitching his smile became more scarier and sinister. Vaggie pulled Charlie back standing in front of her. “No she wouldn’t reject being back together, You must be mistaken my dear” Alaster demonic voice came out.

“No” “No” “No”

She wasn’t coming back but when the extermination starts he’ll make sure to get you. Where you can never go back, just like in their human lives he’ll keep you back in your cage.

⏩

[ostaramoon]

lovebird  ➹ dean winchester

【 pairing 】 dean x angel!reader / cupid!reader 【 summary 】 you’re a cupid, you can’t help the natural call to make two beings fall in love. even if it means bringing critters into the bunker when no ones looking.  【 cw 】 fluff, spn lore on cupids is bland so yes i’m adding to it, grumpy x sunshine trope 【 wordcount 】 1.3k

the bunker had been under a quiet hum for quite some time now, sam in the library organizing and filing while dean sat in the war room looking for cases. the older winchester had nearly forgotten about the little angel cas left in their care a few weeks ago. a cupid, to be precise. 

at first he absolutely refused, claimed they weren’t a daycare for heaven’s flight crew. but cas, being a busy man, simply left the brothers standing in the bunker with a smiley little cherub. unlike most angels dean has met, you were sickeningly sweet, incredibly helpless at times, and though he would never admit it— adorable, too. 

you tried to be helpful, like quietly stepping in to do the chores sam and dean argued over. but it’s not like you really knew what you were doing. like the time dean tiredly shuffled into the kitchen one morning, opening the cupboard to find bacon, milk, and eggs stashed in there. when he started on an angry roll of name calling, it was your tear filled eyes and pouty lips that made him shut up quick. that afternoon was spent teaching you what food goes in the fridge. 

or the time you tried to fix up the impala, completely unaware that spray paint doesn’t cover up scratches. when dean strolled into the garage, expecting to take a sweet sunday joy ride just to find his baby had been vandalised, his shouts damn near shook the entire bunker. when he found you with paint stained fingertips and that pathetic wobbly lip, his anger dissipated. you settled on a promise to never under any circumstances ever touch baby again. 

now, as he sits before the glow of sam’s laptop, the quiet begins to feel entirely unsettling. he leaves his spot, heading for the library. when he doesn’t see you taking on your usual little helper tasks with sam his brows furrow. 

“have you seen the little bird?” 

sam looks up from his pile of books and paper, “no,” he shrugs, “i thought she was with you.”

that damn cupid is up to something, he thinks to himself. 

with a sigh dean turns, setting off to sweep the bunker. the kitchen is quiet, empty. at least the food is safe he assures himself. heading down stairs into the hall of bedrooms he finds your room empty as well. as he heads towards the dungeon, the last place he’d expect you as you once described it as dark and spooky, a muffled giggle stops him in his tracks. 

he waits, listening, as he hears it again coming from sam’s bedroom. he quietly approaches the door, gently pushing it open to find you kneeling on the ground with your back to the door. 

“what the hell are you doing, lovebird?” he crosses the room, standing over you and what he can now see to be a pair of brown fluffy rabbits. 

startled, you look up at him with wide eyes, “nothing.” you smile. his heart does that stupid little flutter that seems to only happen when you smile at him like that. all sweet with a pinch of mischief. 

“right,” his brows knit together as he points at the rabbits, “this is nothing?” 

a little humph leaves your lips as you rise to your feet, crossing your arms and looking up at dean with a determined scowl across your face, “i’m matchmaking, if you must know. these two have been hopping around outside for days and i could practically smell how much they need each other.” 

he looks between you and the critters a few times, “yeah, no, we’re not doing this. no rabbits— no animals of any kind allowed in the bunker.”

 his heart pangs as you jut out your bottom lip, eyes growing glossy. damn this pathetically cute little thing. his hands instinctively cup your face, “hey, hey, lovebird. no crying, remember?” his voice gruff, barely masking his annoyance.

you sniffle, biting your cheek to stop the tears brimming your lashes. you can’t always help the crying, cupids are naturally empathetic creatures with no qualms about showing their emotions. dean thumbs your cheeks, giving a light squeeze to one side. 

“but i’m a cupid!” you cry out, “i can’t help wanting to help them fall in love.” 

“rabbits don’t fall in love!” he drops his hands from your face, trying to find his words despite the absurdity of yours. “they mate, like the saying, ‘mate like rabbits’ there's no love happening here.” 

you stare up at him, wiping stray tears as some terrible thought makes your face turn sour. “so, like you?” your voice reflects the absolute devastation you feel at the realization. 

“oh what now?” dean groans.

“they’re like you! mating with no love.” you whimper. it’s no secret dean moves about women with everything except love. it was one of the first things you noticed about him, a spider's web of potential love stories that never takes because he’s swatting them away before anything divine can happen. you could have easily fixed this, but something about dean getting sweet with another woman makes your heart feel heavy. besides, dean asked you specifically not to matchmake with humans while you were on earth. so, the itch to use your skills was killing you and a perfectly innocent set of rabbits happened to be right outside the bunker. 

dean shoots you an incredulous look before shaking his head, “alright, i’m gunna pretend you didn’t just say that, little bird. we’re getting these things out. now.” he brushes past you, reaching for the rabbits far too slowly and aggressively, making them scurry off in opposite directions. 

“great!” you shout, “you scared them! now they’ll never even mate!” you drop to your knees, cooing gently at the fluff hiding underneath the bed. 

dean paces behind you, eyes squeezed shut as he musters up all the patience in the world, “hold on,” he stops abruptly, tilting his head to you, “why are you in sam’s room?” 

a shy smile finds your lips at you meet his quizzical gaze, “sam doesn’t say no nearly as often as you do. i thought if he saw how cute the bunnies are, he’d be on my side and i’d get to keep them and their love babies.” 

as much as dean would love to think your words fill him with nothing but anger and annoyance, your innocently sharp manipulation is rather fascinating. you were right, sam doesn’t like to say no and he was more fond of having pets than his older brother is, but dean would have put an end to this little scheme one way or another. 

as you lie half under the bed now, reaching for one of the rabbits, dean notices the little black droppings peppering the room. sam’s room.

“actually, lovebird,” he smirks, “why don’t we leave those two alone for a bit, see if your matchmaking skills really can work on the wildlife.” 

your excitement at his words makes you scramble off of the ground, peering up at him with a hopeful smile, “really? you think it’ll work?” 

“mhm,” he grins, stealing your hand in his, “let’s give ‘em some space, i’ll watch that reality show you love and let you tell me which ones are fated souls and all that cupid stuff you talk about.” 

➹

you sat with your legs crossed on the couch, dean beside you with a beer in hand and an amused grin as you raddled off all the little quirks that are tell-tale signs of a cupid’s work. on the other side of the bunker there's a clunk of commotion that startles you, but dean hardly reacts, his grin morphing into a satisfied smirk. 

“what was that?” you grab dean’s arm, shuffling closer to him.

“give it a sec.” he responds cooly. within seconds sam is stomping into the room, bewildered and clearly annoyed. 

“why,” he huffs, “are there rabbits shitting all over my room?” 

“oh no.” you whimper, sinking deeper into the couch, hiding your head under dean’s arm. 

“the little angel brought you a gift, sammy,” the older winchester let’s out an uncontrollable laugh, watching his frazzled brother with pure amusement, “don’t you just love it?” 

y'all i am not used to writing without angst or an emotional overtone so pls lmk if this sucks lol

[gyeomsweetgyeom]

the newlywed series- first time introducing each other as husband and wife

newlywed!Mark x f!wife!reader

summary: A honeymoon presents new opportunities to introduce yourselves to strangers, as husband and wife. Luckily, these opportunities are abundant but that doesn’t mean the novelty will wear off anytime soon

word count: ~1.3k

the newlywed series

-

Waking up in a Mediterranean paradise was nice, sure. Mark couldn’t argue with the fact that it felt good to wake up to the sound of waves crashing on the shore tens of feet away from the balcony and feeling the sun warming his skin through the white linen curtains. Of course, it felt nice, but it was nothing compared to waking up to you. Waking up to you, his wife, was a dream. Waking up to you tangled in the crisp, white sheets, hair spread across the pillows, he was even enamored by your drooling. 

He couldn’t believe how much his life had changed in such a short amount of time. Every morning since the wedding he woke up to a Mediterranean paradise with his wife by his side, still having memories from the wedding run around his mind. The flowers, the centerpieces, the music, the guests, his suit, your dress, the vows, it was all a dream. A dream that he was still stuck in since you were both trapped in a perfect love bubble heaven. 

He had been stunned to near silence when the concierge at the resort smiled at the two of you and welcomed you both as the resort’s “newest husband and wife.” The warm smile on her face was similar to that of the gate attendant at the airport who helped “the new Mr. and Mrs. Lee” find your seats. Even as you both left the venue, he found himself remembering the bright excited smile on your face as you and your friend screamed, “you’re a wife!” “I’m a wife!” He truly didn’t think that hearing him referred to as your husband or you referred to as his wife would ever stop making him feel shy or stop making him blush.

You roused from your sleep, nuzzling the pillow under your head while blinking at the bright sun that streamed through the curtains. You stretched your arms up to release the tension of the night before and turned to Mark with a sleepy smile, “Good morning, husband.”

He leaned in, his cheeks rosy from hearing you refer to him as “husband,” and placed a kiss on your forehead, “Good morning wife. Do you think it’s time to leave the room and explore the resort a little?”

“Are you finally ready to let me leave the room? God, are you going to be able to control yourself if I dare put my clothes on?” You tease with a tired smirk.

He scoffs while he narrows his eyes at you, “God forbid I spend some alone time with my brand new wife, in bed, making love like married couples do. How dare I? Seriously, send me to jail.”

You laugh, pulling the blankets over his face, “Shut up, Mark. Let’s go get ready to eat. I heard your stomach growl during your weird little rant.”

You both get ready quickly, not making an effort to make yourselves look too put together since you only had intentions of lounging by the hotel pool all day. You both enjoyed your breakfasts, laughing and making small talk about what you both wanted to do before your honeymoon came to an end. 

Once you were finished eating, you both wandered over to the hotel pool and found lounge chairs to relax in before you got in the pool. You had your sunglasses pulled over your face while Mark people-watched for a bit. The pool slowly but surely became more busy, soon an older couple took over the lounge chairs beside the two of you. The older gentleman smiled at the sight of you and Mark holding hands and talking to each other quietly. 

“You both remind me of my wife and I,” he stated suddenly.

Mark turned with a shy smile, “Oh, thank you sir.”

“We’re husband and wife now! And we’re on our honeymoon!” You add excitedly.

The man laughs heartily and introduces himself to the both of you with a handshake. Mark quickly responds with your name and his own, “and we’re the Lees.”

“Mr. and Mrs. Lee, that has a nice ring to it, enjoy your honeymoon lovebirds,” the man smiles warmly before turning to his own wife.

You pull Mark closer in a fit of poorly contained elation, he’s mostly on your lounger by now, “We’re the Lees!”

Mark smiles with a blush, nuzzling into your neck as you pepper his forehead with a flurry of kisses. The Lees. Mr. and Mrs. Lee, that was you and Mark. He was your husband and you were his wife. He still couldn’t believe it. You could hardly believe it yourself. You were so excited and giddy to finally be married.

After a day at the pool, you both walked to a restaurant in the resort, greeting the host. “Ah yes, Mr. and Mrs. Lee, it's so nice to see you around the resort. How are you finding your honeymoon so far?” Mark finds himself zoning out, lost once again in the daze that hearing the both of you known as “Mr. and Mrs. Lee” throws him in. 

“It’s been so amazing, the resort has so much to do,” you answer with a polite smile. 

“I’m so glad to hear that, our finest table for our honeymooning husband and wife,” the host smiles as you come up to your table.

Mark rushes to pull out your chair and helps you move closer to the table, “it sounds so official.”

You hum, looking over the menu, “What does, my love?”

“Husband and wife.”

You look up with an arched brow, “Is that not what we are?”

“No, we are!” Mark reassures quickly, “I just meant that it sounds strange- in a good way. We were boyfriend and girlfriend for so many years, then we were fiancés for a bit, but now…. Now we’re husband and wife, like for real.” 

You stare at him in awe, “I guess I hadn’t thought of it that way. This is the last title we’ll ever have for each other, no more changes.”

Mark laughs and places his hands on either side of his face, “Baby, we’re going to be husband and wife for the rest of history. Like generations from now, people will look at pictures of us and describe us as husband and wife!”

“Mark! Can we focus on getting through our first week as husband and wife before you think 50 years into the future?”

“I can’t help it, wife! I’m just so excited to be your husband and like, you’re my wife!”

“Yes, my love, that’s what the whole ceremony was for, the rings too, and this honeymoon,” you explain slowly, making sure he’s both hearing and understanding you.

Mark scoffs, reaching across the table to take your hand in his own, his thumb playing with the diamond on your ring finger, “Yes, I know that, thank you. I think it’s going to take me a while before I get used to hearing us call each other husband and wife.”

“I don’t want you to get used to it,” you pout at him, “I want you to be this excited and amazed about you being my husband forever.”

“Of course I’m going to be excited forever. If anything, I think my heart will skip a beat every time you call me your husband just like my heart still skips a beat when you look at me,” Mark smiles softly, admiring the way the warm light of the candle on the table illuminates your face. He thinks you’re the most beautiful human he’s ever laid his eyes on.

You squeeze his hand, averting your gaze to the menu in front of you again to hide your embarrassment, “you’re a sweet talker, Mark.”

Mark laughs and shrugs nonchalantly, “part of the reason you married me, right my wonderful wife?”

“That and many, many more, my handsome husband,” you smile at Mark, your wonderful husband.

Taglist! @spacejip

[roanofarcc]

CHASE IT

pairing. javi rivera x reader

summary. Javi has a problem telling you how he feels until he almost loses you. 

warnings. angst with a happy ending! slightly inaccurate meteorological info, a curse word or two, descriptions of injuries, reader gets hurt, love confessions! movie scenes will not be shot-for-shot but as close as I can remember.

word count. 2.5k || masterlist

The car ride to El Reno was tense. A tornado was hurling toward a town full of people and Javi had made the decision to follow Kate, Tyler, and the rest of the wranglers to help instead of staying with Storm Par. And as much as you wanted to tell him it was the right choice, you were too stubborn to. It wasn’t because you didn’t agree; you did. You’d been skeptical of the business since you started working for them but you tried, time and time again, to convince yourself that they were helping people. It wasn’t until seeing Kate’s reaction that you snapped back to reality. 

You didn’t say anything to Javi because you were still upset with him. The night before you two had gotten into an argument bigger than you ever had. You’d come to the end of your line. For the past couple of years, you’d been stuck in a confusing limbo with him. One minute you were making out in bars and staying up until the early hours of the morning talking, and the next he treated you like a co-worker. He was up and down, hot and cold. You had no idea where you stood, and you had gotten so tired of waiting around for him to finally commit. You started to think he never would. 

But heaven forbid you get flirted with by a good-looking stranger at the diner you’d all stopped at for dinner. Javi refused to make a move and he tipped-toed around an answer when you asked him what the two of you were doing. But he didn’t like someone else making the move he wouldn’t do. It wasn’t fair. All you wanted to was to know how he felt, but he couldn’t seem to give you that. So, you two argued, hot and angry. You still felt the thick tension cloud the car, with the added anxiety of the people directly in the storm’s path. 

You both stayed silent the whole ride, not speaking until you arrived in a town that was alive with sirens and dangerous winds. You had spotted Kate, and Javi was quick to throw the truck into park. You both rushed out, only to find a frantic Kate trying to lift a heavy piece of debris that trapped Tyler’s foot. Javi grabbed the closest thing he could find, stuck it under the piece of debris and you all lifted it enough for Tyler to yank his foot free. He didn’t look too badly injured, or maybe his body was pumping enough adrenaline to keep him upright. 

“We’ve gotta find shelter!” Kate yelled above the whirling winds. The nearest building that people rushed into was an old-looking movie theater down the road. There didn’t look to be many obvious safe places in the dated downtown, but the storm was moving fast, and staying outside only worsened their chance of survival. 

None of you had a chance to take off anywhere before a horrible creaking sound echoed above the wind. You spun around just as the town’s water tower started to make its way to the ground. A string of curses left your lips, tumbling out of your mouth as the water tower crashed to the Earth, releasing the water in a rush. You tried to run, but the water mixed with the flying debris swept all of you up before you could get far. 

The current pulled you harshly before it slammed your body against the front of a building. Pain brushed up your side as you groaned, soaked head to toe from the mixture of rain and rushing water that depleted as it continued down the street.

You coughed, feeling like you were still moving. Everything spun around you, whipping around as you sat on the ground trying to grasp your bearings. It wasn’t until Kate appeared at your side and pulled you to your feet did you rip yourself from your daze. There was no time to think about anything other than getting everyone to safety. The sky was turning darker by the minute and the town had already erupted in chaos. 

In your wet clothes, you took off after the group, following the mass of people into the movie theater. 

The place had no basement, only scared people confused storm chasers. You were suddenly filled with hopelessness, cold and daunting that crept into your gut. It was bad, really bad, and growing worse by the minute. If the tornado hit the theater, there was a good chance not everyone would make it out alive. 

You had no idea what to do, but you saw something flicker in Kate’s eyes, something the boys had missed as they watched the storm out of one of the exits, trying to come up with a plan for all of the people inside. She took off running towards the other exit, and you followed her. 

You had only just met Kate, but Javi had told you a lot about her from their college days. He trusted her, and from what you’d seen that week so far, so did you. Maybe it was a reckless move, following an almost stranger outside in the middle of a tornado, but you weren’t thinking rationally, only with the mindset that something had to be done and Kate seemed to know what that was. 

It wasn’t until she reached Tyler’s truck that you caught her, grabbing her arm before she swung open the door. 

“What are you doing?” she asked, breathlessly. “Please, don’t try to stop me.” 

You glanced at the incoming storm, the ominous clouds that held so much destruction within its black, swirling form. “I'm going with you.” 

She looked like she wanted to ask why, but there was no time. Instead, she nodded and quickly got into the truck as you followed, hopping into the passenger seat. 

Javi had told you of Kate’s original study in school; she wanted to stop a tornado. And it looked like she was going to put it to the test again. She raced through a field, hitting every bump, causing your head to nearly hit the roof of the truck each time. 

You had been close to a tornado, closer than most people willingly got, but you’d never been inside of one. Nor had you seen a storm quite like that one. The tornado was massive, a wall of sheer force that knocked into the truck with everything it had, knocking the wind right out of you. 

Kate was too determined to be paralyzed by the swirling darkness that surrounded you. She slammed down on the buttons on the center console, but nothing was happening. 

“It’s not working,” she cried, trying again and again as her panic swelled. You shuttered, hardly hearing her above the roar of the wind. The truck rocked, unsteady, and you weren’t sure how much force it would be able to take. The size of that tornado wasn't like the kind the Wranglers drove into. 

You glanced out the rearview window at the barrels on the trailer that were supposed to release their contents, but the lids remained on. Kate gripped the steering wheel hard as the wind beat against the doors, shaking the truck worse and worse by the second. Her hands shook too, trembling as the tornado continued to engulf you, threatening to chew you two right up and spit you out like it was nothing. 

You repeated Kate’s actions with the buttons, hitting them with a silent prayer again and again until finally, the lids all popped open, and their contents were sucked up into the storm. 

Both of your relief was short-lived as the storm overpowered the rig. The world blurred before your eyes as the truck was flipped. The passenger side window was shattered as you landed upside down; shards of glass sliced through the skin on your face, but the pain wasn’t felt right away. The only thing you felt was the intense drumming of your heart that beat against your ribs. 

You’d felt panic before in a storm, a small drop compared to what you felt at that moment. It was hard to breathe with the world seemingly closing in around you. You didn’t want to die, not like that. But it felt inevitable at that moment. The blood rushing to your head, the shattered glass peppering your skin, and the scream of the twister directly over top of you. 

Your mind was on fire, but you tried to find an anchor, something to hold your panic still enough to think straight. Javi came to mind subconsciously. You saw him, his sweet smile and dark eyes. The argument you had was far from your mind. Instead, all you saw was the good stuff. Sneaking out of your motel rooms to watch the stars on clear nights during chases. Him laughing at your jokes no matter how terrible. The way he had memorized your drink order and insisted on buying you them at every bar. Despite his inability to just tell you how he felt, Javi had always been the person you were drawn back to. And you didn’t see that stopping. Maybe it would hurt in the long run, and maybe it was just wishful thinking that he wanted anything deeper than what you had. But he was so intertwined in your life. He was the only person you wanted to share things with, the first person who you had cared about so intimately.  

You loved him, you realized. You had pretty shit timing. 

Or maybe not. 

A hand grasped your arm, sending a wave of pain through your shoulder. You gasped, peeling open your eyes you hadn’t even realized were closed. Turning your head, you saw Kate’s glossy eyes staring back at you, wide but focused. She held her hand hovering over your arm; it was red, and you weren't sure if it was her blood or yours. 

“We did it,” she whispered, and you realized you could hear her, easily. The roar of the wind was gone. The storm was just…gone. A smile broke out on her lips as she repeated," We did it!” 

There was a nasty cut on her face, blood running down the side of it. Your hands fumbled for your seatbelt and harness, undoing them quickly and trying to maneuver your body so you didn’t land on your head in the overturned truck. 

“We’ve got to get the hell out of here,” you breathed out. Kate followed your actions. Shards of glass cut up your hands as you crawled out of the busted window, slowly and pained. You clawed at the mud, never having felt so grateful for the feeling of the earth under your fingers. 

You only managed to get your upper half out of the truck before someone grabbed your arms. Looking up, you met Javi’s panicked gaze. He held onto your arms tightly, breathing heavily and rain-soaked. He helped you the rest of the way out and pulled you to your feet. The world still spun a little, and you swayed, disoriented. He didn’t let go of you, keeping his hands firmly on your shoulders. It looked like his mouth was moving, but the sudden movement of standing hurt your head. 

It took a couple of moments before his voice cut through the pounding in your head. “Are you okay?” 

You swallowed thickly, achy and definitely bruised. But you were alive and that was a lot better than you’d thought you be a minute ago. “I-I think so.” 

He sighed in relief before his expression shifted into something unreadable. With his hands still on your shoulders, he shook you, gently but enough to get his point across. “What is wrong with you?!” Javi raised his voice too. “What the hell were you thinking? You could have died! Seriously, what-”

You cut him off by shoving him hard enough for him to drop his hold on your shoulders. The revelation you just had slipped back to the back burner and the fight you had the night before stood front and center. 

“Are you seriously yelling at me right now?” you bit back. 

“Yes!” He threw his hands up in the air as if to say ‘obviously.’ “I thought you died! You can’t do shit like that! You can’t just leave in the middle of a goodman storm and not tell me!” 

A scoff fell from your lips. Your whole body throbbed in a dull pain, momentarily overshadowed by the adrenaline pumping through your veins. “Why do you care?” you shouted back; your words were coated in hurt that you’d been too angry to express during your fight the night before. You hadn’t said all that you wanted, but it bubbled to the surface and mixed with the flush of emotions you felt in the middle of the storm for Javi. 

He looked offended by your words. “I care because…because you’re you! And if something happened to you I-I…” he trailed off, caught on his words.

You were sure if the wetness on your face was fresh tears, blood seeping from the little cuts, or leftover tears from your near-death experience. Too many things were spiraling around you, even though the storm had stopped. 

“You still can’t do it.” Your chest hurt like someone had reached inside and sank their nails into your heart. “You still can’t tell me how you feel.” 

Wiping your cheeks, you stumbled backward, on the verge of crying. But before you could walk away, he caught your wrist, spinning you around to face him. 

“I couldn’t live with myself if something happened to you,” he admitted, blurting out with so much emotion it was dizzying. You were sure you'd never seen him look like that, scared yet brave. “If you died and I never got to tell you…” He took a breath, sliding his hand down your wrist and into your hand. “Tell you that I love you.” 

For a moment, you weren’t sure you had heard him right. You blinked, silently staring for a moment. You’d hit your head more than once and everything was still a little off as you came back down from the tornado. 

“You what?” 

“I love you,” he said, that time without hesitation. “I’m sorry it took me so long to say it.” 

You smiled, bright and relieved. You hastily grasped the side of his face before pulling him toward you in a sweet but desperate kiss. That kiss was different than it had been before, in the darkened corners of country bars. The kiss was full of pent-up emotions and unsaid words finally spilled. 

Pulling apart, you rested your forehead against his, laughing lightly at the absurdity of it all. You still felt like you were spinning.

Someone behind you both cleared their throat and you felt your face get hot at the raised brows of Tyler and Kate. “Sorry,” you said, feeling giddy and still a little woozy. 

“Don’t be,” Tyler replied. “That was beautiful.” Kate rolled her eyes and smacked his arm. 

“Let’s get out of here,” Kate said before she and Tyler led the way back to town. 

You and Javi lingered for a moment longer, your hands intertwined. “I love you too,” you said, earning a toothy grin from him. He slung his arm around your shoulder, careful to avoid the little bumps and scarps you’d accumulated over the course of the storm, and pressed a kiss to the side of your head.

[witchthewriter]

𝐇𝐨𝐰 𝐭𝐡𝐞𝐲 𝐰𝐨𝐮𝐥𝐝 𝐫𝐞𝐚𝐜𝐭 𝐭𝐨 𝐲𝐨𝐮 𝐟𝐚𝐥𝐥𝐢𝐧𝐠 𝐚𝐬𝐥𝐞𝐞𝐩 𝐨𝐧 𝐭𝐡𝐞𝐦 𝐩𝐫𝐞-𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩

⤷ gender neutral, ambiguous race, and any size reader. Requests are open, thank you for reading!  

ᴹᵃˢᵗᵉʳˡᶤˢᵗ | ᴹᵃˢᵗᵉʳˡᶤˢᵗ ᴵᴵ

𝑺𝑭𝑾🌿

P.s. this is pre-relationship, when your feelings are still untold...some of the guys are still awkward and some are not :')

𝐉𝐎𝐇𝐍 𝐏𝐑𝐈𝐂𝐄

Visiting Price in his office was a common occurance. Sometimes you brought a drink with you, other times you just brought your old tired self.

This was one of those times.

And without looking up, he patted his knee and you hesitated. But only for a moment because as soon as you saw his pen stop scratching on the paper, you stalked over to him.

You rest your head on his shoulder, trying not to think about the goddamn awful day you had. You knew John would want to talk about it when you were ready. It's one of the things you love about him. He wants to help you no matter what.

As if on Instinctive John wraps his arm around your shoulder and brings you in closer. Your face was flushes against his neck and your hands cling to his other arm.

John is so warm, and makes you feel so safe. Everyday is a battle for you; because you just want to fall into his arms and kiss him until you can no longer breathe.

But you can't, because he's your superior and you don't want to jeapordise anything.

𝐒𝐈𝐌𝐎𝐍 𝐑𝐈𝐋𝐄𝐘

Wide-eyed and trying not to move. Even his breathing becomes shallower. It's lucky he's wearing a mask otherwise there would've been a bright red Ghost for everyone to see.

Continues to death glare the others, placing a firm finger in front of his lips. Reminding them to SHUT UP.

No one is allowed to talk when you are asleep in the common area. On Ghost's literal orders.

But he never thought you would actually fall asleep on him.

It was a nice feeling. One that made him giddy inside. Like ... he had been chosen for something important.

And maybe he had. This could be a way for your body to tell Ghost that "I WANT YOU!" But unless you actually tell him, he isn't going to get it - or believe it.

𝐊𝐘𝐋𝐄 𝐆𝐀𝐑𝐑𝐈𝐂𝐊

Warmth travels to his cheeks as he realises that you've practically clung yourself to him and fallen asleep.

He had taken you to the movies because you had some spare time on your hands and wanted to feel like normal people for once.

But halfway through, drowsiness had overcome you, and consciousness faded away.

It was easy to fall asleep next to Gaz, whose smell and gentle heartbeat felt like heaven.

You hadn't wondered if this was going to far, you trusted Gaz enough to tell you if it was. But he would never tell you that.

Because there was no 'too far.' He would do anything for you. He just didn't know how to get you to see that.

𝐉𝐎𝐇𝐍𝐍𝐘 𝐌𝐀𝐂𝐓𝐀𝐕𝐈𝐒𝐇

Oh our sweet boy Soap, he would become so goddamn giddy. His cheeks turn red as he moves ever so slowly to look at you.

Watching movies together was a common occurance. Your place or his, it didn't matter. Even the movie didn't matter - though you both argued over it relentlessly. It was a way for you both to spend more time together. A reason to say why you were late for ___

Your head had dropped a little and his eyebrows flew upwards. He would never live it down if you fell straight into his crotch area.

So he moved his arm around your shoulders and let you turn fully around to hug him.

Your face pressed against his neck, breathing in his scent.

"Tha gaol agam ort," he whispers into your hair. You only barely heard it. It means (I love you).

He only ever says it when you cannot hear him. But litte did he know you were catching on to certain Gaelic words. Maybe not at that moment, but you had better hearing than he thought you did.

𝐊𝐎𝐍𝐈𝐆

Did not know what to do, and in the midst of his panic, he had accidentally wriggled his shoulder. Which meant you curled up on his lap.

"Oh maus..." Konig whispered, afraid that you would wake up and freak out. But if he truly believed that, then he hadn't been paying attention to your friendship at all.

After ten minutes of the movie playing but Konig couldn't stop staring down at your curled form in his lap, he slowly and gently moved the hair from your face. Stroking your cheeks, running his fingers over your nose and forehead.

It was right then that he fell in love with you. Truly fell in love with you.

A monster and his love. That's how Konig saw the two of you.

𝐍𝐈𝐊𝐎𝐋𝐀𝐈

Charming, suave, flirtacious and utterly awkward when it comes to you.

He makes as much spare time as he can to spend it with you. And curling up on the couch seemed to be the best idea for today.

His large hands wrap around your form and pull you closer.

"Иди спать, малышка" (go to sleep little one) he says quietly, watching you intently as you drift into a deep slumber.

Maybe there is a gun wedged between him and the armrest, but he knows his lifestyle, and how many people want to kill him.

But that is nothing compared to spending time with you.

𝐊𝐄𝐄𝐆𝐀𝐍

Coughs; yes he actually coughs and a few times at that. Why did he cough? He has no clue. Was he trying to wake you up? See if you accidentally forgot he was there?

In all honesty he was panicking - this wasn't the type of friendship that you had. It was all banter and poking fun at each other.

Someone actually asked if Keegan was being bullied a few weeks ago.

He snorted and just walked away. It was probably the best thing that recruit could've said.

It was after a long mission and you barely had time to undress from your military clothes, when Keegan barged in and held up two family sized bars of chocolate. "As a thank you for having my back out there, kid."

You couldn't deny the fluttering in your stomach. But saving face was what you two did. So you took both of the offerings and laid down in bed. "If you're having all the chocolate, I'm not leaving" "I'm not giving it back Keegan." "Looks like you have a bunk buddy then."

And the tall man climbed into bed beside you awkwardly trying to get comfortable. "Jackass," you mumbled. But a slight smile was on your lips. And within an hour you fell asleep.

When you woke up, Keegan was practically ontop of you, melted chocolate on his lips and slight snoring coming from his nose.

𝐏𝐇𝐈𝐋𝐈𝐏 𝐆𝐑𝐀𝐕𝐄𝐒

"What the fuck," he mutters to himself as you rest your head on his shoulder on the plane.

You had both been placed on a mission for months and now that it was over, you were exhausted (to say the very least).

The whole time you were together, there had always been bickering. Especially when you were undercover as a married couple.

So you were used to the hostility of Graves (even though he barely had any anymore when it came to you).

Hence, you were way too tired to give a shit. Honestly, if he were to wriggle you off, you would clutch his arm to keep him still.

But he didn't do that. Instead he feigns annoyance and rests his head against the back of his chair. His eyes flickering over to you every few seconds to see if you were okay (if that were to be brought up, he would say that he was looking out the window).

As the time went by, and you woke up, you found that Graves had found your hand and was clutching it.

𝐀𝐋𝐄𝐉𝐀𝐍𝐃𝐑𝐎

Sinks into you as well. His culture isn't so rigid as others. And showing affection means multiple things, but the main thing is that it means he cares.

Where your head lolled on his shoulder, he moved back on the couch, yawned, and pulled you down with him. Your sleeping head was rested gently against Ale's chest.

He knew about your feelings for him, and you knew about his, so this situation was awkward. He knew he had to step up and say something, but it had turned into a game of sorts. As if the first person who spoke up would lose.

But having you on his chest, smelling your hair, feeling the weight of your body on his, he decided that he would happily be the loser.

[joemama-2]

nanami kento has always been a patient man. he’s respectful and doesn’t talk to unless spoken to. he doesn’t like most people, might even hate some. but you’re not the type of person he would exactly hate, unlike a certain someone. he thinks you’re kind, polite, you always bow respectfully to your seniors, you diligently complete every task that’s asked of you. there’s also one more thing about you….he just cant put his finger on it. maybe you’re just tolerable, yeah that’s it.

you’re not a sorcerer, at least not a very good one. it’s why you’ve opted to be an auxiliary manager like ijichi and akari. “as long as i get to help the sorcerers in battle, i’m fine with whatever position i’ve been assigned.” you would say with a big and warm smile, innocently, naively. he thinks you’re too good for such a rotten society, something like that will get people killed. and he doesn’t want you on that list.

when he first met you back in high school, he didn’t think much of you. you weren’t a special grade, you didn’t have any awesome technique, you were just simply there. maybe you have connections, he thought. because there’s no way someone like you was admitted into tokyo jujutsu high. to this day, he doesn’t know how you did it. maybe you have some super cool talent that you didn’t like showing, maybe you just won over everyone’s hearts and they felt pity for you, he’ll never be able to find out. that’s one of his many regrets.

his other regrets are letting himself grow attached for no reason. no matter what, his eyes had a mind of his own, searching and scanning any room or environment for your figure. he chalks it up to protectiveness, you weren’t strong like he was and he didn’t want to see another comrade die. because thats all you were, a comrade. a comrade. a comrade. he chants this mantra into his mind every morning.

nanami didn’t know how it happened, but one thing led to another and he was always alone with you. comfortable silence was what he loved the most. you two could sit together for hours in a flower field you came across one day, just watching the sky and clouds form random shapes. you liked when they made hearts and little animals. although he always argued that they’re just clouds.

but, clouds almost reminded him of you. free, soft, floating around from place to place, and residing high in the sky. because he knew, no matter what, you were one of the few people who would go to heaven in this sick world, sick society. you belonged in heaven, you looked like an angel, acted like a goddess.

“let’s go to malaysia together.” you told him randomly one day, seeing an ad pop up about a beautiful vacation spot. kuantan. he didn’t take you too seriously. malaysia? out of all places? he didn’t see the hype.

all these thoughts flood his brain when he sees your body, looking lifeless and bloody, next to ijichi. you two have huge stab wounds in your mid-section. however, you have a bit more than your co-part, clear signs of your fight. even when you know you don’t have the upper hand, you won’t hesitate to fight back.

it’s hard as he carries you two, having to make sure ijichi doesn’t fall off his back while simultaneously holding you close to his chest. his heart twists and turns, stomach churning the entirety of the slow walk he does to bring you two back to ieiri. his mind is running rampant, constantly looking down at you. you can’t be dead, he thinks. neither of you two are dead, he can’t see more comrades die.

it’s almost weird to him how his throat tightens, tears stinging at his eyes. you don’t move, head lolling to the side as barely a sign of a breath is escaping your lips. your skin is pale and bruising. he hates it, hates how you look, hates how hurt you are, hates how he wasn’t there to stop it and protect you.

he sets you down first once he reaches shoko, handing the passed out ijichi to her. finally, he kneels down, taking in your appearance. nanami rarely gets mad, at least not seriously. but this time, he’s absolutely furious. silently seething as he breathing gets heavy. his fists clench by his side, nails drawing blood into the skin.

he gets up, no being able to stand how you look. but, he forgets you’re a fighter, forgets that no matter what, you look out for the sorcerers. out for him.

“kento….” you straggle out, hand weakly clutching onto his. you can barely keep your eyelids open. you mutter out the next few words. “…man….blonde……ponytail……s-sword….”

ah, he thinks. that’s his target.

he gulps, simply nodding. but your hand stays clutched onto his. using all your strength, you open your eyes wider, and he hates the tears that form in them. “….come back to me please…..”

he feels like crying with you. but he can’t, not now at least. he kneels down again, bringing the back of your hand up to his lips to press feather light kisses to each knuckle. his other hand gently uses his thumb to wipe your tears, treating you with utmost care. “kuantan,” he murmurs. “when this is all over, i’ll take you.”

you weakly chuckle, more tears falling at this point. “..p-promise..?”

he hesitates, but you notice. “promise.“ he says back, leaning down to give your forehead a kiss, sealing the promise. he places your hand back to your stomach before getting up to leave, not before sparing you one last glance.

and as you watch him leave, you don’t even know that it’s the last time you’ll ever see him, last time he’ll ever see you. because you trust his word, trusted that he’d come back to you.

nanami leaves with a heavy heart, staring death in the face and yet all he can think about is you. there’s many regrets he has.

he broke your guys’ promise, he hopes you won’t stay mad at him.

he won’t be able to take you to kuantan.

he won’t be able to see you, hold you, talk to you.

and finally, he wasn’t able to confess that he loved the simplicity. that he loved you.

he’ll see you again, in heaven and in another life. until then, he’ll watch over you. because nanami kento has always been a patient man.

[absolute-flaming-trash]

Pairing: Yandere!Alastor x Reader

SFW

Word Count: 2'627

Warnings: Yandere behaviour, Implied forced relationship, Implied captivity, Toxic relationship, Possessiveness, Invasion of personal space, Non-consensual touching.

Additional Notes: Do be kind, I have not written for this man before and find him exceedingly difficult.

Every week at the Hotel, there was something new Charlie had planned.

Trust exercises. Ice breakers. Activities meant to bring everybody closer together as a group. To try and get people to open up and show a side of vulnerability that - she believed - would help sinners take one step closer to salvation.

Most of them were awkward, and a lot of them never went as planned. A fact she realized and, after a near mental breakdown, had her promptly take advice from Vaggie and agree to try something different.

The task was very simple compared to the previous activities. She requested everybody to think about redemption and what it meant to them.

Thinking about the definition itself took little to no effort.

Redemption (noun): The action of saving or being saved from sin, error, or evil.

But it was clear that Charlie wanted more than just a quote from the dictionary. She wanted residents of the Hotel to mull over it while looking deep down into themselves so they could share their stance on the matter later on.

That was the tricky part.

From how you saw it, “saving yourself” from sin was easy enough to accomplish. ‘Just don’t be a dick and avoid the bad shit.’ was the first thought that came to mind, but where you hit a snag was based on what Charlie had shared about Heaven. According to her, even so much as breathing in Hell was enough to solidify your place in the inferno, yet she made it clear that actively resisting sin wasn’t something to go unrecognized.

It took a lot of effort, energy, and courage to do so, and it was hard to disagree even if Heaven didn’t see it that way.

Error was a bit harder. In your opinion, nobody could be saved from that, at least not entirely. Eventually, inevitably, you or someone else would do something wrong, it was just a matter of degree. It could be something as minor as bumping into somebody by accident or as major as Angel relapsing for what felt like the hundredth time, but it would happen and it was only a matter of time.

Charlie did bring up a rather good point, though. Apologizing when you realized you had done something wrong was the best thing someone could do, and it was the first step in the right direction.

You had to give her credit where it was due for that.

But evil was a different matter entirely.

Evil lurked everywhere in Hell. Across every street, around every corner, evil was out in the open for everyone to bear witness and see. None of it was hidden. None of it was meant to be hidden.

What would be the point? You and every other sinner were already in Hell - and many would argue that hiding it would be counterintuitive to being there in the first place.

Charlie tried to plead the case that everyone had good in them. A good that could be tweezed out if given the right chance, and the right environment, which the Hotel was perfect for.

You wish you could agree.

Evil was in the hotel itself, not that Charlie was fully willing to see it.

You believed she was careless there. Little Miss Bleeding Heart wanted to see the best in people, and by god did you ever want to know what it was like to see through such rose-tinted glasses, but you knew you never could. Not in this place.

Stepping a foot into the building was the worst thing you’d ever done because it showed you just how wrong you were about evil being so out in the open. It still had the ability to lurk, something you learned the moment you shook hands with Alastor.

You could see it on his face upon meeting him for the first time - the way Alastor’s perpetual grin widened upon seeing the goosebumps that lined your arms when he clasped your hand in his. No comment was ever made on the matter, but the way his lips peeled back to reveal the black of his gums before he pressed a brief kiss to your knuckles said enough.

Something utterly sinister reeked from him in a manner you couldn’t describe, so you took your own advice and applied the same thing you did when it came to sin.

Avoidance. As much as you could, at least.

Some moments were easier than others. The distinct metallic clack of Alastor’s microphone against the floor combined with a surge of radio static usually bought enough time for you to make whatever excuse you needed in order to leave before he arrived.

Other times you weren’t so lucky, and Charlie’s group meetings were usually to blame in that regard.

At first, you made a great deal of effort to put as much distance between yourself and the Radio Demon as you could, which worked for a time. Unfortunately, Alastor caught onto what you were doing much faster than you would’ve liked.

He reveled in it. You knew he did. After a while you had the gnawing suspicion he was purposefully going out of his way to make you as uncomfortable as possible for his own entertainment. You saw no other reason as to why he’d consistently move so close to you that you could literally feel him breathing down your neck.

Lately, he had adopted the skin-crawling habit of locking eyes with you the moment you stepped foot in the room and patting the seat beside him - reserved specifically for you. Accepting the gesture felt like swallowing nails, but being openly rude to Alastor was something that you knew better than to do.

Instead, you began to find excuses for skipping the meetings entirely and have Angel or Husker fill you in later, which was exactly what you were doing now.

“To be honest I wasn’t payin’ much attention,” Angel said while he scrolled through his phone, resting his chin in his upper left hand while his lower right swirled alcohol around in a glass. “Was the kind of thing that could’ve been sent in an email.”

You traced your finger around the rim of your own glass, its contents untouched. “Still, I want to know what I missed.”

“He’s right, it wasn’t anything special,” Husker replied, slinging a cloth over his shoulder from behind the bar. “Same old bullshit about salvation with a new coat of paint on top.”

A pang went through your chest, but you pushed it down. “So nothing new?”

Angel scoffed and looked up from his phone. “Trust me, dollface, you did yourself a favor.” He downed the rest of his drink in one go. “What were you doing anyways?”

“You know…” You replied with a shrug, glancing down. “I went out.”

Angel smirked, raising an eyebrow. “Out?”

“Yeah.” You tapped your nails against the edge of the glass. “Things were feeling a little claustrophobic, so I went out for some air.”

Husker made a noise in the back of his throat. “Yeah, I know how you feel, kid. This place is a mess.”

Angel tilted his head, placing his phone down on the bar and leaning forward a bit. “So where’d you go? Anywhere fun?”

“Where indeed~.”

All your movements went rigid. After a few seconds, you slowly turned your head to look over your shoulder to see Alastor standing barely a foot away from you, staring down at you with a tight, closed-lipped smile. You hadn’t heard him coming in the slightest, which you immediately could tell was intentional.

Whether he’d used his shadow or had actually stalked up behind you wasn’t something you wanted to think about, and if Angel or Husker picked up on the immediate tension, neither of them said anything about it.

“Hey, Smiles.” Angel greeted with his usual flirtation, placing the elbows of his upper arms on the bartop as he turned to face Alastor. “Fancy a drink? You look a little stiff” He gave Alastor a very long once over, “and I’ll have you know I know a few ways I can help relieve some… tension.” 

Alastor’s lips curled back to reveal his teeth, the muscle in his cheek spasming for a moment.

Mentally you were kissing Angel on the cheek for the save as you slowly picked your coat up off the bar and slipped it on, concealing the goosebumps already present on your skin. Husker gave you a glance from the side and gave a very slight shake of his head, silently advising you against your unspoken desire to leave.

“I assure you, such a thing is never going to happen.~”

“You sure?” Angel rested his lower right arm on his hip. “I have a few tricks that can loosen you up.”

The leather in Alastor’s gloves audibly squeaked as his grip tightened around the staff of his microphone and his attention immediately shifted back to you, ignoring Angel entirely.

“My dear,” His voice dripped with such a saccharine sweetness it made you feel sick, “Could I speak with you for a moment?”

Fewer combinations of words could instill such a unique feeling of encroaching dread all at once, but you refused to let it show as you nodded and turned your body on the bar stool to face him fully; waiting for him to say the first word.

His eye twitched ever so slightly.

“Privately.”

That made you swallow.

“Sure.” You slid off the bar stool, doing your best not to appear as reluctant as you felt.

“Lovely.~” He said, promptly turning on his heel and walking towards the staircase - expecting you to follow.

You glanced back towards Husker and Angel, each giving you looks of grim sympathy and confusion respectively before you took a deep breath and forced one foot in front of the other, following Alastor up the steps.

You thought he would talk along the way. Engage in some form of idle chit-chat where he’d be pulling the strings, or even hum along to the countless jazz tunes that he played in the halls over the Hotel’s sound system.

But no such music played and he remained silent. A few minutes into the walk you gathered enough courage to glance up at him and found his eyes locked straight forward, not even sparing you so much as a glance.

You averted your gaze, the hem of your sleeves suddenly the most fascinating thing you’d ever seen.

Eventually, he came to a stop, and he held out the end of his microphone to prevent you from going any further down the hallway.

“Here we are!” Rather than producing a key from his coat, a green flash emanated from the lock when he placed his hand on the handle and opened the door.

He all but leered at you as he gave a small bow that didn’t feel genuine in the slightest.

“After you.~”

Like the alleged gentleman he was, Alastor held the door open for you, eyes never leaving your form as you walked inside his suite.

The smell of dampness and soil hit you immediately.

Alastor’s suite wasn’t the worst thing you’d seen in Hell by a mile, however, it was still eerie beyond words. The skeletons that hung along the walls and mantlepiece of his fireplace became less complete and increasingly disorganized as they led further into the room - which itself gave way to a swamp-like environment halfway through. Undoubtedly a result of whatever hoodoo, voodoo bullshit he was capable of, and while it still wasn’t the worst you’d seen, it served its purpose thoroughly.

It creeped the shit out of you.

“Now, then.” Alastor clicked the door shut, his body half-facing yours as his hand still lingered on the doorknob. “I'm sure you have a good explanation for what you’ve been doing.~”

The immediate dryness in your throat was hard to ignore. You knew what he was talking about, and you knew that he knew, but you still attempted to buy some time as you tried to figure out what to do.

You cleared your throat. “I was just catching up with Angel and Husk-”

He chuckled, the sound like that of a radio shifting stations. “Don’t be coy.” His head turned towards you with a sickening, ossified crackle that bent his neck in a manner that made your stomach lurch. “You’ve been avoiding me, and I’d like to know why.”

Fuck.

“I haven’t.” Lying to Alastor was a mistake, but you still decided to risk it since it wasn’t entirely false. “There’s just been a lot on my mind recently.”

“Hmm.” Interest and something much worse flickered behind his eyes as he faced you fully with another crack of his vertebrae. “Such as~?”

You shook your head, looking away from him. “That’s private.”

There was a quick flash of red, and the tip of his microphone turned your face back towards him - the cool metal of the edge digging into the skin of your cheek. You had to bite back a grimace.

“Not when it concerns me.” His tone was sharp, a stark contrast to the faux politeness he was putting on before. He kept the tip of his microphone where it was to prevent your eyes from looking anywhere but him. “And trust me darling, when it comes to you, everything concerns me.”

His words twisted in your gut. “...I’m not sure what you mean.”

Alastor tutted, his smile widening once more. “Don’t be stupid, darling, it’s unbecoming of you.” The way he said it was patronizing, like he was scolding a child. “You know precisely what I mean, so I’m going to ask again, as much as I hate repeating myself.~”

Cool metal was replaced with the warmth of his hand as he tilted your head up and brought his face frighteningly close to yours.

“Why are you keeping yourself from me?”

It was an odd sensation. Being backed into a corner, both metaphorically and physically. A frightening one that all but yanked on your instincts to do whatever it meant to get the fuck out of there, but you knew that was the worst thing you could do.

Alastor was a predator, a creature designed to prey on those he deemed weaker, and turning your back on a predator would almost certainly trigger a series of events that would not bode well for you.

So you did the next worst thing.

You told him the truth.

“Because I can see you.” The words felt wrong to say out loud. “I can see you for what you are, I can feel the absolute malevolence that radiates off you in waves, and it’s suffocating.”

Saying any more was a horrendous idea, but you couldn’t help but add one last thing.

“And if I want any chance at leaving this god-forsaken place, I can’t be around you.”

The silence that stretched on afterward was deafening.

Mentally, you were bracing yourself. Alastor had killed people for far less, and you expected nothing different for saying something so daring to his face.

You could see it too, the anger that simmered underneath his gaze. You expected the red of his sclera to flash black and his antlers to extend with his body in a grotesque display before you were ripped to pieces while he laughed.

What you didn’t expect was for his eyes to narrow into slits and his expression shift into one that was far more genuine than you wanted it to be, and it was then you knew that being saved from this kind of evil was never going to happen.

“Oh, my dear, you don’t need to worry about something silly like that.” Alastor all but cooed.

“After all, what makes you think I’d ever let you leave?~”

© absolute-flaming-trash 2024. Do not repost, modify, copy, or claim.

[cailinsblog]

Young, Hot, and in Love |max verstappen

Max verstappen x reader

Masterlist

The sun was high, casting a warm, golden glow over the crystal-clear waters of the private beach. Max Verstappen leaned back in his chair, sunglasses perched on his nose, his tanned skin soaking up the sunshine. His girlfriend, Y/N, lay next to him on a matching lounger, a soft breeze teasing her hair as she sipped on a cold drink.

It was one of those rare days where neither of them had to worry about the pressures of the world—no races, no media obligations, just the two of them, the sound of the waves, and the endless stretch of blue skies.

Max let out a content sigh, glancing over at Y/N. She was scrolling through her phone, her lips curling into a soft smile every now and then. He couldn’t help but grin; even on their days off, she had this effortless beauty and charm that left him in awe.

Breaking the comfortable silence, Max stretched his arms overhead, his muscles flexing in the process. "You know," he said, his voice light and teasing, "I’m young, I’m hot, and this—" he gestured to the idyllic scene around them "—this is called heaven."

Y/N burst out laughing, lowering her phone and raising an eyebrow at him. "Oh, is that so?" she teased. "You think pretty highly of yourself, don’t you?"

Max smirked, placing a hand over his heart dramatically. "I’m just stating the facts, liefje. Young, hot, and living my best life with the most beautiful girl by my side. What more could a man want?"

Y/N rolled her eyes, but she couldn’t stop the smile that spread across her face. "Well, I can’t argue with the last part," she said playfully, leaning over to steal a quick kiss.

Max hummed in satisfaction, his hand moving to rest on her knee. "Exactly. And here’s the thing—you make this heaven even better."

Y/N laughed again, shaking her head as she leaned back in her chair. "You’re so full of it, Max."

"Maybe," he admitted, his grin widening. "But you love me for it."

She didn’t argue. Instead, she reached for his hand, lacing her fingers with his as they both sat back and enjoyed the peaceful rhythm of the ocean waves.

---

Later, as the sun began to dip lower in the sky, painting the horizon in hues of orange and pink, Max suggested a walk along the shore. Y/N agreed, and soon they were strolling hand in hand, their feet sinking into the cool, wet sand as the waves gently lapped at their ankles.

Max swung their joined hands lightly, his free hand occasionally reaching out to skip stones across the water. Y/N leaned into him, enjoying the quiet intimacy of the moment.

"You know," she said after a while, "I think you might be onto something."

Max looked down at her, his brow raised in curiosity. "Oh? About what?"

"This," she said, gesturing around them. "Being here with you, just the two of us, no distractions... it really does feel like heaven."

Max’s expression softened, and he stopped walking, turning to face her fully. "I’m glad you think so," he said, his voice low and earnest. "Because for me, heaven is wherever you are."

Y/N’s heart melted at his words, and she stepped closer, wrapping her arms around his waist. "You’re such a softie," she teased, but her eyes glimmered with affection.

"Only for you," Max replied, leaning down to press a tender kiss to her forehead. "You’ve made me realize that no matter how fast life moves, moments like this are what really matter."

They stood there for a while, wrapped in each other’s arms as the sky continued to shift through its stunning array of colors. Eventually, Max pulled back slightly, his playful side returning as he tugged Y/N toward the water.

"Come on," he said with a mischievous glint in his eye. "Let’s see who’s faster in the water."

Y/N squealed in protest as he took off running, splashing through the shallow waves. "Max! You know I’m not racing you!" she called after him, laughing as she tried to keep up.

Max stopped a few feet ahead, turning around with a wide grin. "I’ll give you a head start," he offered, his voice full of mock seriousness. "I mean, I’m young and hot, but I can be generous too."

Y/N groaned, shaking her head but laughing as she finally reached him. She shoved him lightly, sending a small wave of water splashing against his legs. "You’re impossible," she said, but the fondness in her tone was undeniable.

Max laughed, wrapping his arms around her waist and lifting her off the ground. "And you love it," he said, spinning her around before setting her down gently.

"I do," Y/N admitted, her hands resting on his chest. "I really, really do."

Max’s gaze softened, and he leaned in, capturing her lips in a slow, passionate kiss. The world around them seemed to fade away, leaving only the sound of the waves and the warmth of their love.

When they finally pulled apart, Y/N rested her forehead against his, a content smile playing on her lips. "This is definitely heaven," she said softly.

Max smiled, his eyes shining with love. "Then let’s stay here forever."

And as the stars began to twinkle in the sky above, Max and Y/N continued to enjoy their little slice of paradise, knowing that as long as they were together, they could create their own version of heaven wherever they went.

[hoe4hotchner]

also this might be a weird one but could you write a story where the reader accidentally throws up on Hotch during you know what and he takes really good care of her

In Sickness and Health | [A.H]

Pairing: Aaron Hotchner x gn!reader | WC: 0.7k | CW: Vomit, the flu

A/N: I'm fairly certain I know which you know what you're talking about, and if it's the one I'm thinking about I don't write about that….. So I made reader sick with the flu instead.

It was hard to argue that things could get much worse as you curled up on your couch, shivering despite three blankets piled on top of you. The flu had hit fast and hard — harder than you'd ever experienced before.

Hotch had insisted on stopping by to check on you after you’d sounded “off” on the phone earlier, but now you almost regretted accepting his kindness. The last thing you wanted was for him to see you like this.

There was a gentle knock at your door, and you heard his voice just outside. “Are you sure you’re okay? I’m coming in.”

Before you could croak out an answer, Hotch was already inside, his brow furrowing as he saw your bundled-up form. He was carrying a few bags from the pharmacy and some soup that smelled good enough to make your mouth water.

“I told you, you didn’t have to come,” you said, but even that small effort was enough to make your stomach flip.

“I’m here, aren’t I?” He flashed you a gentle, reassuring smile and dropped his coat on a nearby chair. “I couldn’t leave you alone in this condition.” He set the bags on the coffee table, pulling out a bottle of cold medicine, a thermometer, and a box of tissues. “I thought these might help.”

You managed a weak smile. “I think I love you.”

He chuckled softly and brushed your hair back, his touch cool against your fevered forehead. “I’ll take that as the fever talking. Now, let’s get you sorted out.”

He knelt beside the couch and carefully held the thermometer under your tongue. You felt embarrassed under his watchful eye, but he was nothing but warm and reassuring, his hand never leaving yours. When the thermometer beeped, he read it with a frown. “One hundred and two. Let’s get some fluids in you.”

The soup smelled like heaven. You tried a few sips, managing to keep it down, but just as he leaned in to check your forehead again, your stomach twisted in that familiar, dreaded way.

“Aaron, I—”

But you didn’t get the words out in time. Before you knew it, you were heaving, and the soup — and whatever else was in your stomach — landed squarely on his shirt. You were mortified, eyes wide, but Aaron just blinked in mild surprise. “Oh.”

“I’m so sorry!” You groaned, feeling your cheeks burn hot with shame, despite the fever.

He was surprisingly calm, just dabbing at his shirt with a tissue from the box he’d brought over. “It’s fine. Clothes can be cleaned,” he said in that calming, matter-of-fact tone he often used at work. “But you need rest. Come on, let’s get you settled.”

He didn’t hesitate for a moment as he lifted you up, blankets and all, and carried you to your bedroom. You felt the blush creeping up as he set you down on your bed, adjusting the covers to make sure you were warm. Even in your fevered state, it was hard not to be acutely aware of his gentle touch, the way his hands brushed against you so carefully.

He quickly changed into one of his t-shirts that he'd left at your place — leaving his soiled dress shirt in the bathroom — and then came back with a cool washcloth. “This’ll help with the fever,” he said, dabbing it gently against your forehead, cheeks, and neck. His hands were steady, his gaze so soft that you almost forgot the embarrassment.

“You’re… really good at this,” you managed to say, voice muffled by exhaustion.

He chuckled. “I’ve had my fair share of sick days with Jack.”

You smiled weakly. “Thank you, Aaron. Really. I’m sorry about… you know.”

His fingers brushed against your forehead again, tucking a strand of hair away. “You don’t have to apologize. I’m right where I want to be.”

With him by your side, you felt yourself start to drift off, lulled by the soothing rhythm of his voice. As you slipped into sleep, you swore you felt his lips press softly against your forehead, his whispered promise lingering in the air:

“Get some rest. I’ll be here when you wake up.”

[m1ngkis]

Mingi the munch (18+)

A/N: MINORS BE GONE. This will contain oral intercourse in a closet and my man of course. MWAH

Mingi is a munch and I will die on that hill. I can just see him losing himself between your thighs and eating you out until his eyes cross and his tongue goes numb.

He especially likes to do it right before a show. While staff and his other members are bustling around and yelling time checks, all he can think about is getting his mouth on your pussy before he goes on stage.

I want to say he thinks of it almost like a claim like yeah he's about to make 10,000 people scream his name but you're the only one that gets to have him on his knees like that.

He spots you sorting out their clothes for the quick changes just as a staff yells "Ten minutes!"

It's a simple touch to the small of your back but it feels like fire skating up your spine. Your head whips to find him and you barely catch him slip down the hall.

"Can you finish this up for me?" You hand the clothing to your assistant and go for the hallway, the chatter of voices getting quieter the farther you go.

"Mingi?" You call out for him. "We don't have time for this. You need to be with your members."

"I'll be quick, promise." You gasp as he appears behind you, lifting your body and carrying you into a nearby closet.

He doesn't even bother closing the door all the way, letting the light filter inside the small space through the crack. He's on his knees in a second, fiddling with the button of your pants.

"You're gonna get dirty! Get up!"

"You really want to spend the next eight minutes arguing or you want me to make you cum?"

You can see it in his eyes. He needs this. He's tense, anxiety coursing through his nerves. Six years and he's still afraid he won't do well enough.

Your silence gives him his answer as he resumes tugging your clothes down and off. Your hand finds it self in his hair as he kisses your thighs, hiking on up on his shoulder as he nips at your skin.

"Mingi.." You don't mean to rush him but now that he'd gotten you like this, the anticipation was killing you.

"I'm here. Not going anywhere." He mumbles just as his tongue stretches out and licks you up from hole to clit before settling his lips around it, making you shudder.

His tongue swirls around the bud along with the suction of his lips and it sends waves up pleasure to your senses, making your brain fog and your mouth the drop.

As soon as the first moan escapes your mouth, Mingi relaxes. His shoulders drop and his eyes flutter closed as your taste on his tongue takes him to heaven.

You let out a shaky curse when he split you open on two of his fingers, thrusting lazily into you but still hitting the spots he needed to have you shaking and gripping his hair and shoulders.

"Five minutes!" Another staff yells and just as you tense, Mingi groans against your sex, as his tongue and fingers trade places.

He rubs tight circles on your clit and opens his eyes to watch as you fall apart, his name on your lips in harsh whispers as you try not to be heard.

He keeps moaning against your pussy as your juices coat his chin and the tip of his nose. He can feel you getting close. It's in the way your eyes screw shut and your fingers practically grip the hair out of his head. The way your pussy clenches around his tongue so hard it makes his eyes roll back

So even before you let out a breathless, "Fuuck, Mingi!", he's ready to catch your release on his tongue.

"Thank you." He helps you get dressed again as you come down from your high. "Even though it was pretty risky this time."

"Any time, baby." You don't even want to look at him because if the hard on against your belly was anything, you're sure the sparkling in his eyes would have made you drop to your knees right then.

"Showtime everybody! Where's Mingi!? Anybody seen him?"

"You gonna go out like that?" You graze a hand across his boner and he lets out a hiss.

"Yeah..Trust me, fans will like it." He chuckles, before kissing your lips.

"Go be great."

"Always do."

[knightofthesevenfandoms]

Bee fell first, Gabe fell harder

I've seen it described the other way around, but I really believe this is how it happened.

Okay, so.

Bee fell first.

That first meeting, at the bar in Russia (?)

Gabe seems annoyed to be there. He's disinterested, doesn't know why he's there.

I don't think either is particularly interested in the other at this point. But it DOES start here. Well, it builds on something that happened at the airbase. Gabe realizes he has an equal who understands the frustration of being held accountable for all of Heaven, and so does Bee, with Hell. It's a strange feeling of camaraderie neither of them has felt before. Which is why Gabe gets flustered by the "Arma-bloody-gedon" and starts to joke about it. And Bee NOTICEABLY perks up when he's being a goofball about it.

Gabe then quickly shuts it down, with the "pity we'll never speak again." I think he's genuinely saying that. It's a shame he won't feel that camaraderie again, since obviously the war is still going to happen. Or so they both believe.

The next meeting. This was a HUGE jump. They went from "we're ready for Armageddon 2.0" to "how about no" in one meeting. Obviously we're given to assume that more meetings than we've seen have taken place. Gabe shows up at the bar and launches into his plan of no Armageddon. I think at this point he's intrigued by the way he feels when he's with them and if the war happens, he doesn't get to explore that more. Bee, on the other hand, is GONE for him at this point. The way they EAT UP his no-Armageddon plan immediately, and the way they're smiling at him?!

AND. The most important bit. When they explain the music to him. They do it SO GENTLY. Bee, the demon who's usually yelling, usually insulting everyone around them. They explain the music to help him understand. And he's receptive to it, maybe not necessarily enjoying the song itself, but enjoying it because Bee likes it. Bee's enjoyment makes him happy.

And the way they look at him when he says that. Head over heels.

I would still argue that at this point, Gabriel is still merely interested in exploring all these new feelings he gets when he's with Bee. He's taking this much slower than Bee. But then he invites them to go look at his statue. Does he understand how vain that is? Probably not, but the fact that he invited them to see something that makes him happy? He took a big step here. Maybe bigger than Bee realizes. This meeting has no pretense, no motive like the previous ones did. Those were "we need to talk about the war" meetings. This one is PURELY for the purpose of meeting up with each other.

And how sad Bee looks when Gabe is talking about how much he enjoys looking at the statue? They want so badly for him to look at them like that, but I don't think they realize that he's almost there.

How could they? They probably have feelings of doubt, of low self worth, because this is the Supreme Archangel Gabriel, they're a demon. He couldn't possibly reciprocate what they're feeling.

Could he?

But then they get their answer, at the pub, with the miracle. This is the angel who frowns upon frivolous miracles, thinks it's a waste of holy energy. He miracles the song to play for them. For no reason other than Bee. To make them happy, to see them smile. And smile they do.

Gabe fell harder

Beelzebub jumped in to their feelings with both feet, but Gabe was more hesitant. He did have a lot more to lose, I'd argue. Bee has already fallen, Gabe probably assumes he could fall for being involved with a demon. Especially since Heaven is probably intensely watching for that after, you know, that other angel and demon. Which is a terrifying prospect, I'd assume, for the angel in charge of everything. And he's vain, he loves himself, loves being righteous, loves the authority of Heaven. So of course he's more hesitant. But he leaves all that behind when he admits to himself that there's something worth more than choosing Heaven.

Y'all. Not only was he ready to fall, he welcomed it. He didn't want to spend another minute in Heaven without Bee. Look at his face when Metatron says he's going to remain an angel. He's SO DONE.

We're lead to believe that falling is the worst thing that can happen to an angel, and Gabriel is willing, no, insistent that he fall.

He wouldn't be falling because of Bee, he'd be falling for Bee.

[holylulusworld]

Big Grumpy Bear - Family Day snippet

Summary: He’s grumpy. You are sweet. A match made in heaven.

Pairing: Alpha!Walter Marshall x OmegaReader

Warnings: a/b/o, a/b/o dynamics, grumpy alpha, tooth-rooting fluff, daddy Walter, hinted breeding kink, pregnant omega

A/N: A short drabble.

Big grumpy bear masterlist

Catch up here: Big grumpy bear – Mother’s Day snippet

“Daaaaadaaa!” Your baby boy slowly stumbles toward his father on wobbling legs. You hold your breath, almost choking on tears, because these are your son's first steps. “Dada…”

“Baby boy!” Walter gasps, watching his son slowly and unsteadily stumble toward him. The little boy holds out his chubby hands, eyes wide and wet because he has missed his father. “Look at you!” Your husband crouches down to hold out his arms for his son.

The little boy walks a little faster. It’s more stumbling than walking, but he’s too eager to scent his father, his alpha.

“There you are, my big boy,” Walter coos as he wraps his arms around his son and picks him up. He kisses the top of Walter Jr.’s head, sighing happily. “He grew again, Y/N.”

“Yes, he did.” You giggle and point at your baby girl on your lap. She looks in her father’s direction, close to tears. She pouts and holds out her hands for Walter. “Someone else missed you too, Alpha.”

“Baby girl!” Walter sits on the couch next to his daughter on your lap. He coos her name and runs his large hand over her head. “Did you miss Daddy too?”

She chokes out a sob. “I guess this means yes, Walter.” You softly say this while Walter helps his son sit on his right thigh while you help him place his daughter on his left thigh. He wraps his large arms around their small bodies to steady them. "We have all missed you, Walter.”

“I’ve missed you too, Omega,” he purrs your name and leans closer to your side to steal a kiss. “How do you feel today? Do you need me to rub your back?” His eyes drop to your middle. Walter smirks as you purse your lips. “It’s not my fault you didn’t want to wait for me to put a condom on.”

“If I recall right, Alpha,” you say, and poke his upper arm with your index finger. You took the chance to sneak into the shower with me, and I couldn’t get clean. You got me dirty all over again.”

Walter grins again. He hums and recalls the night you are talking about. “What’s one more bundle of joy? Right?” Walter nuzzles his nose into your neck. “I love having you round and full of my babies. You smell like me if you are having my pups.”

“You won’t put another into me after the third one popped out!” You point your index finger at your baby boy and then at your baby girl. “We are going to be outnumbered soon enough. No more babies.”

This time, Walter pouts. He furrows his brows and thinks about arguing with you, a pregnant and sleep-deprived omega. “I could lend you a hand, Omega. Let me handle the little rascals, and you can get some sleep.”

“No,” you huff. “There is so much to do. I need to get more blankets for the nest and change their diapers. Oh, and they need to eat before they go to sleep. Both need a bath too, and I think one of them peed on me.”

“Love, leave all of this to me,” he says, kissing your cheek. “I’ll handle it.”

“You want to breastfeed them too?” You challenge with a big grin on your face. “Walter, they don’t do hairy and muscular chests.”

“Now let me take care of our bundles of joy. I can handle everything but the feeding. I understand they want yours. I prefer them too.” His eyes drop to your chest, and he licks his lips. “They are perfect and bigger since you’re lactating.”

“Walter, no!” You warn and scoot away. “No more babies.”

Walter hums when you shake your head.

“Aw, sweet omega. I’ll always have you full of me...”

Tags in reblog.

[semisolidmind]

How do you think season 5 would’ve gone in your Bad End or Twice As Bad AU?

ok, so

y'know how, since season 4, mk has been going through the whole “i don’t want to use or even acknowledge my monkey form because it makes me feel like a monster” thing? well, bad end/twice as bad mk doesn’t have that hangup to address, because he’s spent his entire life up until the shows’ events in that form, training and living in it. he knows no other way.

he is an incredibly powerful monkey demon; he is the harbinger of chaos, and he's fine with it.

his “mortal” form is the one he’s been having visions and confrontations with. (i imagine the ink curse in s4 using his mortal form to taunt him about being weak now that he's got mortals he cares about– "keep on compromising for them, and you'll end up just like them; too small and insignificant to ever make a difference.")

instead of having to face his fear that he may be dangerous (because as a crazy powerful monkey demon trained by the two other most powerful monkey demons in the universe, of course he is), his mortal self is trying to tell him that he doesn't have to be a monster like wukong. death and rampant destruction don't have to be his legacy.

the mortal mk in his meditative visions tells him that caring for his friends doesn't make him weak or undeserving of his power and lineage. the visions he has during the guardian trials (and the guardians themselves) tell him that in order to be a real hero, he has to care about those that his training would tell him are "lesser" than him (also that his friends aren't worth less just because they don't have a ridiculous amount of power).

mk would learn to accept that every being in the world has value, regardless of their status. nuwa would tell him this as well, when he meets her.

season 5 would be bad end/twice as bad mk's journey of accepting that he has a mortal heart, and that caring for others has immense power all on its own. he must choose to be the change to the status quo.

he'd always known he was an "agent of chaos," but the events of season five cement in his mind that he was brought into the world for a reason. just that now, he alone gets to decide what that reason is.

----------

as for his mentors...

getting captured and re-bound by the gold fillet wasn't exactly on the monkey king's itinerary, and he's majorly pissed. he levels the surrounding area about it, and decimates all of the soldiers sent to subdue him (regardless of how agonizing the tightening spell is; the pain just makes him angrier). he breaks every ward and barrier placed against him, tears apart any enemy who dares to come close. his rage is a force to be reckoned with.

wukong had sworn he'd never be subjugated by heaven ever again; he's definitely not just gonna let this slide. the celestial realm will suffer for their breach of the tentative peace they brokered by leaving the monkey king well enough alone.

as the only one that gets captured after his fit of rage, he only has to get himself out of celestial prison. easy, despite how many wards are placed on his cell (it's not like heaven has ever been much of a threat to him before, after all). he has to get back to the group, for his family's sake. nothing will stand in his way.

macaque only barely dodges getting locked into a fillet as well, and uses his advantage to launch a sneak attack on nezha and li jing; this forces them back and gives the gang their chance to escape in the chaos caused by the monkey bros.

the shadow general takes the distraction provided by wukong's rampage to get reader and everyone else somewhere safe. from there, the gang helps mk find all the stones, defeat the guardians trials, and eventually make their way to the pillar.

both wukong and macaque try to stop mk from sacrificing himself (in-between fighting the nine-headed demon), and reader tries to talk him down from it. however, she can't argue with the look of quiet determination on his face..she knows that he's made up his mind. with tears in her eyes she embraces him, then lets him go.

wukong tries to go after him, but one look at reader stops him. she's...she's accepted his decision. just like she always has. maybe...maybe this time, wukong should too. he sheds tears and holds onto his wife... but doesn't follow his son into the pillar.

the world goes silent, before bursting back to life.

the stones are destroyed, the nine-headed demon dissapears, and things go back to almost normal.

----------

—i imagine reader, with her skills as a peacemaker developed from her centuries as queen of flower fruit mountain, is the one who keeps everyone calm and grounded throughout their ordeals. she's gotten to know them all through her adopted charge, and keeps them on track.

—now it'd make sense for reader to be left relatively safe on ffm, but given the state of the universe in this season, the monkey bros aren't about to let her out of their sight (weird end-of -the-world-again family road trip). they don't care much for the rest of existence, but even they have to acknowledge that they'd prefer the world and their mountain unbroken.

—the pagoda sequence is a very emotionally tense one for reader and the boys in twice as bad. reader relives being stolen and the early years of her imprisonment; after they break her out of the hundred eyed demon's spell, she won't look at either of them and flinches away when they try to touch her; little does she know, her husbands relived the same thing (plus all the other bad shit they've done). they've learned enough compassion for her to feel a bit of shame.